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Life During Wartime (The Criterion Collection) [Import]

Shirley Henderson , Allison Janney , Todd Solondz    R (Restricted)   DVD

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Product Description

In Life During Wartime, independent filmmaker Todd Solondz explores contemporary American existence and the nature of forgiveness with his customary dry humor and queasy precision. The film functions as a distorted mirror image of Solondz's acclaimed 1998 dark comedy Happiness, its emotionally stunted characters now groping for the possibility of change in a post-9/11 world. Happiness's grim New Jersey setting is transposed mainly to sunny Florida, but the biggest twist is that new actors fill the roles from the earlier film-including Shirley Henderson, Allison Janney, and Ally Sheedy as alarmingly dissimilar sisters, and Ciarán Hinds hauntingly embodying a reformed pedophile. Shot in expressionistic tones by cinematographer extraordinaire Ed Lachman, Solondz's film finds the humor in the tragic and the tragic in the everyday.

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.3 out of 5 stars  17 reviews
15 of 18 people found the following review helpful
4.0 out of 5 stars A Great Companion to "Happiness" Loses Some Of Its Bite In The Second Act April 22 2011
By K. Harris - Published on Amazon.com
Format:Blu-ray
Without a doubt, Todd Solondz's creepy, disturbing, and subversively hilarious masterpiece "Happiness" was my favorite film of 1998. Savage, but divisive, I've discovered through the years that the film tends to engender strong feelings of either hatred or of adoration with little middle ground. To be fair, with its mature themes and aggressive frankness, it may be one of the most squirm inducing comedies of all time. And yet this tale of three sisters and their immediate family also resonates with a certain amount of truth. The world is how we construct it but, often times, that construction is nothing more than an illusion. And those closest to us are either complicit in that deceit or are the only ones who can see through the cracks. A skewering of middle class ideals and insecurities, "Happiness" was a pitch perfect blend of the outrageous and the macabre.

When I heard that Solondz intended to revisit this masterpiece, casting new actors, it seemed like an inspired addition to his increasingly non-conformist resume. Shirley Henderson, Allison Janney and Ally Sheedy now inhabit the roles originated by Jane Adams, Cynthia Stevenson, and Lara Flynn Boyle respectively. All three do an excellent job of recapturing the essence of their character's neuroses--Sheedy, unfortunately, has more of a cameo but her scenes are dead-on hilarious. The film begins with an absolutely perfect scene between Henderson and her husband that mirrors the first scene from "Happiness" in a sublimely funny way. When we move on to Janney, a control freak desperately looking for love, I knew that Solondz had done it again. The primary plot points involve Henderson dealing with a past lover's suicide (Jon Lovitz's ghost interpreted by Paul Reubens--inspired!), Janney's ex-husband (Ciaran Hinds) being released from prison, and Janney's son dealing with some pretty adult concepts.

However, as the film progresses, the very funny bits become overshadowed by bigger issues. Redemption and mortality end up being central themes--which I think is fantastic--but the blend between comedy and significance falls short of the delicately balanced "Happiness." The film loses a bit of its subversive edge and tone and by the end, I felt a little short-changed by the abrupt finale. I loved the actors--Janney and Henderson do most of the heavy lifting and are terrific. Young Dylan Riley Snyder, as Janney's son Timmy, carries much of the film and is an intriguing combination of creepy and sympathetic. I adored the first half of "Life During Wartime," but having a fresh viewing of "Happiness" under your belt will help you appreciate how great it really is. Ultimately, the second half wasn't as effective for me and I was left a little cold. About 3 1/2 stars overall, I'm rounding up for ambition. Go watch "Happiness!" KGHarris, 8/10.

DVD/Blu-ray specs:

New digital transfer, supervised and approved by director of photography Ed Lachman, with DTS-HD Master Audio soundtrack on the Blu-ray edition
Ask Todd, an audio Q&A with director Todd Solondz in which he responds to viewers' questions
Making "Life During Wartime," a new documentary featuring interviews with actors Shirley Henderson, Allison Janney, Michael Lerner, Paul Reubens, Ally Sheedy, and Michael Kenneth Williams, and on-set footage of the actors and crew
New video piece in which Lachman discusses his work on the film
Original theatrical trailer
PLUS: A booklet featuring an essay by film critic David Sterritt
5 of 5 people found the following review helpful
5.0 out of 5 stars Not Solondz's most bizarre film, but close Oct. 5 2011
By Terminalsoup - Published on Amazon.com
Format:DVD
A few years ago I watched this film at a local art house. A few days ago I was making coffee and it must have been the swirling motion in my cup (as I stirred in the cream and sugar) that hypnotized me, causing the resurfacing of a few repressed memories - namely from this film.

As I recall, there were about seven or eight other people in the theater, most of whom were sitting by themselves and probably not mentally prepared for the hour and a half long ride of horrifying abnormality and sheer discomfort that is typical of director Todd Solondz's films, which according to Wikipedia are inspired by his experiences growing up in New Jersey - and I BELIEVE IT, wholeheartedly. So, why did I give five stars to this film? Mainly because of the circumstances under which I watched it. As I mentioned, Solondz's films are abnormal and discomforting, which made watching this film amongst complete strangers in a dark theater and from the back row quite amusing. Like in true horror movie fashion it was not uncommon to see people sinking down into their chairs, letting out sharp gasps and sighs, covering their faces, and turning their heads disapprovingly from side to side. As for myself, I too was taken by surprise, especially when the young boy (Timmy) cries out "I hope I NEVER get molested!" At that point I pretty much lost control and had to gag myself with my coat because I didn't want to appear rude and insensitive towards the subject matter or attract the glaring faces of the combined seven or eight people in the audience. I think this movie really got the better of some people.

Without question, this is the work of Todd Solondz.
5 of 6 people found the following review helpful
4.0 out of 5 stars A Great Companion to "Happiness" Loses Some Of Its Bite In The Second Act July 26 2011
By K. Harris - Published on Amazon.com
Without a doubt, Todd Solondz's creepy, disturbing, and subversively hilarious masterpiece "Happiness" was my favorite film of 1998. Savage, but divisive, I've discovered through the years that the film tends to engender strong feelings of either hatred or of adoration with little middle ground. To be fair, with its mature themes and aggressive frankness, it may be one of the most squirm inducing comedies of all time. And yet this tale of three sisters and their immediate family also resonates with a certain amount of truth. The world is how we construct it but, often times, that construction is nothing more than an illusion. And those closest to us are either complicit in that deceit or are the only ones who can see through the cracks. A skewering of middle class ideals and insecurities, "Happiness" was a pitch perfect blend of the outrageous and the macabre.

When I heard that Solondz intended to revisit this masterpiece, casting new actors, it seemed like an inspired addition to his increasingly non-conformist resume. Shirley Henderson, Allison Janney and Ally Sheedy now inhabit the roles originated by Jane Adams, Cynthia Stevenson, and Lara Flynn Boyle respectively. All three do an excellent job of recapturing the essence of their character's neuroses--Sheedy, unfortunately, has more of a cameo but her scenes are dead-on hilarious. The film begins with an absolutely perfect scene between Henderson and her husband that mirrors the first scene from "Happiness" in a sublimely funny way. When we move on to Janney, a control freak desperately looking for love, I knew that Solondz had done it again. The primary plot points involve Henderson dealing with a past lover's suicide (Jon Lovitz's ghost interpreted by Paul Reubens--inspired!), Janney's ex-husband (Ciaran Hinds) being released from prison, and Janney's son dealing with some pretty adult concepts.

However, as the film progresses, the very funny bits become overshadowed by bigger issues. Redemption and mortality end up being central themes--which I think is fantastic--but the blend between comedy and significance falls short of the delicately balanced "Happiness." The film loses a bit of its subversive edge and tone and by the end, I felt a little short-changed by the abrupt finale. I loved the actors--Janney and Henderson do most of the heavy lifting and are terrific. Young Dylan Riley Snyder, as Janney's son Timmy, carries much of the film and is an intriguing combination of creepy and sympathetic. I adored the first half of "Life During Wartime," but having a fresh viewing of "Happiness" under your belt will help you appreciate how great it really is. Ultimately, the second half wasn't as effective for me and I was left a little cold. About 3 1/2 stars overall, I'm rounding up for ambition. Go watch "Happiness!" KGHarris, 8/10.
2 of 2 people found the following review helpful
3.0 out of 5 stars Fresh performances and old wounds Aug. 10 2011
By Douglas King - Published on Amazon.com
Format:DVD
Todd Solondz' "Happiness" is one of the most disturbing films I'd ever seen. It's also excellent. It explores the ickiest, most pathetic and repulsive parts of modern human life, and deftly combines tragedy with pitch-black humor. Over a decade later, Solondz clearly felt the need to revisit the characters from that film, hence this sequel "Life During Wartime". Instead of trying to recruit the original actors to reprise their roles, Solondz chose to completely recast them, allowing a new cast to breath life into these characters.

As much as I wanted to love this film, throughout it I couldn't shake the feeling of it being a somewhat unnecessary sequel. The plot of "Happiness" loosely revolved around the stories of three sisters, and despite the years that have gone by, the characters haven't really changed much. Joy is still wimpy, optimistic, and drawn to self-destructive, damaged men. Helen is still arrogant and entitled. The only character who seems at least somewhat different is Trish. In the first film, before discovering her husband's pedophilia, she was a smug control freak. Years later, the character reeks of desperation while trying to recreate the "normal" life for herself that she thought she once had.

The themes of "Life During Wartime" are also mostly the same as those of "Happiness": trauma, shame, guilt, disappointment, and the part family plays in all of these things. The new film differs only slightly from its predecessor by also exploring the theme (or maybe just the possibility) of redemption. This exploration is apparent in the storyline of Bill Maplewood, Trish's ex-husband, just released from prison. Free, yet dazed and aimless, he wanders through the film like a ghost, having a strange dalliance with a nihilistic woman he meets at a bar (played by the always compelling Charlotte Rampling) and tracking his son down at College. Joy's character also seems to be looking for redemption; despite the fact that, unlike Bill, her guilt is completely unjustified, and she bears no real responsibility for those she feels she failed (two self-destructive, and ultimately suicidal, boyfriends).

Mostly, what saves the film from redundancy are the performers, and some of the casting choices are truly inspired. Shirley Henderson, Allison Janney, and Ally Sheedy all do well inhabiting, and breathing some fresh life into, the characters originally played by Jane Adams, Cynthia Stevenson, and Lara Flynn Boyle. And some of the choices made for the supporting cast are phenomenal ... one example being Paul Reuben's ghostly re-interpretation of the character originally played by Jon Lovitz.

Overall, I think Todd Solondz would have been better off exploring some new characters. But by bringing a fresh cast to the table, and at least trying to expand their horizons thematically, "Life During Wartime" manages to come across more as an interesting experiment by a talented director than a redundant rehash.
1 of 1 people found the following review helpful
4.0 out of 5 stars A Treasure for Indy Freaks July 28 2011
By Eric Sanberg - Published on Amazon.com
Format:DVD
Todd Solondz is one of the more notable independent film makers. You can pick his work out of the crowd. "Life During Wartime" is no exception. It's pretty much an extension of his earlier "Happiness" both in style and content.

Here's the scoop. You meet a group of individuals who are all related by either blood or circumstance. Each has a story (two involving sexual perversion) that colors the way they view life and interact with others. One wife has a husband who is in prison on a pedophile conviction. She's told their children that their dad has died. Her sister is married to a guy who has some unspecified sexual quirks. She needs to take a break from him to see how she feels. These are just a sampling.

This is a slice of lifer that is all writing and acting. Nothing is set up, plot-wise, in the beginning that has to be resolved by the end. Things do happen. Things do change. But these people's lives will go on in one way or the other. One of the repeating themes is forgiveness. What do you do when someone you love does something you simply cannot get past? Can you forgive and forget? Can you forgive but not forget. Can you forget but not forgive? These permutations arise repeatedly throughout the movie.

There is no razzle dazzle here. The camera is quiet. It doesn't move a lot but allows things to happen within the frame. The color schemes are interesting and help hold the viewer's attention. The acting is very good. It's peppered with a lot of veterans that have a ton of years and projects under their belts.

This is a good movie, but not necessarily for everyone's taste. Some of the subject matter and dialogue might make more sensitive viewers squirm, but if you like independent film making this is a must see.

The

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