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Based on a memoir by former undercover cop Joe Pistone (whose daring and unprecedented infiltration of the New York Mob scene earned him a place in the federal witness protection program),
Donnie Brasco is like a de-romanticized, de-mythologized version of
The Godfather. It offers an uncommonly detailed, privileged glimpse inside the world of organized crime from the perspective of the little guys at the bottom of Mafia hierarchy rather than from the kingpins at the top.
Donnie Brasco is not only one of the great modern-day gangster movies to put in the company of
The Godfather films and
GoodFellas, but it is also one of the great undercover police movies--arguably surpassing
Serpico and
Prince of the City in richness of character, detail, and moral complexity. Donnie (Johnny Depp, a splendid actor) is practically adopted by Lefty Ruggiero (Al Pacino), a gregarious, low-level "made" man who grows to love his young protégé like a son. (Pacino really sinks into this guy's skin and polyester slacks, and creates his freshest, most fully realized character since his 1970s heyday.) As Donnie acclimates himself to Lefty's world, he distances himself from his wife (a terrific Anne Heche) and family for their own protection. Almost imperceptibly his sense of identity slips away from him. Questioning his own confused loyalties, unable to trust anybody else because he himself is an imposter, Donnie loses his way in a murky and treacherous no-man's land. The film is directed by Mike Newell, who also headed up
Four Weddings and a Funeral and the gritty, true crime melodrama
Dance with a Stranger.
--Jim Emerson
Review
Focusing on the nuts-and-bolts world of an everyday mobster and the undercover cop with whom he forms a doomed camaraderie, Donnie Brasco achieves an accessible mix of entertainment and reality. Director Mike Newell was previously best-known for the romantic comedy Four Weddings and a Funeral (1994), and he admirably switches gears without losing his knack for character-driven storytelling. Johnny Depp proves his versatility in the lead role of a family-man cop whose made-up mobster alter ego gains him acceptance in The Family; opposite him, Al Pacino crafts a fascinating, world-weary gangster, distinct from the mobsters he's played in the past. His Lefty is a far cry from the slick, bright Michael Corleone, but the character eventually comes to the similar realization that life among wise guys doesn't always translate into a life of wise decisions. ~ Matthew Doberman, All Movie Guide