- Audio CD (Sep 30 1997)
- Number of Discs: 1
- Format: Import
- Label: Nonesuch
- ASIN: B000005J4S
- Average Customer Review: 4.0 out of 5 stars See all reviews (7 customer reviews)
Product Details
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| 1. Kyrie I | |||
| 2. Rachell's Weepinge | |||
| 3. Langdans efter Byfans Mats | |||
| 4. Lachrymae Antiqua | |||
| 5. Psalom | |||
| 6. Two Studies On Ancient Greek Scales: 1. Olympos' Pentatonic - 2. Archytas' Enharmonic | |||
| 7. Long-Ge | |||
| 8. Totem Ancestor | |||
| 9. Kyrie II | |||
| 10. Brudmarsch fra Osta | |||
| 11. Using The Apostate Tyrant As His Tool | |||
| 12. Synchrony No.2 | |||
| 13. Quodlibet | |||
| 14. Viderunt Omnes | |||
| 15. Kyrie III | |||
| 16. Four Part Fantasia No. 2 | |||
| 17. O Virtus Sapientie | |||
| 18. Uleg-Khem | |||
| 19. Farwell My Good I. Forever | |||
| 20. Collected Songs Where Every Verse Is Filled With Grief | |||
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Most helpful customer reviews
4.0 out of 5 stars
I loved this CD!,
By "heaven42" (Ilinois,Chicago) - See all my reviews
This review is from: Early Music (Audio CD)
When I was listening to MSN I came across it. I love Early Music and they had a Radio station that was playing it. I decided to listen to it. So as I was lisitening to it I came across the song Collected Songs Where Every Verse Is Filled With Grief. That is the besty song I ever heard in a long time. I like the other songs but this one really spoke to me. It was quite moving if I might say.
4.0 out of 5 stars
Not as early as you might think,
This review is from: Early Music (Audio CD)
Yes, there is "old" music on this disc. But works in olden style by John Cage, Arvo Part, et al are also present. Quite a challenging program on the listener - but rewarding as well. I am particularly found of Kronos' setting of Alfred Shnittke's "Collected Songs Where Every Verse is Filled With Grief". Very eclectic recording performed with usual finesse of the Kronos Quartet - and some guests.
3.0 out of 5 stars
Pleonastic,
By
This review is from: Early Music (Audio CD)
Kronos Quarter has been an agile and versatile instrument in the hands of modern composers. It has (re)interpreted music from many sources in a coherent way, thus creating a very distinctive sound. This album offers a mixed program of composers, juxtaposing the modern and the antique. The thesis of the album is (I think) that early composers are surprisingly palatable to modern sensibilities, and that they are close in spirit to a vast array of contemporary musicians. Also, it seems that the bond linking all these authors is a certain state of affliction; hence the subtitle of the album "lachrymae antiquae", ancient tears. Yet, overall, I found this a pretentious album, even in its use of latin. After so many years of philologically accurate renditions of the early masters, performed on period intruments, the operation of K.Q. sounds at least inappropriate if not even a bit obnoxious. It often seems that they are sacrificing the original intentions of the authors to the altar of this "modernity" thesis. The listener should judge by him/herself.Summing up, I would just say that this is first of all a K.Q. album "inspired by" early music. I would just point out that it doesn't add much to the understanding neither of Machaut & co., nor of K.Q., which is still a great ensemble.
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