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Dreaming in Cuban
 
 

Dreaming in Cuban [Paperback]

Cristina Garcia
3.9 out of 5 stars  See all reviews (28 customer reviews)
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Product Description

From Library Journal

Garcia's first novel is about Cuba, her native country, and three generations of del Pino women who are seeking spiritual homes for their passionate, often troubled souls. Celia del Pino and her descendants also share clairvoyant and visionary powers that somehow remain undiminished, despite the Cuban revolution and its profound effect upon their lives. This dichotomy suffuses their lives with a potent mixture of superstition, politics, and surrealistic charm that gives the novel an otherworldly atmosphere. Garcia juggles these opposing life forces like a skilled magician accustomed to tossing into the air fiery objects that would explode if they came into contact. Writing experimentally in a variety of forms, she combines narratives, love letters, and monologs to portray the del Pinos as they move back and forth through time. Garcia tells their story with an economy of words and a rich, tropical imagery, setting a brisk but comfortable pace. Highly recommended.
- Janet W. Reit, Univ. of Vermont Lib., Burlington
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews

A patchwork of incident, memory, letters, dreams and visions provides glimpses of a Cuban family at home and in exile in the '70's and '80's, but Garcia's debut suffers from its fragmented style. From disparate times, places, and (mostly female) points-of- view, Garcia reveals the circumstances and inner lives of various members of the del Pino family. Widowed matriarch Celia--who loved and lost a Spaniard, then married and went crazy--still lives near Havana, fulfilled at last by her active participation in Communist activities and quasi-erotic loyalty to El L¡der, Fidel Castro. Daughter Felicia--who talks like a Garc¡a Lorca poem--suffers episodes of violent insanity and amnesia, then seeks healing through the African-derived religion Santer¡a. Meanwhile, Felicia's twin daughters repudiate her while her son Ivanito becomes a mama's boy. Celia's son Javier works in Czechoslovakia. Daughter Lourdes fled Cuba with her husband, opened the Yankee Doodle Bakery in Brooklyn, and thrives on American life, quickly embracing cold weather, capitalism, and prejudice. Her father, Jorge (Celia's husband), who died in New York following cancer treatment, continues to manifest himself to her. Lourdes's artistic daughter Pilar paints a scandalous punk Statue of Liberty and has psychic conversations with Celia. After a Santer¡a-inspired vision, Pilar convinces Lourdes to return to Cuba for a reunion. Garcia explores Cuban culture and illustrates the dislocations of a family, but the novel--told through interior visions rather than action--lacks sufficient freshness of insight to be consistently compelling. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

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First Sentence
Celia del Pino, equipped with binoculars and wearing her best housedress and drop pearl earrings, sits in her wicker swing guarding the north coast of Cuba. Read the first page
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Customer Reviews

28 Reviews
5 star:
 (11)
4 star:
 (10)
3 star:
 (3)
2 star:
 (2)
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 (2)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (28 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
3.0 out of 5 stars Lovely Prose but a Very Fragmented Writing Style, Mar 14 2004
This review is from: Dreaming in Cuban (Paperback)
I'd heard such wonderful things about this book that I was very eager to read it. When I picked it up, I was expecting to love it, and I tried to love it...but I just couldn't. At least not as much as I thought I would.

I didn't really find either the story or the characters as emotionally engaging as I thought I would (Celia was my favorite) and this was a huge disappointment.

DREAMING IN CUBAN revolves around three generations of women (women, all of whom are a bit mad, play the predominant role in this book, although there are male characters) each attempting to come to terms with the revolution in Cuba in her "own" way.

Celia del Pino has chosen to remain in Cuba, come what may, as has her daughter, Felicia. Celia's other daughter, Lourdes, however, has emigrated with her husband and baby daughter, Pilar, to New York City, leaving even Miami behind. Lourdes is convinced that, in order to leave Cuba behind, the family must also leave any trace of "Cubanness" behind...and this includes palm trees and warm weather.

The third woman who is pivotal to the story in DREAMING IN CUBAN is Lourdes's daughter, Pilar, whom we see at various stages of her growth. I found it very difficult to identify with either Lourdes or Pilar because they were simply "too American." (That may be the very reason you do identify with them, though, so that is certainly not a criticism of the book, just an observation.)

Pilar, an aritst, comes to see herself as the proverbial "dyed-in-the-wool" New Yorker. For her, Cuba exists only in absence. It simply isn't a presence in her life. She doesn't have to take any action to obliterate its memory from her consciousness although she does, at times, dream of returning to Cuba to live with Celia (her grandmother).

Lourdes, Pilar's mother, is a far different story. She wants to feel as American as does Pilar, and she certainly tries, but feeling American is something that, for Pilar, is far easier said than done. Lourdes, though, is the quintessential "survivor" and she's determined to make a life, and a good life, in New York. She opens the Yankee Doodle Bakery and it's so successful that she opens yet a second one.

While Lourdes is determined to assimilate herself into New York and even the cold, grey, winter weather, she still finds, to her dismay, that she hungers for the lush, tropical warmth of the south. This results in an ever-growing appetite for her husband, Rufino and for sticky buns, a hunger that eventually causes Lourdes to gain almost 120 pounds. Although Lourdes consciously wants no part of Cuba, it seems as though Cuba "owns" a very large part of her.

Celia, to me, was the most interesting character in the book and the one with whom I felt the most empathy. Perhaps it's because she chose to remain in Cuba. Perhaps it's the poignant story of her brief but intense love affair with Gustavo, a man she never forgets and a man she writes to on the eleventh day of every month...because that's the day he left her.

Cristina Garcia does write beautiful prose. It's lyrical, it's haunting and it is, at times, quite hallucinatory. And the book has an intense, magical, mystical quality that I really loved. But structurally, DREAMING IN CUBAN is a mess. From the very first page, the book is difficult to follow. It jumps from year to year and character to character and even from decade to decade, seemingly without rhyme or reason, often leaving the reader feeling quite disoriented. There is a family tree in the front of the book and whenever I see a family tree in a work of fiction, I get a bad feeling about the book. Family trees are usually inserted into fiction books because the writing isn't clear enough for us to keep the characters straight.

DREAMING IN CUBAN has some wonderful stuff in it, but the characterization suffers from Garcia's fragmentary writing style as does the story. I think it's a good first effort, and a sophisticated one, but I think a clearer, cleaner narrative would have allowed readers a lot more emotional engagement with the characters and, overall, improved this book greatly. It's a shame the structure is such a mess because the writing is really quite lovely.

I would recommend this book to people who can't get their fill of Latin American literature (though Garcia lives in the US) and I will read more of Garcia's work myself, despite my misgivings about DREAMING IN CUBAN. This author's writing is just too good to dismiss with her debut novel.

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5.0 out of 5 stars First rate book, Sep 18 2006
By 
Create your Pen Name (Where in the world are you:) - See all my reviews
This review is from: Dreaming in Cuban (Paperback)
DREAMING IN CUBAN is a story about three generations of Cuban women and their extreme differences. Celia, the grandmother, remains in Cuba and is a dedicated Castro supporter. Her daughter Lourdes had moved to the United States and is completely anti-Castro. Pilar, the granddaughter, is an artist with a punk style who thinks that her mothers obsession with the anti-Castro movement is ridiculous. They each have a different perception of what Cuba should be. It's a great story about the Cuban revolution and the effect it has had on families. Was reminded of the humor of Jackson McCrae (`---Katzenjammer---') and the good writing of Irving or Grisham. Really first rate.
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5.0 out of 5 stars Wonderful, April 29 2004
By 
"zebbiesr" (Smithfield, Rhode Island United States) - See all my reviews
This review is from: Dreaming in Cuban (Paperback)
Garcia creates interesting characters that all relate to the situations of being Cuban and Cuban American.
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