Compare Offers on Amazon
|Price:||CDN$ 12.47 & FREE Shipping on orders over CDN$ 25. Details|
Frequently Bought Together
Customers Who Bought This Item Also Bought
|1. Machine Messiah|
|2. Man In A White Car|
|3. Does It Really Happen|
|4. Into The Lens|
|5. Run Through The Light|
|6. Tempus Fugit|
|7. Into The Lens|
|8. Run Through The Light|
|9. Have We Rally Go To Go Through This|
|10. Song No. 4 (Satellite)|
|11. Tempus Fugit|
|12. Man In A White Car|
|13. Dancing Through The Light|
|14. Golden Age|
|15. In The Tower|
|16. Friend Of A Friend|
No Wakeman or Anderson on this 1980 LP, which still hit #18! This hard-rocker featuring Tempus Fugit now has 10 bonus cuts including unissued single versions and tracking sessions.
Shorn of Jon Anderson's touchy-feely New Age sensibilities and Rick Wakeman's camp, operatic flourishes, this incarnation of Yes were a leaner, meaner machine altogether. Drama (1980) was the last Yes album and last line-up change before their split and subsequent resurrection as a bland transatlantic MOR outfit (remember 90125 and "Owner Of A Lonely Heart"?). New singer Trevor Horn brings to the party both fellow ex-Buggle Geoff Downes on keyboards and--equally important--his extraordinary talent as a producer. The album remains a model of recording clarity: every note, every carefully honed nuance is captured in clinical detail. And that's exactly why Drama has sometimes been written off as uninvolving. In truth, it's a muso's album par excellence: marvel at the shifting time signatures, gasp at the dizzying key changes, thrill as intertwining instruments weave ever more complex tapestries of sound. It's that kind of album. Maybe emotionally it leaves many listeners high and dry, but as a masterclass in virtuoso rock musicianship it's thrilling. --Mark Walker --This text refers to an out of print or unavailable edition of this title.
What Other Items Do Customers Buy After Viewing This Item?
Top Customer Reviews
Prior to 1980, Yes saw times of great success in the 70s, their main key points being the early 70s with Fragile(1972) and Close To The Edge(1973), and the late 70s with Going For The One(1977). Afterwards, the band recorded Tormato(1978) which although an interesting album, wasn't nearly as inspired and didn't fare quite as well as previous outings. The recording process created such high tension among the band that when they went back into the studio in 1979, the band was separated into two opposing sides: The Squire/White/Howe side, and the Anderson/Wakeman side. This caused Anderson and Wakeman to both leave the band, leaving the others to look for replacements. It wasn't as big of a deal losing Wakeman because he had jumped the ship at an earlier point in the band. The real problem was replacing Jon Anderon, THE VOICE of Yes and one of the two most Yes-like bandmembers.
Enter vocalist Trevor Horn and keyboardist Geoff Downes, two goofy looking guys that formed the Buggles, a new wave band that previously created the smash hit 'Video Killed The Radio Star'. All five formed the lineup for 1980's Drama album. The main consensus I've gathered from the fans was that this album was bad because of the lack of Jon Anderson and Rick Wakeman, so I avoided getting the album for a while. I was worried that Drama would never be as great as other Yes albums. While it's no Relayer(1974) or Close To The Edge in terms of progressiveness, at the same time it's actually quite good on it's own terms. No, make that INCREDIBLY GOOD! While Horne and Downes aren't exactly the best bandmembers to circulate in and out of Yes, they offered a much needed outside contribution that was absent on Tormato.Read more ›
Most recent customer reviews
A much better recording than many fans and critics thought. Lots of off-time arrangements and extended workouts. Read morePublished on March 2 2010 by Francis King
Yes on this album seems to stick to the same formula. For true collectors only. Others should look at Close to the Edge or their first live CD.Published on Jan. 8 2010 by Donald Francis Sweete
I remember defending Drama as my choice of Yes albums to a friend in college 10 years ago. He couldn't believe I could like a Yes album that wasn't really Yes. Read morePublished on May 13 2004 by Kelly Minnis
I had to be reminded that I like this album, the whole album, but it "really happened," thankfully. Read morePublished on May 7 2004
There are bits of songs that actually sound good, but you have to dig into the songs deeply to find them. Into the Lens has got to be one of the worst songs ever written. Read morePublished on May 3 2004 by Craig
This is definitely a unique album for Yes. Compared to previous Yes records, its simultaneously much more heavy and new wave. Read morePublished on April 29 2004 by Mike Young