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Dreamtigers
 
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Dreamtigers [Paperback]

Jorge Luis Borges , Mildred Boyer , Harold Morland
4.7 out of 5 stars  See all reviews (6 customer reviews)
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Dreamtigers has been heralded as one of the literary masterpieces of the twentieth century by Mortimer J. Adler, editor of Great Books of the Western World. It has been acknowledged by its author as his most personal work. Composed of poems, parables, and stories, sketches and apocryphal quotations, Dreamtigers at first glance appears to be a sampler -- albeit a dazzling one -- of the master's work. Upon closer examination, however, the reader discovers the book to be a subtly and organically unified self-revelation. Dreamtigers explores the mysterious territory that lies between the dreams of the creative artist and the "real" world. The central vision of the work is that of a recluse in the "enveloping serenity " of a library, looking ahead to the time when he will have disappeared but in the timeless world of his books will continue his dialogue with the immortals of the past -- Homer, Don Quixote, Shakespeare. Like Homer, the maker of these dreams is afflicted with failing sight., Still, he dreams of tigers real and imagined and reflects upon of a life that, above all, has been intensely introspective, a life of calm self-possession and absorption in the world of the imagination. At the same time he is keenly aware of that other Borges, the public figure about whom he reads with mixed emotions: "It's the other one, it's Borges, that things happen to." First published in Buenos Aires in 1960 as El Hacedor, Dreamtigers was translated into English by Mildred Boyer, professor emerita of romance languages at the University of Texas at Austin, and the poet Harold Morland. The late Miguel Enguídanos, who was Centennial Professor of Spanish at Vanderbilt University, wrote the introduction to this handsome volume, which is enhanced by woodcuts by the renowned artist Antonio Frasconi.

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6 Reviews
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4.7 out of 5 stars (6 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
5.0 out of 5 stars Genius in Fragments and Sketches, Nov 5 2003
By 
Michael Wischmeyer (Houston, Texas) - See all my reviews
(REAL NAME)   
This review is from: Dreamtigers (Paperback)
Jorge Luis Borges will be remembered as one of the outstanding writers of the twentieth century. I am continually awed by his imagination, by his incredible breadth, and by his command of language.

At one point Borges considered this particular collection of miscellany - odd poems, stories, parables, sketches, fragments, and fictional quotations - to be a mirror of his life, and even possibly a work that would outlast his widely admired Ficciones and El Aleph. Dreamtigers is indeed fascinating, but it likely to be more fully appreciated by readers already familiar with Borges. A reader new to Jorge Luis Borges might begin with Ficciones, The Aleph, Labyrinths, or Seven Nights.

The prose was translated by Mildred Boyer and the poetry by Harold Morland. The arrangement is by Borges himself, and reflects an association of ideas, not a chronological grouping. Any reader acquainted with his works undoubtedly recognizes that Borges often returns to favorite themes in various guises, sometime deliberately, other times unintentionally.

This collection seems more personal and biographical than his better known works. The dedication is to an Argentine poet, long dead, that Borges once unreservedly criticized. The essay Dreamtigers is a personal reflection on the limits of creativity. The Draped Mirrors is a haunting recollection about a friend that suffered a uniquely personal (from Borges perspective) mental illness. Borges and I explores the confused identity of Borges the writer and Borges the man. Other essays are less biographical, and reveal his deep fascination with the thoughts and ideas of other writers, especially Homer, Dante, Plato, Coleridge, and Cervantes.

Dreamtigers is evenly divided between prose and poetry. Borges began his literary career as a poet and only gradually moved to prose. Amazingly, his poetry is as remarkable as his prose. Many poems reflect his vast knowledge and interests - the inevitable passage of time, the game of chess, mirrors, Anglo-Saxon grammar, and Ariosto and the Arabs. Others are more biographical, often touching on themes that were also subjects of essays. The poetic translation by Harold Morland is excellent.

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4.0 out of 5 stars GREAT INTRODUCTION TO BORGES'S SHORTER WORKS, May 23 2001
This review is from: Dreamtigers (Paperback)
I give this book 4 stars because I honestly don't feel that it's his best collection. That honor would go to his collection of short stories entitled, THE BOOK OF SAND. LABYRINTHS comes in a close second or third. But for the beginning Borges reader, this is an EXCELLENT place to start. The book is divided into two primary parts: Borges's parables and super-short stories; and his poems. There's nothing over three pages long in here, except the introduction. Naturally, I found lots of quotable lines and paragraphs in this work. The translation is very good, too. It definitely sounds like Borges, and the tranlators even manage to get some of his poems to rhyme while still getting across that Borgesian feeling. You'd almost think that all of this stuff was written in English to begin with. Assuming you haven't read Borges, he's very intellectual, knows lots about history and books, and loves to write on the subjects of tigers, yellow, blindness, Dante, Martin Fierro, and *the other Borges*. Hope you like this book.
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4.0 out of 5 stars excellent if you're in the proper frame of mind, Oct 31 1999
This review is from: Dreamtigers (Paperback)
dreamtigers has languished on my shelf for over a year... for some reason i just couldn't get into it. foolish me.

this little book broken into two parts- a collection of short pieces some poetry. all very brief- the longest passage occupies a little over two pages.

what i'm really struck by is how personal this collection is. i've seen borges as a towering intellect but rather cold. dreamtigers has forced me to re-evaluate this- there's tenderness, loss and affection in these works.

borges is always dazzling, and the second part is a good introduction to his poetry, of which i understand there is a lot. the introductory and appendix notes are most illuminating.

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