Doctor Who: The Aztecs

The DVD is one of the best I have seen. The BBC seems to be taking a pride in their picture and sound quality now, as well as giving a decent number of well-made extras.

The picture has been extensively restored from a filmed copy of a video recording, with much effort spent to eliminate scratches, missing frames, distortion and sound problems. This release also benefits from the new Vidfire system which converts the sometimes jerky look of filmed television into a smooth looking video picture. This looks so good, you would think it was recorded yesterday if it had not been black and white.

The commentary is interesting, featuring the two surviving lead actors, Carole Ann Ford (Susan) and William Russell (Ian) plus the series' producer Verity Lambert. There is an element of memory loss which is unsurprising after nearly forty years, and this means that it is probably about right to have three people doing the commentary. The information subtitles are similarly useful but more thorough, however I think these should be written after the commentary to avoid duplication and to correct any mistakes the cast may make in remembering things.

There is a comic section on how to make coffee Aztec style with John Ringham and Walter Randall supplying voice-overs to a South Park style cartoon of their Doctor Who characters Tlotoxl and Tonila. This has to be seen to believed. Unfortunately Randall seems to have forgotten how to act, but full marks to him for taking part. The same two actors are featured in a short documentary 'Remembering The Aztecs', alongside an impossibly young looking Ian Cullen. All three have interesting things to say about the story, its production, and its stars. The actors also each contribute two spoken introductions to the story, selected at random when the story is played.

Set designer Barry Newbery contributes another short documentary about his work on the serial, well illustrated with his own superb photographs (some in colour). Another short piece shows the viewer what efforts have been made to restore the picture and sound, a textbook example of video restoration. I usually find DVD photo galleries rather boring, but the gallery on this disc is presented more imaginatively - the pictures fade swiftly from one to the next with a nice frame and sound effect.

There is the now standard TARDIS Cam - all very well done, but what is the point of them? Except to show what the BBC Special effects department could do these days if only the BBC commissioned another series of Doctor Who! Another odd inclusion (Useful for completists) is the option to select an Arabic soundtrack for episode 4. I think I might try this one day for fun! The disc is rounded off with a small except from Blue Peter with Val Singleton sitting on the steps of a Ziggurat telling the story of Cortez and Montezuma.

I recommend this disc for anyone who is interested in 1960s television production, Aztec history, or who just wants to watch a cracking Doctor Who story.

Most notably is frame-by-frame restoration of the story. Part and parcel of being a "Doctor Who" fan is accepting the show's poor visual look. Not poor as in aged special effects or wobbly sets, but poor as in picture quality. "Who" was always recorded on videotape, but the tape from the show's entire 1960s run has long since been destroyed, and those episodes are only available now on ancient, scratchy film transfers. "The Aztecs" DVD doesn't miraculously unearth the original videotapes... but it does run the film through a special restoration process which mostly restores the old video look. No scratches, no jumps, this time. Now you can see the original sets and flimsy decorations in all their harsh studio-light glare, and you can see those lights reflected in all the actors' foreheads.

Now, while I'm sure most people who still watch "Doctor Who" don't watch it for picture quality, these DVDs do serve an extreme niche market, and it's nice to know that someone on the DVD-production end is actually trying to put out a worthwhile product.

Apart from the story (which is so brilliant that I won't do it the injustice of a 3-sentence plot summary), the DVD also benefits from the inclusion of the original actors in the special features. The audio commentary track is a major disappointment. Actor William Russell (Ian) is so old that he doesn't seem to realize he's watching a younger version of himself. Carole Anne Ford (Susan) was on vacation for most of "The Aztecs", so her comments are limited to several variations on "Oh, that's pretty!". The star of the commentary is the show's original producer, Verity Lambert, though there was slightly less insight on "Doctor Who"'s beginnings than I expected. I do hope she'll be included on future Season 1 DVDs

Three actors from the "Aztec"'s secondary cast take part in a 30-minute "Remembering the Aztecs" featurette. Ian Cullen (Ixta) sits at a table in a garden, reading from a very visible script, although his glasses are off. Walter Randall (Tonila) and John Ringham (Tlotoxl, a name not pronounced the same way twice throughout the entire story) sit together on a couch, Randall with his shirt unbuttoned and navel revealed. What's up with that? Best of all, Randall and Ringham provide *new* character voices for a hilarious animated short ("Making Cocoa") done in South-Park style, and all three record in-character voice introductions when you select the "Play All" option. And look for the easter egg hidden on the Special Features menu.

There's also a nice 5-minute history lesson on the Aztecs, thrown in from a 1971 children's TV program. The half-hour interview with the episode's set designer, Barry Newbery, goes on a bit too long, but again, these DVDs are aimed at the kind of audience that might appreciate this sort of excess.

Happily, the usually interminable photo gallery now plays by itself, so you don't have to stab the "next" button on your remote every 3 seconds. The photos are mostly useless, but the color snapshots are fun, since you can see what the costumes were actually supposed to look like, before the 1964 story was recorded in glorious Black-&-White-O-Vision.