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Divine Comedy (Oxford World's Classics)
 
 

Divine Comedy (Oxford World's Classics) [Paperback]

Dante Alighieri Alighieri Dante David N. Higgins
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

A new blank verse translation of Dante's epic, complete with an authoritative Introduction, diagrams, maps, and notes.

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line drawings, maps, tables

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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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5.0 out of 5 stars Divine, Jan 11 2009
By 
E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(HALL OF FAME)    (TOP 10 REVIEWER)    (REAL NAME)   
This review is from: The Divine Comedy (Paperback)
"Midway life's journey I was made aware/that I had strayed into a dark forest..."

Those eerie words open the first cantica of Dante Alighieri's "Divine Comedy," the legendary poem that takes its author through the eerie depths of hell, heaven and purgatory. It's a haunting, almost hallucinatory experience, full of the the metaphorical and supernatural horrors of the inferno, and joys of paradise.

The date is Good Friday of the year 1300, and Dante is lost in a creepy dark forest, being assaulted by a trio of beasts who symbolize his own sins. But suddenly he is rescued ("Not man; man I once was") by the legendary poet Virgil, who takes the despondent Dante under his wing -- and down into Hell.

But this isn't a straightforward hell of flames and dancing devils. Instead, it's a multi-tiered carnival of horrors, where different sins are punished with different means. Opportunists are forever stung by insects, the lustful are trapped in a storm, the greedy are forced to battle against each other, and the violent lie in a river of boiling blood, are transformed into thorn bushes, and are trapped on a volcanic desert.

Well, that was fun. But after passing through hell, Dante gets the guided tour of Purgatory, where the souls of the not-that-bad-but-not-pure-either get cleansed. He and Virgil emerge at the base of a vast mountain, and an angel orders him to "wash you those wounds within," then lets them in.

As Virgil and Dante climb the mountain, they observe the seven terraces that sinners stay on, representing the seven deadly sins -- the angry, the proud, the envious, the lazy, the greedy, the lustful and the gluttons. It's a one-way trip, and you don't even get to look back.

The road up the mountain leads to the gates of Heaven, and soon Dante has been purified to the point where he's allowed to go inside. Virgil doesn't get to enter Heaven, so he passes Dante on to the beautiful Beatrice, the woman he loved in his younger years.

She whisks him up to the spheres of those who are now pure of soul -- the wise, the loving, the people who fought for their religion, the just, the contemplative, the saints, and finally even the angels. And after passing through heaven's nine spheres, he passes out of the physical realm and human understanding -- and sees God, the incomprehensible, represented by three circles inside each other, but all the same size.

Needless to say, it's a pretty wild trip.And admittedly "Purgatorio" and "Paradiso" aren't quite on the writing level of "Inferno," which has the most visceral, skin-crawling imagery and lines ("Fixed in the slime, groan they, 'We were sullen and wroth...'"), and a wicked sense of irony. It makes the angels and saints seem a bit tame.

But there's plenty of power in the second two books, particularly when Dante tries to comprehend God, and almost blows out his brain in the process -- "my desire and my will were turned like a wheel, all at one speed by the Love that turns the sun and all the other stars." It's haunting, and sticks with you long after the story has ended.

More impressive still is his ability to weave the poetry out of symbolism and allegory, without it ever seeming preachy or annoying. Even at the start, Dante sees lion, a leopard and a wolf, which symbolize different sins, and a dark forest that indicates suicidal thoughts. Not to mention Purgatory as a mountain that must be climbed, or Hell as a Hadesian underworld.

Dante's vivid writing and wildly imaginative journey makes the "Divine Comedy" a timeless, spellbinding read, and hauntingly powerful from inferno to paradiso.
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5.0 out of 5 stars 5,000 Stars! Dante is the BEST!, Jun 4 1999
This review is from: Divine Comedy (Oxford World's Classics) (Paperback)
Divina Commedia is the most AWESOME story ever written. Dante ranks among the most brilliant men of all time. Maybe I feel this way because I'm a kid who likes fantasy novels, but I must say that I have read no wilder, more beautiful adventure quest than Dante's journey through the Catholic hereafter. The imagery alone is incredible. These books are stunning. Really. They make me wish I could understand Italian so I could catch the magic of Dante's rhyme... And if you've already read the Commedia, you haven't caught the whole story until you've finished La Vita Nuova as well! La Vita Nuova is a collection of sonnets about Dante's reactions to the life and death of Beatrice. Don't miss it. One more thing... If you're a Dante groupie like me, listen to the song "Dante's Prayer" by Loreena McKennit.
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Amazon.com: 4.2 out of 5 stars (8 customer reviews)

12 of 13 people found the following review helpful
4.0 out of 5 stars Compelling One-Volume Edition of Dante's Divine Comedy, Dec 9 2008
By William B. Jones - Published on Amazon.com
This review is from: The Divine Comedy (Paperback)
C. H. Sisson's one-volume edition of Dante's masterpiece on life and faith, accompanied by David Higgins' introduction and notes, may be recommended to anyone seeking entry to Dante's cosmos. The advantage of a single-volume edition of the Dante's "Comedy" is that, though one may be assigned a single volume in a course (most often Inferno), with the other volumes included in the same binding one is more likely to return to the rest of it later. To be assigned "Inferno" alone is to leave the reader stranded at hell's gate, offering neither the cautions "Purgatorio" makes for the living, nor the light its author intends "Paradiso" to shine out for the world.

Other key single-volume offerings are Mark Musa's well-annotated "Portable Dante", Allen Mandelbaum's "Everyman's" cloth edition (with concise end-notes by Peter Armour and line drawings by Botticelli), and John Ciardi's still-inviting translation (New American Library). Those seeking more expansive introductions and notes may turn to Kirkpatrick's individually available Penguin volumes, Mandelbaum's Bantam volumes (annotated by him, with illustrations by Barry Moser), and Esolen's Modern Library volumes. W. S. Merwin's stand-alone "Purgatorio", Robert Pinsky's solitary "Inferno", and Elio Zappulla's brisk "Inferno" are also each significant poetic accomplishments.

6 of 6 people found the following review helpful
5.0 out of 5 stars Easiest to read, Dec 12 2011
By alli_burnie - Published on Amazon.com
This review is from: The Divine Comedy (Paperback)
I bought a copy of this translation of the Dante's Divine Comedy because I wanted to read all 3 parts - Inferno, Pergatory and Heaven - beginning to end. Due to a different specialisation, I was never required to read this at university. I knew that reading Dante's masterpiece from start to finish would be a challenge and so I knew, to give myself the best chance of success, I needed to have a translation which I could understand.

I tried some different translations and browsed others. But this paired down text, whilst absent of thou's, thee's and grammatical complications, was by far the easiest to understand and keep on reading in a flowing manner. It means I can see the imagery that Dante wrote, even though I might not experience any sense of his original turns of phrase. And what imagery it is... it's stunning. I think Dante's creation of hell, pergatory and heaven carry over, through translation from an old Italian to quite modern English, via paired down text. For what it's worth, I think so much of the original writing would be lost just by translating from the old Italian to any sense of modern English - I felt it was better to not worry about that at all.

I once read in the introductory chapter of another translation of the Divine Comedy that it would be ideal to just read it from cover to cover, but that the modern reader is likely to hit a wall at some point and need some historical contextual information in order to keep going. I've almost finished Inferno, in Sisson's translation, and I've hit no wall as yet. I'm really enjoying the journey, the stunning worlds created by Dante, and the main characters. I will go and read some of the notes afterwards, I hope I can get something out of them by reading them seperately to the main text. But I'm loving have my reading experience un-interrupted by footnotes all over the place.

I'm enjoying this translation as the easiest way to just flow through the story and appreciate this incredible work - I would highly recomend this translation to anyone who just wants to understand what it is they're reading, rather than struggling to comprehend the very meaning of what is written.

7 of 9 people found the following review helpful
4.0 out of 5 stars Very nice translation, Sep 24 2002
By Aaron P. Beck "aaron54de" - Published on Amazon.com
This review is from: Divine Comedy (Oxford World's Classics) (Paperback)
The book is a bit bulky as a paperback, with a third of the bulk being footnotes and extraneous writings. Why not go ahead and include etchings, too? I don't need that. I already have the books in separate with all the historical info I need, and if I hadn't, I have the library within a few minutes drive. I was looking for a compact version of the trilogy to carry around (I don't know why) or keep beside my bed. Anyway, the translation compared to others I've leafed through is superb. No nonsense and very straight-forward, but at the same time betraying a certain depth. You can choose to read between the lines or not. The translation warrants a 5-star rating, but the book's fuction as a paperback brings that rating down.
 Go to Amazon.com to see all 8 reviews  4.2 out of 5 stars 
 
 
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