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Dubliners Hardcover – Sep 26 1991


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Hardcover, Sep 26 1991
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Product Details

  • Hardcover
  • Publisher: Random House (Sept. 26 1991)
  • Language: English
  • ISBN-10: 185715049X
  • ISBN-13: 978-1857150490
  • Product Dimensions: 2.7 x 13.4 x 21 cm
  • Shipping Weight: 499 g
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (58 customer reviews)
  • Amazon Bestsellers Rank: #3,221,519 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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Customer Reviews

4.5 out of 5 stars

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1 of 1 people found the following review helpful By D. Scharlach on April 6 2001
Format: Mass Market Paperback
This is a wonderful collection of stories by the unique James Joyce. This book reads like impressionism on paper, painting transcendent watercolors with language. Each story is a portrait of Dublin life, but the Dublin portrayed here could have been any city in the world, full of pain, joy, laughter, sadness, regret, and Humanity. This book is the best place to start with Joyce, because the narrative hasn't developed into the ambiguity found in later works such as Ulysses. For first-timers, Dubliners is the Joycean work that is most friendly and affecting. But it's still miles away from any other author's work (Including JOyce's own).
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1 of 1 people found the following review helpful By L. M Prestwidge on June 7 2001
Format: Hardcover
Little snippets of life among the Irish working class. I read this book for the first time in my early 20's. Although I enjoyed it then, I liked it even more ten years later. This is one of those books that you appreciate more when you have some life experiences to compare it with.
Good strong believable characters and a subtle writing style that let's you draw your own conclusions.
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Format: Mass Market Paperback
Perfection is the best way to describe this classic story collection by the legendary James Joyce. Dubliners follows the lives of ordinary folks in early twentieth century Ireland. Instead of using dramatic events such as many conventional short stories do, Joyce centered his tales on what seemed to be inconsequential. This groundbreaking literary formula succeeded and Dubliners went on to become one of the most greatly praised and athologized works of all time. By focusing on the magnitude of simple things, Joyce provided writing that truly connects the reader with the character through empathy. Examples of such include Araby in which an adolescent boy seeks romance and idealizes a beautiful girl who pays him no mind, and A Painful Case that portrays a lonely man who is haunted by a relationship he had with a married woman after he hears of her untimely death.
Each story in Dubliners contains gorgeously descriptive passages and words that dance across the pages. Though the themes may be dismal and the people Joyce writes of often come up empty-handed, the reader will likely find an underlying optimism that hardship builds strength and hope will prevail.
Interestingly, Dubliners barely came to print. Years of controversy hindered the 1914 release of the book, as many publishers regarded the stories as immoral and risque. Fortunately the public embraced it, and today we should all be required to read this enduring work by one of Ireland's finest, Mr. James Joyce.
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Format: Mass Market Paperback
The first of James Joyce's books, "Dubliners" is a collection of fifteen stories written between 1904 and 1907. Joyce wrote the first of the fifteen stories in this collection, "Sisters," in Ireland in 1904. The story was published in August of that year under the pseudonym "Stephen Daedalus." Joyce wrote the last, longest and most famous of the stories, "The Dead," in Rome in 1907. The stories were published in the book known as "Dubliners" in 1914. While there are many editions of "Dubliners" in print, the definitive edition of the work is generally considered to be the corrected text prepared by Robert Scholes in consultation with Richard Ellman, Joyce's biographer. Random House publishes the Scholes edition under its Modern Library imprint and I recommend this edition.
"Dubliners" stands as one of the Ur-texts of modernism, a startlingly original collection of stories set in turn-of-the-century Dublin that began the Joycean literary project. That project subsequently moved through the increasingly difficult, and characteristically modernist, iterations of "Portrait of the Artist as a Young Man," "Ulysses" and "Finnegan's Wake." Like those succeeding texts, the interested reader can find thousands of pages of commentary on "Dubliners," the study of Joyce's works being akin to a Talmudic undertaking, an undertaking that can, if one chooses, occupy an entire life.
Joyce once commented that the stories of "Dubliners" constitute a "chapter of moral history" that represents the "first step towards the spiritual liberation of [Ireland]." He also said, "I call the series 'Dubliners' to betray the soul of that hemiplegia or paralysis which many consider a city.
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By A Customer on March 15 2002
Format: Hardcover
Dubliners is a monument to the power of observation, elegantly translated. Speaking as someone who has tried off and on to write short fiction, Joyce's book at once inspires and devastates the creative impulse. Why bother? So many times I've felt like Little Chandler in A Little Cloud, who has a brief revelatory moment, thinks he might be able to write a poem about it, and then immediately begins to imagine the praise that the critics will heap on his fine collection. Could anything be more deeply, laughably human?
I can't imagine how anyone who likes to read and has lived among other human beings could not appreciate at least a few of the stories. For me, they're life affirming in a deeper way than any religion could be. And that's what Joyce intended. He wanted us to stop looking for redemption in some vague nether region and look as closely as we can manage at the life right here in front of our eyes. Joyce asks that we look at ourselves and see, really see, what we are, because only then can we get beyond all the fear, vanity, and self-delusion.
All the great myths weren't handed down from on high; they came from us. We have all the power. It's just a matter of using it, which is exactly what the Dubliners, and a pretty high percentage of the human race, now and forever, have not done.
There are a few stories in Dubliners that don't quite measure up, but the majority rank among the best ever written. I don't know of any literature more perfect than Araby and The Dead.
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