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Dylan and Cohen: Poets of Rock and Roll
 
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Dylan and Cohen: Poets of Rock and Roll [Paperback]

David Boucher (Author)
5.0 out of 5 stars  See all reviews (7 customer reviews)
List Price: CDN$ 35.95
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Review

"....If you think it's only right and proper that our finest songwriters are treated with the same academic respect as Shakespeare and Milton, then you're in for a fascinating read." -Uncut, September 2004

"Those researching the course of modern culture will no doubt find the heavily annotated work of use." - Kerry Dexter, Dirty Linen #114, October / November 2004

"...the dearth of Cohen interpretations makes this book valuable. Recommended." -Choice )

Reviewed in Record Collector (UK) February 2005 issue by Patrick Humphries (Patrick Humphries )

“…the dearth of Cohen interpretations makes this book valuable. Recommended.” –Choice )

Product Description

Bob Dylan and Leonard Cohen are widely acknowledged as the great pop poets of the 1960s, transforming the popular song into a medium for questionng the personal, social, and political norms of their times. They emerged at a time when the music industry was transforming the revolutionary sound of black music into something bland, homogenous, and fit for mass consumption. For many members of their generation, Dylan and Cohen were able to articulate what they were feeling and could not express: anti-establishement anger, angst, and despondency. Dylan and Cohen is a fascinating political, psychological and artistic profile of these two iconic writers and performers. With reference to both biographical details and lyrics. David Boucher explores their similarities and differences, tracing the development of religious political, and social themes in their work and the ways in which those ideas engaged a new audience. A must-read for all serious fans of either Dylan or Cohen, this book will also engage anyone interested in the North America of the 1960s, or more generally in the relationship between music, identity and politics.
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7 Reviews
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5.0 out of 5 stars (7 customer reviews)
 
 
 
 
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5.0 out of 5 stars Compulsively Readable, July 10 2004
By 
Michael Edwards (Mc Alisterville, PA USA) - See all my reviews
(REAL NAME)   
This review is from: Dylan and Cohen: Poets of Rock and Roll (Paperback)
This is an excellent study of the music and lyrics of the 2 greatest rock "poets." Boucher explores whether or not their lyrics even qualify as poetry and keeps the subject interesting! He effectively delves into their psyches,as well, without getting hung up on personal, biographical details which have been over analyzed in other places. I found the final chapter "The Religious Experience" to be some of the best writing that I've seen on Dylan and Cohen's spiritual journeys. I highly recommend this to fans of either man's work.
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5.0 out of 5 stars Sad Eyed Lady of the Lowlands, Jun 16 2004
By 
Dai (Oxford,UK) - See all my reviews
This review is from: Dylan and Cohen: Poets of Rock and Roll (Paperback)
The irate and intemperate person signing himself pepidude in a previous review seems incapable of being able to appreciate an argument or of understanding the nature of the exercise that David Boucher has undertaken. It is a thematic book with a wide range of references, not a book of facts about Bob Dylan.The author introduces us to the complexities of issues relating to the difference between popular music lyrics and poetry, between origins and originality, the poetry of imagination and inspiration and much more. Anyone interested in ideas and issues, and in theories as well as facts will find this book immensely stimulating and fascinating.
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5.0 out of 5 stars Poetry Always was the New Rock & Roll, Jun 16 2004
By A Customer
This review is from: Dylan and Cohen: Poets of Rock and Roll (Paperback)
David Boucher has written a book that examines in detail the contribution of both artists to the worlds of both literature and rock & roll. In his intoduction he looks at the progress of Cohen from serious poet to rock & roll recording artist and performer. This transition cost him status in the literary world but aided by the legendary "golden voice" and some consummate musicians it allowed him to reach a hitherto undreamed of audience.

Dylan, whom he refers to as "The Changing Man" in Chapter Three, was the chameleon-like performer who picked up, and discarded new personas and new musical styles at the drop of his very famous hat. The obvious example here is the infamous "electric tour" where Dylan was heckled and called "Judas". This abuse was, the book shows, not only for his perceived betrayal of the acoustic folk movement, but also a reaction to the contempt with which Dylan treated his audience. Dylan had always been a confrontational performer, and his response to such attacks was to become louder and less acoustic than ever. What David Boucher also shows is that this signified a shift from the community centred ethic of the folk movement to the excessive individualism and nihilism of the Beat poets who through the drug culture wanted, like Rimbaud, to experience the extremes.

In other chapters the myriad influences on both performers are examined as well as their involvement with political and religious organisations. Finally David Boucher gives us an insight into the road travelled by both men in search of their own personal salvation.

Bob Dylan and Leonard Cohen are complex men and complex performers. To listen to, or to read the works of either man is always challenging. In this book the author has written an analysis that is equally challenging exploring, as it does, the anger and the angst of the 1960s and beyond. I enjoyed every minute of the challenge.

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