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Doctor Who: City of Death
 
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Doctor Who: City of Death

William Hartnell , Patrick Troughton    Unrated   VHS Tape
4.2 out of 5 stars  See all reviews (14 customer reviews)

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The late Douglas Adams (The Hitchhiker's Guide to the Galaxy) co-wrote this enormously popular four-part story from 1979, which pits the Doctor (Tom Baker) and Romana (Lalla Ward) against a time-traveling alien (Julian Glover) whose body, fragmented by an accident, spurred evolution millions of years ago. Now restored to his full (and horrific) form, he plans to travel back in time and prevent the destruction of his ship--which in turn would profoundly affect the course of humanity. A terrific blend of science-fiction thrills and humor (well-played by Baker and Ward), City of Death also benefits from its Paris locations and terrific performances by Glover and Space: 1999's Catherine Schell, as well as a pair of unexpected cameos from John Cleese and Eleanor Bron as art critics. The story's high caliber was rewarded with phenomenal ratings (reportedly, the largest ever for Doctor Who), and has remained a fan favorite ever since.

DVD features
Thanks to its popularity, the two-disc DVD of City of Death comes with an abundance of typically topnotch supplemental features. The commentary by Glover, co-star Tom Chadbon, and director Michael Hayes, is the longest and most informative of the extras, but it's well-matched by Paris in the Springtime, a 45-minute making-of featurette that offers rare archival interviews with Adams and many of the cast (but not Baker or Ward, sadly) and crew. Paris, W12 offers 20 minutes of studio footage taken from 1/2-inch videotape, while Prehistoric Landscapes and Chicken Wrangler are very different views of the story's special effects (the latter is a particularly amusing glimpse at the challenges of working with live animals). Finally, there's Eye on Blatchford, a wry parody of BBC "human interest" news items, here focusing on another alien attempting to live peacefully in the rural English countryside. Production notes and photos and a batch of well-concealed Easter eggs round out this highly enjoyable set. --Paul Gaita

Video Details

In one of the most popular episodes, the Doctor and Romana must abandon plans for a peaceful holiday in Paris when curious cracks appear in the fabric of time itself.

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Customer Reviews

14 Reviews
5 star:
 (9)
4 star:
 (2)
3 star:
 (1)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (14 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful
5.0 out of 5 stars Exquisite, simply exquisite!, Jan 8 2003
By 
Daniel J. Hamlow (Narita, Japan) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
This review is from: Doctor Who: City of Death (VHS Tape)
The Doctor and Romana are on holiday in Paris, 1979, which among the vintage of years, is "more of a table wine. Lacks true distinction." They become involved in the doings of Count Scarlioni, a filthy rich art collector who has recently attracted attention by selling heretofore presumed lost masterpieces. He also seems to be selling genuine looking fakes, such as a Gainsborough and a Guttenberg Bible. Also investigating is Duggan, a dim British detective in beige trenchcoat who mainly likes thumping people.

Time suddenly jumps a groove for a few seconds, and it is the temporally sensitive Time Lords who notice and realize that something funny is going on. It happens for the second time in the Louvre and while the Doctor is looking at the Mona Lisa. He snatches an unusual bracelet from a pretty woman. Question: what is an Earth woman doing wearing a micromeson scanner, which could be used for detecting the Louvre's alarm system?

The Count is involved in conducting some time experiments with the help of the meek Russian scientist Theodor Nikolai Kerensky. For a sample of what he's working on, check the scene involving the egg and chicken.

This was the first of three foreign on-location stories, the other two being the Netherlands (Arc Of Infinity) and Spain (The Two Doctors). The story moves quickly in order to flesh out the Parisian scenery, but it's the snappy and witty dialogue that really uplifts this story. Example:

Romana: Shall we take the lift or fly?
Doctor: Let's not be ostentatious.
Romana: Let's fly then.
Doctor: That would look silly. We'll take the lift.

At least one Who book points out that Duggan sees the Doctor and Romana on the ground so quickly in the end, that from the time they left him, they must have flown from the tower.

More witty dialogue:

Romana: Where are we going?
Doctor: Philosophically or geographically?
Romana: Philosophically
Doctor: Philosophically, we're going to lunch.

And the first thing Romana says when the Doctor introduces her to the Mona Lisa is "how come she doesn't have any eyebrows?" Later, the woman who posed for the Mona Lisa is also described by the Doctor as "that dreadful woman with no eyebrows who wouldn't sit still."

The Countess (on the Doctor): I don't think he's as stupid as he seems.

The Count: Nobody can be as stupid as he seems.

Then there's John Cleese and Eleanor Bron's cameos in Episode 4, where they think the TARDIS is an objet d'art whose afunctionalism belies the fact that the art lies in the fact that it is here. When it vanishes, Bron says. "Exquisite, simply exquisite." Which this story is.

Other things: the cliffhangers to Episode 1 and 2 are superb. And well-known guest stars are Julian Glover (the Count) who played Richard Coeur de Lion in the Who story The Crusaders and was General Veers in The Empire Strikes Back. Catherine Schell (Countess) has two famous siblings: Maximilian and Maria Schell.
This story got the highest viewing figures for any Who story: 16.3 million viewers for episode 4 and an average of 14.5 million viewers overall! Episode 3 (15.4 million) broke the record set by Episode 4 of the previous story, Destiny of the Daleks (14.4 million) Finally, Douglas Adams wrote this story under the pseudonym David Agnew. Scaroth's ultimate goal was replicated in his novel, Dirk Gently And The Holistic Detective Agency.

If not the best Doctor Who story, probably the best and wittiest Tom Baker story.

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2 of 2 people found the following review helpful
5.0 out of 5 stars Best Who ever!!!!, Nov 20 2001
By 
This review is from: Doctor Who: City of Death (VHS Tape)
Nearly an all-star cast, including Julian Glover, studs this sterling script. John Cleese makes a cameo appearance as one of two art-buffs critiquing the TARDIS where it stands in an art gallery. Fantastic jokes, and a fall-off-your-sofa-laughing scene where the Doctor (Tom Baker) makes his Harpo Marx entrance to the villain's stronghold. Cute scenes of the Doctor and Romana (Lalla Ward) frolicking through the streets of 1979 Paris.
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1 of 1 people found the following review helpful
5.0 out of 5 stars Classy and Classic, April 14 2002
By 
Peter Ingemi (Worcester County, Massachusetts United States) - See all my reviews
(REAL NAME)   
This review is from: Doctor Who: City of Death (VHS Tape)
In addition to some front line actors (Julian Glover for one) and a great comic relief cameo by John Cleese (who's details I will not spoil here) this episode has some one of the best storylines and some of the best tag lines of the series. ("Dugen Why is it every time I try to talk to someone you hit them?")

Lalla Ward's Romana is a mature character who could have easily carried her own series as a Time Lord if the powers that be decided it. She even as a 2nd bananna here continues to show that she fits like a glove into the role. Tom Baker is, well Tom Baker who always brings his sense of mania to the character.

The best episode of its season.

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