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The Edible Woman
 
 

The Edible Woman [Audio CD]

Margaret Eleanor Atwood , Dave Carley
4.3 out of 5 stars  See all reviews (26 customer reviews)

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Hardcover --  
Paperback CDN $4.50  
Mass Market Paperback CDN $10.79  
Audio, Cassette, Abridged --  
Audio, CD, May 2002 --  

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Margaret Atwood was already a mature writer when she wrote her first novel, The Edible Woman, in her mid-20s. The elements readers admire in her later fiction--edgy comedy, Gothic undertones, and a mordantly ironic view of contemporary society--are all present. The Edible Woman remains as delectably fresh and original as it was in the 1960s.

Her main character, Marian McAlpin, has a very contemporary problem. She feels alienated: constrained by her market-research job, ambivalent about her engagement to the "nicely packaged" but dull Peter, and alarmed by the prospect of her friends embarking on chaotic motherhoods. In a narrative jammed with images of food, body parts, advertising, and shiny surfaces, Marian feels like a commodity to be portioned out, wrapped up, and consumed. Acquiescing to a degree, she also rebels: she virtually stops eating, and she constantly flees from Peter in favour of the dubious alternative represented by Duncan, a bizarre student with a fetish for ironing. Vulnerable but empowered, tangled up in a world from which she is also acerbically detached, Marian is a classic Atwood heroine. The novel's ambiguous resolution, involving a woman-shaped cake that Marian solemnly decapitates and serves to her significant others, may seem heavy-handed. But it does drive home Atwood's pointed satire of an insidious consumer culture that convinces young people--and women in particular--that their identities and choices can be pulled from a shelf. That message is as relevant as ever. The Edible Womanhas no best-before date. --John C. Ball --This text refers to the Paperback edition.

Review

“Articulate and sophisticated.…Extraordinarily witty, and full of ironic observation.…A tour de force.…”
Toronto Star

“[Atwood is] one of the most intelligent and talented writers to set herself the task of deciphering life in the late twentieth century.”
Vogue

“Remarkable.…The Edible Woman assumes the force of a banal dream that has turned, without the dreamer quite noticing, into a nightmare.…[It] conceals the kick of a perfume bottle converted into a Molotov cocktail.”
Time

“Delightful – spare, precise, mordantly witty.…Exquisitely written.”
Journal of Canadian Fiction

“[The Edible Woman] is chock-full of startling images, superbly and classically crafted.…”
Saturday Night

“Few writers are able to combine wit and humour.…Margaret Atwood is a poet and novelist who seems to be able to do anything she wants.”
Newsweek

“A pleasure.”
Kirkus Reviews

“Funny, sharp, witty, clever.”
The Times (U.K.)

“Marked by a keen eye for evocative details which cohere into vivid incidents.”
Canadian Forum

“[Atwood is] a subtle and penetrating observer of relationships between men and women.”
Sunday Times (U.K.)

“Reflections on marriage, guilt and the relationship between the sexes – classic Atwood territory.”
The Guardian (U.K.)

“[Atwood] knows exactly what she is doing with every phrase.”
Vancouver Sun --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

26 Reviews
5 star:
 (16)
4 star:
 (5)
3 star:
 (3)
2 star:
 (1)
1 star:
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Average Customer Review
4.3 out of 5 stars (26 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
3.0 out of 5 stars Witty and Original, Mar 3 2001
This review is from: The Edible Woman (Paperback)
I'd give this 3.5 stars, for the record...

I was pleasantly surprised by this book, especially after reading the blurb which loudly declared "The Edible Woman" to be a book about wild sex. Luckily it actually turned out to have more substance than that: if anything, the sex scenes are so low-key as to be nonexistent. Instead the focus is upon the psychological aspects of Marian's relationships with her fiancee and with Duncan, and most of all upon the way she views herself. While on the surface "The Edible Woman" can be viewed as a feminist rant against marriage and commitment, this would be in my opinion a reductive perspective to take. "The Edible Woman" is primarily the charting of one woman's loss of identity as she attempts to mold herself to conform to the expectations of others.

Despite the serious and even dark undercurrents, this is a light, fun read. The characters are almost caricatures, even the main character, saying and doing things that no one in their right minds would ever do in real life. Fortunately this cartoonish treatment of the characters works in the novel's favor: it makes Marian's strange disorder more believable, and ultimately the message of the book being carried through in such a manner makes it--dare I say--more palatable. Atwood may have an axe to grind, but she does it with such delicate strokes that one can only appreciate the elegant subtlety she employs.

Atwood's prose is lucid and witty, and she takes some playful jabs at academia that are truly hilarious. The assembled cast of characters, even while they are too zany to be real, are also vastly entertaining. This book is not incredibly deep or substantial; though it does deal with some complex themes, it is in the end exactly as it comes across on the surface: a fun read. I probably wouldn't read it again, but I'm glad to have read it once.

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2 of 3 people found the following review helpful
5.0 out of 5 stars Atwood is a genious, May 23 2002
This review is from: The Edible Woman (Paperback)
Many authors who have risen to the heights of fame and acclaim that Atwood has reached have forgettable first novels, but Atwood is a clear exception to that. The Edible Woman is brazen, thought-provoking,and amusing all at the same time.

Marian McAlpin is a recent college graduate living in an unnamed Canadian city. She began dating Peter, an attorney, just as she started her job as a copy writer at a marketing research firm. Before she even realized that their relationship was serious or "going somewhere", she and Peter become engaged. Strangely enough, it happens after a fit of anxiety that literary causes Marian to run frantically into the night, away from Peter and the possibility of captivity.
The wedding plans are hastily taken over by Marian's family, the plans for the rest of their life are taken over by Peter (plans that included Marian quiting her job and becoming a housewife) and Marian begins to feel consumed.

Marian's onset of food aversions are comical, but also very symbolic--the thought of being coldly and methodically consumed keeps Marian from eating during the weeks leading up to her wedding as she tries to imagine giving up her independence.

Nearly every aspect of this novel is a symbol, a cultural comment of some kind. The most obvious, of course, is about food, but there are others, including the deep pit Marian stares into just days before her wedding. The characters are also neatly compartmentalized into varying degrees of traditional stagnation. They range from the stodgy old sexless landlady; the 3 "office virgins" at Marian's company; Clara, a college friend who is deeply immersed in the doldrums of wifery and motherhood; and the scheming Ainsley, Marian's roommate who plots to become pregnant with the help of an unsuspecting man. Peter, Marian's fiancee, openly balks at marriage at the novel's beginning; however, superb plot development shows that men have nothing to lose and everything to gain. It's the wife-to-be who is expected to surrender everything. Not-so-subtle remarks about uppity women who "trap" men by becoming pregnant (like Ainsley and the wife of Peter's friend Trigger) and about the perils of educating women (it's a risk to allow them to get ideas, you see) make this novel all the more wonderful.

This is not a lightweight novel, in spite of its somewhat silly subject matter and hilarious plot twists. Only those who go in with their eyes wide open will finish this novel having been enriched and satisfied.

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3.0 out of 5 stars (Almost) a contemporary novel, Nov 13 2007
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I LOVE BOOKS (Italy) - See all my reviews
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This is the first book I read by Margaret Atwood, it was written in 1965 but I believe that the only aspects giving away the years depicted are the absence of modern technology in the narrative (i.e. mobile phones, computers etc. -not that this is a "technological" read anyway, just the opposite)and perhaps, only perhaps -that's the way I perceived it- a certain candour in some of the characters/situations which conveys "something" dated.

It's the tale of Marian, a quiet, well-brought up girl in her early 20s who's struggling to conform to the demands and unwritten rules of modern society. This is not because she does not want to, in fact, she would like to, but she realises that her inner self craves more than a proper, suitable and predictable routine (a good job, a respectable marriage, children in due time etc.), as it was expected -and often still is, if you think about it-. Something in her rebels, in a subtle but undeniably determined way. Will she manage to tackle and overcome her gnawing uneasiness, consistently on the rise, rapidly becoming a true torment and assailing her own being? (A fact that her "cool" but obtuse boyfriend completely fails to see). That's for you to find out if you get this book.

Bearing in mind the year in which it was written, some considerations about our modern society arise. Have women's -and men's- roles changed much since then? Of course they have, in many ways. Still, could and can a demanding society have such an impact in the configuration of our lives -or, in what we thought/think our life should be like- that sometimes we felt and feel crushed under the pressure? Has the vortex of speed in which the world has changed in this past century -with its good and bad consequences- changed the core of human nature? These are questions which came to mind as soon as I turned the last page.

I'm glad I read this book, but I cannot honestly place it among my favourites. For instance, in the beginning it almost completely failed to engage me and I kept on only because I always do (as a principle). Thankfully the tale got more interesting later on, which helped, even though I think the author was overly-descriptive especially, but not only, in connection with Marian's issues, rendering the read a bit tedious. Still, and it may sound like a contradiction, I do think it was worth reading it, because it triggers questions and comparisons with today's Western society, and it was certainly worth it for the quality of its prose, essentially studied and quite elegant.
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