Book Description
Edward Hopper has been celebrated for over half a century as America's most eloquent realist artist. His best known oils, such as Nighthawks, Early Sunday Morning and House by a Railroad, are powerful psychological statements that convey a sense of angst and alienation. Yet the freer, more spontaneous spirit that emerges in Hopper's watercolours is less well-known. In 1923 he spent a summer in Gloucester, Massachusetts, and began painting houses, landscapes and fishing boats. In them he captures remnants of nineteenth-century America that for him symbolised the fundamental character of the country's people and places, and prompted him to re-examine his views about the relationship between the past and the modern. Over the next two decades, Hopper painted hundreds of watercolours in Gloucester, New Mexico, Cape Cod and along the coast of Maine. This beautiful book, the first major work on Hopper's exquisite watercolours, reproduces and examines over one hundred of Hopper's greatest watercolours in the context of his life and travels.
About the Author
Virginia Mecklenburg is a curator at the National Museum of American Art, where there will be an exhibition of the watercolours. Among her many publications is Metropolitan Lives: The Ashcan Artists and Their New York (Norton), which she co-authored.