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Edinburgh: A Novel Paperback – Nov 9 2002


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Product Details

  • Paperback: 224 pages
  • Publisher: Picador; First Edition edition (Nov. 9 2002)
  • Language: English
  • ISBN-10: 0312305036
  • ISBN-13: 978-0312305031
  • Product Dimensions: 20.8 x 14 x 1.3 cm
  • Shipping Weight: 227 g
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (16 customer reviews)
  • Amazon Bestsellers Rank: #293,351 in Books (See Top 100 in Books)


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First Sentence
I AUDITION FOR the Pine State Boys Chorus on an afternoon at the end of November in the year I am twelve years old. Read the first page
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Customer Reviews

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Most helpful customer reviews

Format: Paperback
An emotionally devasting work of fiction. Alexander Chee is a writer of extravagant talents. Not since "The Hours" have I had to read through so many tears. His prose has a brilliant precision - he communicates a depth feeling - pain, loss, guilt -with an economy of words which is truly impressive.
I'm not going to go into details about the subject matter or describe the many beautifully realized characters. I will conclude these remarks by simply saying that I intend to recommend this heartwrenching novel to everyone I know.
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Format: Paperback
Edinburgh explores the story of a boy named "Fee," his life as a child and later that of an adult. I was very engrossed in the first 2/3 of the book which focused on Fee growing up, his devasting experiences to him as a child, and those to his friends. It was disturbing, yet intriguing, to see how he dealt with the trauma and experiences. However, the next part of the book took a bit of jarring turn as the point of view immediately switched to another boy. Although I understand the reasoning behind it, I was a bit distracted having to suddenly see "the story" from another viewer. In the last section, it returns to Fee's POV as an adult. Again, it was a bit jarring to switch POVs again, but at least I was familiar with this one. I think it somewhat made me lose interest in the characters and I couldn't wait for the story to end. Don't get me wrong, it was a great build-up of a story the first 2/3 of the book, so I recommend reading it -- I just wish it had a similarly interesting finish. And although the author's disposal of quotation marks was a bit distracting as well to see where conversation began and ended, I see this as a writing style that Chee is shooting for.
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By "remymy" on Sept. 2 2003
Format: Paperback
This book is one of the best books I've read in a long time. I have to say, though, that the first review by Publishers Weekly should not be included here. The reviewer got several major details of the book wrong (Fee's absent father was also a child molester? His father was not absent, nor a child molester!) and seemed not to have actually read the book. Unbelievable.
Anyway, I was deeply touched by this novel. I felt that Chee was not afraid to get to the heart of things, and because he had the courage to enter where no one should enter, I also had courage to follow him. I love how the prose is internal, no chit-chat, just the hard, dark lines of the inside of the mind. It's as if Chee was so committed to his characters, the integrity of his characters, that he allows them to live and speak for themselves and create their own narratives. I forgot that I was reading a novel, I forgot that I was reading something crafted. I was inside the tunnel of Fee's (and Warden's) mind and saw glimpses of my own soul. I wept several times during this read. I will read everything this man has ever written...
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By A Customer on Aug. 24 2003
Format: Paperback
I loved this book. You can take any page from it and just that one page alone is a masterpiece. Chee writes like a poet, but he has the talents of a storyteller. This means that not only is the plot engaging, but the way he relates it is seductive. I won't go into plot since so many of the other reviewers have, but you will definitely think about these characters long after you finish the last page.
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By A Customer on Jan. 5 2003
Format: Hardcover
Chee has a refreshing new/modern style of writing which evokes his generation and his youth. He communicates feelings and angst like it has rarely been done before. His characters ring true and their view of life's challenges is heart rending. He plays the gay theme beautifully.
I thuroughly enjoyed this book and eagerly await his next work.
Boston/Jan 03
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Format: Paperback
I would like to recommend this book without giving any of the plot away. The author is Amerasian and in this book he has mixed East and West, an Eastern myth within the form of a Greek tragedy. Like a tragedy, the novel opens with a prologue, which I think should be read at the beginning and end of the book to get the full effect of the story. What follows is not a tragey's parados chorus, but the story of some Maine choir boys. The present tense prose is so lyrical, the reader is drawn in; like a car accident you can't help but look at, even though it may be painful, you read on. The lake at the choir's summer camp appears still, but the author shows that the ripples from the choir master's abuses are waves that run deep, wide, and unseen; they are as devastating as the wake of the Black Plague.
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Format: Hardcover
Alexander Chee's first novel is the tale of a demon fox who is finally captured. Aphias Zee or Fee is an American of Korean and Scottish descent. In early age Fee's grandfather tells him the tale of Lady Tammamo, a fox who fell in love and, after being ridiculed by the community after her husband's death, engulfed herself and her husband's body in flames. He believes himself to be a fox in the shape of a man. Greek mythology informs his destiny as well, subtly setting the stage upon which the events of his life play. Yet, above the decorous theatre is a profoundly human story of Fee's experience growing up in Maine and, along with eleven other boys, suffering sexual abuse at the hands of a Boys Chorus instructor named Big Eric. Sex and suicide surround Fee through his entire adolescence and teenage years. He learns somehow to survive with the elements of creation and death orbiting him constantly, but it is an empty sort of existence for him. Passion is expended on lovers he doesn't care for. The guilt of his former instructor attaches itself to him as he discovers quickly that he is a homosexual himself. His natural desire is tragically intertwined with the other's perversity. His first love, Peter, becomes for him a distorted mirror image of all he is not: blonde, straight and freed by death. Thus, he embarks on an endless struggle to merge with this image, to fall into it, be devoured and emerge cleansed by flame. Despite surviving (barely) through college, making close friends and finding a lover, Bridely, who he marries in a commitment ceremony, Fee is unable to escape from his past and the conception of his own destiny militated by his demon fox spirit. He is paired finally with a spectre from the past and the mirror image he longed to meld into.Read more ›
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