Vous voulez voir cette page en français ? Cliquez ici.

Sign in to turn on 1-Click ordering.
Amazon Prime Free Trial required. Sign up when you check out. Learn More
More Buying Choices
Have one to sell? Sell yours here


Paul Butterfield Audio CD
4.5 out of 5 stars  See all reviews (21 customer reviews)
Price: CDN$ 10.93 & FREE Shipping on orders over CDN$ 25. Details
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
Only 2 left in stock (more on the way).
Ships from and sold by Amazon.ca. Gift-wrap available.
Want it delivered Tuesday, October 21? Choose One-Day Shipping at checkout.

Frequently Bought Together

East-West + Yes Album
Price For Both: CDN$ 49.02

  • Yes Album CDN$ 38.09

Customers Who Bought This Item Also Bought

Product Details

1. Walkin' Blues
2. Get Out Of My Life, Woman
3. I Got A Mind To Give Up Living
4. All These Blues
5. Work Song
6. Mary, Mary
7. Two Trains Running
8. Never Say No
9. East-West

Product Description

Product Description

One of the greatest guitar albums of all time and a real '60s classic, with Elvin Bishop and Mike Bloomfield trading licks on the mind-bending title cut in particular.


If the Butterfield Blues Band's groundbreaking debut earned the respect of the group's elder influences, this one won over (and guided) the blues boys' psychedelic peers. Highlighted by the 13-minute-plus title track (an Eastern-influenced jam cowritten by guitarist Mike Bloomfield), East-West stretches the boundaries of the blues. It would prod many lesser groups to explore, with generally dreary results, interminable free-flight explorations. But while East-West and a cover of jazzman Cannonball Adderly's "Work Song" ventured in new directions, Paul Butterfield and company remained rooted in solid Chicago blues. East West presents the best of both worlds. --Steve Stolder

What Other Items Do Customers Buy After Viewing This Item?

Customer Reviews

Most helpful customer reviews
5 of 5 people found the following review helpful
By K. Oda
Format:Audio CD
The psychedelic rock revolution of the late 1960s had several sources, but probably the most important was electric blues music. A lot of young white rock musicians of that era cut their musical teeth on covers of traditional African American blues
songs, finding in that material a liberating emotional authenticity as well as a simple yet flexible 12-bar, 3-chord improvisational format. Gradually, electric blues morphed into psychedelic hard rock. East West was one of THE seminal albums that led and marked this transition.
The Butterfield Blues Band started out as a straight-ahead Chicago electric blues ensemble. If you're a blues purist, you will prefer their first album. But on East West, the band has clearly come under the influence of, ahem, mind-expanding substances. There are several traditional electric blues numbers here, but there are also several tracks that stretch the boundaries of the blues genre.
The band was remarkable for the work of two great soloists. Paul Butterfield was an outstanding harmonica player (as well as a decent vocalist), and Michael Bloomfield was an awesome guitarist. On this album, both get a chance to display soulful originality as well as technical chops. Unlike a lot of 1960s blues rock musicians, Butterfield and Bloomfield still sound fresh and unique today. In particular, Bloomfield's solos on "I've Got A Mind to Give Up Living", "Work Song", and "East West" have a modal quality totally unlike any of the other blues rock guitar gods of his era. The contrast between Bloomfield's complex droning runs and second guitarist Elvin Bishop's more traditonal lick-based solos are stunning.
Read more ›
Was this review helpful to you?
4 of 4 people found the following review helpful
5.0 out of 5 stars East-West is a guitar Mecca Feb. 20 2004
Format:Audio CD
By now it seems like everything in music has been tried and done - or overdone - and most of it badly. But back in 1966 when this album debuted, it was nothing less than astonishing. A mixed-race band? A white guy singing blues like nobody's business? A Jewish kid and a southern farmboy sounding like Robert Johnson on guitars? None of us had heard anything quite like it and it gave me, a 15-year-old rock&roll wannabee guitar player, something to focus on.
Right out of the chute, this is a strong album. Opening with "Walking Blues", the BBB struts their stuff with strong vocals, soulful harmonica, and wicked guitar. "I've Got a Mind to Give up Living" was most people's first taste of what Michael Bloomfield could do - simply a stunning blues solo to cap off a great twelve-bar blues.
The album highlight, in my opinion, is their rendition of "The Work Song". Always a great jam song, they carried it to new heights. Bloomfield plays a dizzying guitar solo for 4 verses; Butterfield smokes 2 verses on his harp; Mark Naftalin follows with an understated organ solo; Elvin Bishop gets down & dirty for 4 verses. Then it really gets good; trading off every 2 bars, the musicians rotate for a few verses, each time upping the ante on each other as the song intensifies before resolving into a final melody verse. Whatta song!!!
Noteworthy on side 2 is Elvin Bishop's singing and playing on the sultry "Never Say No". Who knew he could sing?
Finally, the album culminates with the title song "East-West", one of those 60's long-songs which were oftentimes wretched excess, but this one keeps your interest. For 5 minutes or so, guitar and harmonica imitate an Indian raga in a slowly building crescendo.
Read more ›
Was this review helpful to you?
1 of 1 people found the following review helpful
5.0 out of 5 stars Instrumental Masterpieces of the late 60's April 10 2004
By A Customer
Format:Audio CD
There were only a few. Jeff Beck on Rice Pudding. Apricot Brandy by the Rhinoceros. In Memory of Elizabeth Reid by the Allman Brothers. Samba Pa Ti by Santana. And East West by the Butterfield Blues Band was the best.
And of course Booker T. & the MG's. And King Curtis. But the rock tracks were always special because there were so few.
If you don't know this track, I envy you because you have it to look forward to hearing for the first time.
Was this review helpful to you?
5.0 out of 5 stars East/West Is Ground Breaking Sept. 27 2003
Format:Audio CD
Few white blues players have been able to transcend the traditional notion that blues is a music that is based on the shared experiences of African Americans. Authenticity equals credibility in the minds of most blues enthusiasts. It's a powerful argument; and few white performers have been able perform the blues without inviting comparisons to the original African American blues masters. Paul Butterfield never invited comparisions because he demanded that listeners accept him on his own terms as an artist, and even the old blues masters could not deny Butterfield's prodigious talents and his inspired performances. The Butterfield Blues Band was one of those rare performing ensembles that could literally send chills down your spine on the sheer force of charisma. Butterfield was "authentic" because he refused to accept the stereotypes of white blues performers and his passion and magnetism changed the rules about who can, and cannot play, authentic blues. When Butterfield played his turbo-charged version of "Walking Blues", it was pointless to debate the merits the Robert Johnson original, because the Butterfield treatment of "Walking Blues" is so electrifying, that the racial identity of the singer is a moot point.
It was almost serendipity that Michael Bloomfield ended up in the same band with Butterfield. There really wasn't room enough in the same band two performers with such monumental talents and unshakable opinions of music. Bloomfield was a Columbia records studio musician and a budding guitar prodigy, when it was suggested that Bloomfield be added to the band, to deepen the band's recording sound. Butterfield reluctantly accepted and it began a turbulent partnership in which the two musical wunderkinds circled each other like caged lions.
Read more ›
Was this review helpful to you?
Want to see more reviews on this item?
Most recent customer reviews
4.0 out of 5 stars SACD vs CD vs vinyl
Yup, I have all 3 and spent some time listening to them. The CD was ruled out pretty quick. Especially annoying was some kind of compression/expansion going on with the vocals. Read more
Published 4 months ago by D. Cline
5.0 out of 5 stars No Lying
When you're a bit under the weather (if you know what i mean), a little bit above the surface of our blue planet earth (winks all around, chaps), then this CD is for you. Read more
Published on Aug. 11 2003 by "susybear"
2.0 out of 5 stars Mike Vargo was kind
He's right on the mark regarding the 2nd rate material.
The US version of this is very sorry indeed.
Finally a CD that sounds even worse than well worn vinyl. Read more
Published on May 5 2003 by GarBearSJ
5.0 out of 5 stars a few other perspectives on this cd
The Paul Butterfield Blues Band and the Rolling Stones are probably the sole reasons that most white people now even know that the blues exists: ... Read more
Published on April 27 2003 by .
5.0 out of 5 stars Best blues album ever
All of the musicians come together on this recording and click- they interact with each other- its not just Bloomfield and Bishop wailing on guitar- theres Butterfield's vocals and... Read more
Published on Oct. 31 2002
5.0 out of 5 stars Sixties vintage bravura . . .
This album is music of the '60's to me. I remember learning about blues hiding in an alley next to the stairs leading down to the Unicorn Coffee House in Boston, listening to the... Read more
Published on Dec 26 2001 by David O'Connell
4.0 out of 5 stars The Filler Is The Killer, But The Meat Is Magnificent
This album isn't exactly the flawless masterwork it's been cracked up to be since it first showed up in 1966 - for better or worse, the filler is the killer here. Read more
Published on Aug. 22 2001 by BluesDuke
5.0 out of 5 stars Absolutely Incredible
After The Paul Butterfield Blues Bands' first album, most fans would expect little deviation from their basic blues flair. How wrong they would be. Read more
Published on July 8 2001 by "adamjayjohnson"
4.0 out of 5 stars Ground breaking original
The first PBBB album and John Mayall's 'Hard Road' album turned me onto the blues. This album was ground breaking with its long solos and 'improvisation'. Read more
Published on March 6 2001 by Bob Davis
Search Customer Reviews
Only search this product's reviews

Look for similar items by category