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Dubliners Hardcover – Sep 26 1991


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Hardcover, Sep 26 1991
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Product Details

  • Hardcover
  • Publisher: Random House (Sept. 26 1991)
  • Language: English
  • ISBN-10: 185715049X
  • ISBN-13: 978-1857150490
  • Product Dimensions: 2.7 x 13.4 x 21 cm
  • Shipping Weight: 499 g
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (89 customer reviews)
  • Amazon Bestsellers Rank: #3,154,920 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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Customer Reviews

4.4 out of 5 stars

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2 of 2 people found the following review helpful By Sancho Mahle on July 29 2005
Format: Paperback
This is the second James Joyce book I have read and it goes to reinforce the feeling I had after reading the first that that writer is a great storyteller. In fact, I consider
James Joyce's Dubliners as one of the best collection of short stories ever put together. The settings are amazing and the rich and lively characters all combine with the incredible plots to add credence to the stories. Not only are they true to life in fitting with the atmosphere that one finds in Dublin, the stories are also hilarious, subtle, and inspirational and gripping. The pace of the stories is fast and the voices are rich. This is a highly recommended read along with UNION MOUJIK, FINNEGANS WAKE, THE USURPER AND OTHER STORIES,ICE ROAD, DISCIPLES OF FORTUNE
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1 of 1 people found the following review helpful By AP on Aug. 8 2012
Format: Paperback
The title of my review comes from the last paragraph of "The Dead," already mentioned by previous critics as one of the great short stories of English literature. In a way, this line reflects Joyce's collection as a whole: much in the way a newspaper collects concise, level-headed, yet crisp glimpses into the times of a people, his book has tried to achieve a similar feat. 'Dubliners' aims for objectivity that differs slightly from journalism. Quite similar to Hemingway's scientific approach to writing, Joyce has tried to establish an objective approach to fiction that provides minimal judgment of the content, while maximizing the efficacy of its characters, images, and stories.

With the Modernists, literature begins to shift away from the hoity-toity implied authors so popular in the Victorian Era. (Dickens is most famous for this, though I think the words "hoity-toity" are ironic according to his intentions, but right-on in terms of his prose style.) T.S. Eliot was infamous for saying that a writer must banish himself from what he writes. One question I always have is this: can that actually happen? Surely, the very act of writing, where details are selected, ordered, and described has to accord with someone's vision. Perhaps the implied author that readers can picture so clearly from the Victorian Era instead becomes a "ghost author"--or, as Joyce so eloquently puts it in 'A Portrait of the Artist as a Young Man": "The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent paring his fingernails." This makes the act of composition one of inevitable consumption, both by the editing process and the reading process.
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1 of 1 people found the following review helpful By Jimmy Chen on Dec 5 2003
Format: Paperback
Exile is Joyce's major theme in both Portrait of the Artist as a Young Man and Dubliners. In the former, it was self-induced exile, an imperative coming of age story. In Dubliners, the exile is moral and psychological. Each character in these stories linger on the crest of transcendence-- all of them wanting more, but too tired, scared, and resigned to do anything about it. While this may seem cynical and drab, Joyce's love for the human spirit resonates deeply with each described gesture, however sad they may be.
'An Encounter' follows a boy on the beach, having cut a day of school with his brutish friend, who meets an old man and is in turn humiliated by what he witnesses, only to retreat back to his friend, who he secretly despises. In 'Araby' a young boy begs to go to a fair in order to buy a trinket for a girl he is smitten for, and having arrived minutes too late, cannot bring himself to it when he is met by an apathetic saleslady. 'A Painful Case' is about a lonely man who, self-deluded that he is content, rejects his lover after an ephemeral tryst. He continues to bear the isolation, though the outcome for the distraught woman is much more tragic. The last story, 'The Dead', is of a husband who, after a funeral procession, is awakened to his own mortality and the transience of life, and rekindles in his heart a flame for his wife, only to discover she is distracted by her own thoughts of another man.
Joyce is not merely interested in sad stories. When the story ends, the love each character had continues onward after the page is turned. These stories mirror common failures of our own lives and give meaning to them, as if our own stories, however menial and benign, are worth being told.
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1 of 1 people found the following review helpful By alexander danielson on March 26 2001
Format: Paperback
Like in a gloomy church filled with a misty and humid atmosphere, you quietly look for heavenly light to lead your path. As you search for the light switch, feelings of uneasiness and discomfort fill your heart. With fear in every joint of your body, you nervously feel the whole universe will collapse in just a few moments. While feeling your way through the squeezing darkness, the ground starts to tremble from underneath your undecided feet. Earthquake! Yelling and screaming for your life, no one is around. As the shaky church tumbles to the ground, you hope to hold on anything with foundation to save you from going down. Lying six feet in the ground, your only hope is Superman. You continue to struggle with hope of one day finding that light switch. This little story is the feeling I got while reading The Dubliners. The tonality of the book was very depressing throughout. Joyce does a splendid job of letting the reader know the Dubliners and their way of life. Alcohol was excellent in portraying the tranquility of the people and their suppressed lives. Joyce also used a variety of experiences to clearly display the negative tone and outlook on life by the Dubliners. As to the hope of one day finding that light switch, Joyce always gives hope to the reader with his beautiful usage of the English language. And I am not afraid of saying beautiful in describing Joyce's artistic usage of words. For me, he literally paints in the mind a picture of his stories. Joyce's masterpiece of words was the light, hope, and Superman of The Dubliners. The flowery descriptions are what kept me reading. All in all, I thought the book was a fine piece of work that teaches great lessons on real life.Read more ›
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