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Chief among the wealth of extras on the Mark of the Rani DVD is a commentary track featuring a typically charming Baker and Bryant, who are joined by O'Mara; Baker, in particular, shines here by giving a considerable amount of production information along with personal reminiscences. "Lords and Luddites" is a 43-minute featurette about the serial's conception and production (narrated by UK television personality Louise Brady) that's chock full of interviews with the cast and crew, including the Bakers and composer Jonathan Gibbs (who is also profiled in a short interview piece), who replaced John Lewis, who died during production (both composers' soundtracks are offered in isolated music tracks). A battery of deleted and extended scenes, a return jaunt to the production locations, related clips from the children's TV programs Blue Peter and Saturday Superstore, and the by-now standard photo gallery, text-only information track, and PDF files for the Doctor Who Annual and Radio Times listings round out the supplements. --Paul Gaita
The Doctor and Peri are en route to Kew Gardens, but the TARDIS is pulled of course to 1826. There, they try to find the source of the time disturbance and trace it to the Rani, who like the Master is a renegade Time Lord and an old classmate.
This is a semi-historical story, as they meet George Stephenson, the engineer whose Blucher locomotive hauled coal from Killingworth colliery. The Doctor tells Peri: "How would you like to meet a genius?" She says, "I thought I already had."
The Rani, who has been taking the brain fluid enabling men to sleep throughout history, treats humans as "walking heaps of chemicals." "There's no place for the soul in her scheme of things." Result: the men become restless and violent. When the Doctor argues that humans haven't done any harm to her, she counters with: "They're carnivores. What harm have the animals in the fields done them, the rabbits they snare?... Do they worry about the lesser species when they sink their teeth into a lamb chop?" Point to the Rani there. She's so callous, the Doctor angrily tells her "They should never have exiled you. They should have locked you in a padded cell!"
The Master is also here. Not only has he improved his compressor so that its victim totally vanishes, he wants to use the Rani's skills to continue his feud with the Doctor. The Rani has nothing but contempt for the Master and even mocks the rivalry between them: "It obsesses you to the exclusion of all else.", "You're unbalanced--no wonder why the Doctor always outwits you." She even says of his schemes: "It'd be something devious and overcomplicated. He's be dizzy if he tried to walk in a straight line." Indeed, the Master is a bumbler here compared to the clever and efficient Rani. I wouldn't want to tangle with the Rani.
The interior of the Rani's TARDIS alone is worth watching this episode, as is a feature of it revisited at the end of The Two Doctors. Let's see, goofs and other things: The cliffhanger to Part 1 is effective, there's a small added scene when the cliffhanger is repeated in Part 2, which elicits a "Oh, come on!" Peri has a nice apricot dress, but as for that yellow top... urgh! And the Luddite riots ended in 1816, a decade earlier.
Kate O'Mara makes the Rani more formidable than the Master and easily carries this story. Other honors go to Gawn Grainger as Stephenson and as Terence Alexander as Lord Ravensworth, head of Killingworth. One of the Sixth Doctor's best stories, with the harsh 1820's replicated remarkably well.
The Doctor and Peri are en route to Kew Gardens, but the TARDIS is pulled of course to 1826. There, they try to find the source of the time disturbance and trace it to the Rani, who like the Master is a renegade Time Lord and an old classmate.
This is a semi-historical story, as they meet George Stephenson, the engineer whose Blucher locomotive hauled coal from Killingworth colliery. The Doctor tells Peri: "How would you like to meet a genius?" She says, "I thought I already had."
The Rani, who has been taking the brain fluid enabling men to sleep throughout history, treats humans as "walking heaps of chemicals." "There's no place for the soul in her scheme of things." Result: the men become restless and violent. When the Doctor argues that humans haven't done any harm to her, she counters with: "They're carnivores. What harm have the animals in the fields done them, the rabbits they snare?... Do they worry about the lesser species when they sink their teeth into a lamb chop?" Point to the Rani there. She's so callous, the Doctor angrily tells her "They should never have exiled you. They should have locked you in a padded cell!"
The Master is also here. Not only has he improved his compressor so that its victim totally vanishes, he wants to use the Rani's skills to continue his feud with the Doctor. The Rani has nothing but contempt for the Master and even mocks the rivalry between them: "It obsesses you to the exclusion of all else.", "You're unbalanced--no wonder why the Doctor always outwits you." She even says of his schemes: "It'd be something devious and overcomplicated. He's be dizzy if he tried to walk in a straight line." Indeed, the Master is a bumbler here compared to the clever and efficient Rani. I wouldn't want to tangle with the Rani.
The interior of the Rani's TARDIS alone is worth watching this episode, as is a feature of it revisited at the end of The Two Doctors. Let's see, goofs and other things: The cliffhanger to Part 1 is effective, there's a small added scene when the cliffhanger is repeated in Part 2, which elicits a "Oh, come on!" Peri has a nice apricot dress, but as for that yellow top... urgh! And the Luddite riots ended in 1816, a decade earlier.
Kate O'Mara makes the Rani more formidable than the Master and easily carries this story. Other honors go to Gawn Grainger as Stephenson and as Terence Alexander as Lord Ravensworth, head of Killingworth. One of the Sixth Doctor's best stories, with the harsh 1820's replicated remarkably well.
The master is back and is in production-continuity order. (the last 4 years of the show, the Master comes back and nobody wants to explore the idea that the Master could have died at one encounter but thanks to time travel the Doctor can meet him before he dies!)
There are some historical dating problems, but history itself is usually falsely written anyway and this is *entertainment* and *science fiction*.
The Doctor is arguably at his best here and somehow is a more interesting adversary for the Master than the 5th Doctor.
The Rani is cool and calm and pokes great fun at the Doctor/Master rivalry and it's brilliant.
Get some wine and sit back, it's not an action piece but does indeed entertain.
Oh, and check out the Rani's TARDIS interior. Definitely a highlight given the show's low budget...
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