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Amazon.com Essential Video
Of all the screenplays Preston Sturges wrote for Paramount before becoming the greatest comic director of his generation, 1937's Easy Living seems the most like something he would have filmed himself--a satirical fable about chance, class, and the absurdity of the American dream. Jean Arthur is a New York secretary riding to work atop a double-decker bus when a fur coat miraculously descends from the sky and settles on her shoulders. The fur, however, has not dropped from Olympus but from the hand of a millionaire (Edward Arnold) who has just tossed it from a nearby roof to punish his wife. But as if it were a magic fleece (the mythical reference is almost certainly intended by the erudite Sturges), it makes its wearer invincible, conferring an aura of prosperity, celebrity, and power on the previously average working girl. No folk tale is complete without a prince: Sturges's is the millionaire's son, Ray Milland, who is trying to pass as an apprentice stockbroker. Directed with a light, elegant touch by Mitchell Leisen, the film lacks the crazy energy it would have had under Sturges's own hand, but this remains one of the great screwball comedies (in a year that also saw The Awful Truth and Nothing Sacred). --Dave Kehr
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Most helpful customer reviews
5.0 out of 5 stars
Funny, cute and a movie to loose yourself in. It's Kismet!,
This review is from: Easy Living (DVD)
This review is for the MCA(Universal) 2008 DVD release of Easy Living.
The picture and sound quality are flawless. Jean Arthur is lovable and funny. Edward Arnold and Ray Miland are just as funny and entertaining. I like this movie a lot because although the concept of it is out there, it engages you. Makes you think that it could be possible. A great film to get lost in. I love the acting. And you can believe the chemistry between Jean Arthur and Ray Miland. I love it. One of my favourites. Take a chance on it! Definately worth the time to watch it. :)
3 of 3 people found the following review helpful:
5.0 out of 5 stars
A RARE COMEDY DELIGHT.,
This review is from: Easy Living (VHS Tape)
In retrospect, this little 1937 flick holds up as one of the funniest screwball comedies of the thirties. Loud millionaire J.B. Ball tells his extravagantly aggressive wife (Mary Nash) that she cannot keep her $58,000 Sable coat. Ball throws it out of the upper window of their mansion where it happens to fall right on top of bewildered Mary Smith (Arthur), who's travelling on an open-air bus. Mary's a poor gal who works for a magazine similar to BOY'S LIFE. Arnold is seen buying Mary a new hat by pussy-cat faced gossip Franklin Pangborn and soon she gets more than just a hat: practically all of New York is at her feet. The scene where she and Milland wreak havoc at the now-obsolete automat is truly inspired and hilarious, as is Luis Alberni - as Louis Louis - when he shows Mary her new "quarters" -- i.e. "And make it snappa...Thaank Yewww". The rather offbeat cast works wonders with the great Preston Sturges script: Milland and Nash make a weird son and wife to the always good (and always loud) Edward Arnold, but somehow it makes for better screwball; the whacko cast helps push the one-joke material through to a happy finish, and the movie helped establish Jean Arthur as a comedienne of the first rank. P.S. While listening to Arthur's wonderfully off-beat voice, I realised it reminded me a little of Julie Harris (!).
2 of 2 people found the following review helpful:
5.0 out of 5 stars
a movie for today,
By A Customer
This review is from: Easy Living (VHS Tape)
Day-traders alert. Cut yourself on every line of this witty, fast-paced and knowing movie that glories in the talents of Jean Arthur, et al. As tight as a fist, construction-wise, it traverses ostentation, banking (and ostentation), stock market manipulation (and ostentation) and that thing called real-honest-to-goodness, in-the-belly hunger. Arnold, Milland and the (forgive me) unnamed actor who plays the hotel proprietor (should have stayed cook) to hilarious effect are all wonderful. But Jean Arthur demonstrates yet again what an underrated talent she was: energy, sweet timing and mercurial delights - poured into the camera.
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