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Door Wide Open: A Beat Love Affair in Letters, 1957-1958
 
 

Door Wide Open: A Beat Love Affair in Letters, 1957-1958 [Paperback]

Jack Kerouac , Joyce Johnson
4.6 out of 5 stars  See all reviews (10 customer reviews)
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They met in early 1957, eight months before the publication of On the Road made Jack Kerouac the most famous young writer in America. Some of the bitterest, saddest letters Kerouac wrote to his 21-year-old lover, Joyce Glassman, reveal the personal cost of the hysterical media attention that followed. Yet their early correspondence shows a side of Kerouac not always evident in his fiction: tender, spiritual, and supportive of Glassman's efforts to write her first novel. Now known as Joyce Johnson, she supplements the text of their epistles with commentary whose sensitive, rueful tone will be familiar to readers of her memoir, Minor Characters. The loving but independent air she assumed in her letters, Johnson notes, came from painful rewriting to eliminate all hints of hurt or need; as he wandered in and out of her life, Kerouac kept reminding her he didn't want to be tied down, even as he urged her to come visit whatever city he'd alighted in. Spiced with marvelously evocative period slang like dig and swing, and references to friends such as Allen Ginsberg and Neal Cassady, this poignant epistolary record of a 22-month love affair also brings to life an exciting moment in American cultural history, when the Beat writers gave "powerful, irresistible voices to subversive longings." --Wendy Smith --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

In a hip, literate correspondence marked by high diction and '50s slang, 21-year-old Johnson (born Glassman) and 35-year-old Kerouac chart the flowering of the Beats and their complicated love affair. An initial matchmaking move by Allen Ginsberg led to Johnson's and Kerouac's first meeting in Greenwich Village, followed by 22 months of romance, withdrawal and, eventually, friendship. Through her understated commentary and narrative links, NBCC-Award winner Johnson (Minor Characters) provides tender insight into Kerouac's troubles, particularly his unease at becoming the Beat spokesman with the 1957 publication of On the Road and his "convoluted attachment" to his mother, Memere, which made it impossible for him to sustain relationships with other women. Johnson's presence throughout makes the story hers--that of a sheltered Barnard grad who considered writing "an illicit and transgressive act" and who must have found in Kerouac a kindred soul. Yet it was her desire for a more lasting union than Kerouac would give that led to their breakup: "'You're nothing but a big bag of wind," she told a dallying Kerouac, and left. Although the Kerouac romance dominates the text, the author's brief description of her happy marriage to James Johnson, which ended with his death in a motorcycle accident, puts the affair in perspective and shows readers a greater reason for the sadness that suffuses the book. First serial to Vanity Fair; 3-city author tour. (June)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Inside This Book (Learn More)
First Sentence
THE NIGHT OF OUR BLIND DATE in January 1957, Jack couldn't even afford to buy me a cup of coffee-his last twenty had vanished earlier that day when he'd bought a pack of cigarettes and received change for a five-so I treated him to a hot dog and baked beans at Howard Johnson's. Read the first page
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Front Cover | Copyright | Excerpt | Index | Back Cover
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10 Reviews
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Average Customer Review
4.6 out of 5 stars (10 customer reviews)
 
 
 
 
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4.0 out of 5 stars An Open Door Offering Insight To The Beat Generation & Love!, Nov 2 2003
By 
Jana L. Perskie "ceruleana" (New York, NY USA) - See all my reviews
(REAL NAME)   
This review is from: Door Wide Open: A Beat Love Affair in Letters, 1957-1958 (Paperback)
Jack Kerouac warned Joyce Johnson, nee Glassman, on the first night they spent together, back in 1957, "I don't like blondes." In spite of their inauspicious beginning, Kerouac kept returning to Glassman over a period of two years, during which time he restlessly wandered the US and Mexico. They met on a blind date set up by poet Allen Ginsberg, almost a year before Kerouac's name became a household word with the publication of "On The Road." She was an intelligent, talented, independent twenty-one year-old, and he was thirty-five, "pop-culture's guy's guy," "The King of the Beats," on the brink of enormous success.

This collection of letters, poems and postcards, between Kerouac and Ms. Glassman, written over a two-year period, are interspersed with Glassman's elegant, focused writing, as she poignantly comments on their relationship and the times. Glassman-Johnson wrote in her Beat Generation memoir, "Minor Characters," "If time were like a passage of music, you could keep going back to it till you got it right." This sense of sadness and longing permeates the book. She gives an insightful view of what it was like to be a "liberated woman" and an aspiring author back in the late 1950s. Her crowd may have been Beat Generation icons, but a double standard was still the norm. Glassman's struggle to be a writer of consequence, and her battle against the mores of the day, "illustrate the disparity between the myth and reality of the Beat experience." She really shows what it was like to be young, female and Beat during the Eisenhower years.

Kerouac's correspondence, filled with his spontaneous prose and 50s slang, gives the reader an amazing portrait of his struggle with fame and the attacks by his critics against his subsequent works. Throughout his travels, he tried, in a limited way, to balance this important relationship with a woman who truly understood him more than most people ever would. He did show a capacity for tenderness, as he formed a bond with Glassman, who shared his passion for writing. Yet Glassman wanted a more lasting relationship, which eventually caused their break-up. "You're nothing but a big bag of wind," she informed Kerouac before she left him. Eventually they did form a friendship. Most of the text is dominated by their romantic relationship. However, there are wonderful glimpses of the "beatnik scene," Greenwich Village in the 50s, Allen Ginsberg, the Orlovskys, Elise Cowan, and Neal Cassidy.

This is as much the story of Joyce Glassman Johnson's growth as a woman and writer, as it is about Jack Kerouac and the Beat generation. "Door Wide Open" is an extraordinarily sensitive portrayal of a man, a woman, a relationship and a time that strongly influenced, (and still does), the arts, literature and culture in the US - a wonderful book!
JANA

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5.0 out of 5 stars Door Wide Open, Aug 1 2002
By A Customer
This review is from: Door Wide Open: A Beat Love Affair in Letters, 1957-1958 (Paperback)
Beautiful and elegant. Any woman who's ever been in love with a difficult man will appreciate Joyce Johnson's bittersweet romance.
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4.0 out of 5 stars A nice addition to both of their collections, Aug 17 2001
By 
David A. Bede (Singapore) - See all my reviews
(REAL NAME)   
This review is from: Door Wide Open (Hardcover)
For anyone interested in the lives behind the novels and poems of the Beats, Joyce Johnson offers a priceless glimpse at the realities of a world most of us can only imagine. Delineating a love affair that was short but tremendously influential on both of them, Johnson reveals something of her own personal growth during a time when being a young woman on her own was an act of rebellion in itself, as well as the impact of sudden fame and fortune on Jack Kerouac's already fragile psyche. Although the insensitivity to Johnson that shows through in Kerouac's letters to her will come as no surprise to those who are already familiar with his personality, his letters do feature a rare directness with one who knew him well. If his carelessness with money and women and his blind devotion to his mother remain as striking as ever, both his letters and Johnson's interpretation of them give us something of a better understanding of how these characteristics came into being.

Along the way, there are images aplenty of the stage the affair played out on: beatnik parties, Village pubs and restaurants, jazz concerts, and New York suburbs back when they were distinguishable from the city itself. Other important figures, notably Allen Ginsberg, appear throughout the text in candid shots we would never find in their own work. Johnson discusses them all in the style of one who knew them personally. For this reason among others, this book is not a very good starting point for learning about the Beat Generation, but it is an excellent complimentary piece for anyone who already has some familiarity with and interest in that era.

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