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I loved the portrayal of Clarence as an obsessive do gooder who's fear of doing the wrong thing causes him to commit evil acts in the name of justice. The villain, Rowajinski, is one of her most hateful since the lawyer in A Suspension Of Mercy or David Pritchard in Ripley Under Water.
I reccomend this book highly to anyone who loves a good read and a story where the characters don't always act rational but the story stays true to life. This book shows there truly is no such thing as good or evil, it's just a matter of perception.
With the kooks on both sides of the law this time there's an even more claustrophobic effect, as she shows just how frightening the people around us may be and how dangerous every day life is, but it's all offset by a dark sense of humor. It's not as good as her best, but it's worth seeking out.
GRADE : B
All the usual Highsmith elements are here -- smooth, accomplished writing, an absorbing plot, eerily believable characters, and an authentic feeling for locale (in this case, 1970s Manhattan); on the whole, however, the book isn't nearly as successful as many other Highsmith works. The ending is something of a shock, and leaves one wondering just what she was trying to say and accomplish; the thematic material also -- though never overt in Highsmith -- is especially hard to assemble, and creates a suspicion that, in this book, there wasn't any.
Though it's well worth reading for the page-turning suspense, I wouldn't pay too much for some rare copy -- esp. as there are plenty of other Highsmiths that are very exciting and work quite well on other levels too ("Cry of the Owl," which is still in print; "This Sweet Sickness," which isn't; and "Strangers on a Train," which has been out of print for years but will be re-issued by Norton in August 2001).
Not bad, but if you're not a Highsmith fan, trying something else first.
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