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Egon Schiele, 1890-1918: The Midnight Soul of the Artist
 
 

Egon Schiele, 1890-1918: The Midnight Soul of the Artist [Paperback]

Reinhard Steiner

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Book Description

Egon Schiele (1890-1918) - along with Oskar Kokoschka - is the painter who had the most long-lasting influence on the Vienna art scene after the great era of Klimt came to a close. After a short flirtation with Klimt's style, Schiele soon questioned the aesthetic orientation to the beautiful surface of the Viennese Art Nouveau with his rough and not easily accessible paintings. Many contemporaries found his expressive nudes and self-portraits, with their strange movements and morbid colours, to be ugly and even morally objectionable - criticism which culminated in criminalizing the painter as "obscene" and resulted in 1912 in an indictment and short jail sentence. However, not even his harshest critics could dispute however the artist's extraordinary drawing talent.

About the Author

The author:
Reinhard Steiner (born 1950) is professor of art history at the University of Stuttgart. His particular areas of interest and expertise include late medieval and Renaissance art as well as the art of the 19th and 20th centuries.

--This text refers to the Hardcover edition.

Inside This Book (Learn More)
First Sentence
Just as there are particular words or phrases (such as decadence or fin de siecle) which seem to express the very essence of an entire era, of a certain society's wishes and desires, aims and preoccupations and guiding principles, so too there are key images in every artist's work that reveal his character and the wellspring of his creative impulses most clearly of all. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Amazon.com: 4.5 out of 5 stars (4 customer reviews)

14 of 18 people found the following review helpful
4.0 out of 5 stars Good intro to a disturbing artist, Jun 13 2000
By Peter F. Stubbs - Published on Amazon.com
This review is from: Schiele (Paperback)
As a quick study of/introduction to Egon Schiele, this book is great. Timeline, bio, an examination of influences and early works are included, but the highlights are Schiele's mature paintings. His self-portraits make him look like a concentration camp internee. Beautiful, scary stuff.

3 of 3 people found the following review helpful
4.0 out of 5 stars In Schiele's Hands, Dec 9 2011
By Picozzo - Published on Amazon.com
Amazon Verified Purchase(What's this?)
This review is from: Egon Schiele, 1890-1918: The Midnight Soul of the Artist (Paperback)
In Shiele's hands is a confident line and an uncensored, cooly critical appraising eye. His self portraits, angular, emaciated, naked place the viewer in the position of voyeur and Schiele the exhibitionist. His rendering of hands are boney, expressive, at times grasping with their black outlines across the body.

His female nudes are unforgiving, distorted, fleshy, grotesque and, at times, with a dismemberment that is confronting. His painting, The Embrace, so resembles the work of the much later, Lucien Freud that I would not be surprised if Schiele was one of Freud's artistic influences.

This book includes Schiele's early works, the influence of Klimt on his work, his later abstractions and landscapes. The text provides a fascinating insight into this complex artist.

8 of 11 people found the following review helpful
5.0 out of 5 stars Scholarly and colorful., Mar 27 2002
By Bruce P. Barten - Published on Amazon.com
This review is from: Schiele (Paperback)
This book by Reinhard Steiner gives a very intellectual treatment to the art of Egon Schiele. From pages 9 to 11, Nietzsche is quoted as a guide to the self, and for the first quote, Steiner must be translating from the German himself, for the footnote is not to an English version of Nietzsche's work. Could this be familiar?

It is a theatre of the self which is in dangerous proximity to Friedrich Nietzsche's aphoristic description (in 1888) of the modern artist: "The modern artist, physiologically close kin to the hysteric, bears the signs of hysteria in his very character too . . . The absurd excitability of his constitution, which makes a crisis of every experience and drags drama into the merest chances of life, renders him utterly unpredictable: he is no longer one person, but at most a gathering of persons, and now this one, now that will be conspicuous amongst them, with unabashed confidence. . . ." (pp. 9-10).

Almost everything in the book is reproduced in color, but the paintings might not please everyone. Consider them stark.

 Go to Amazon.com to see all 4 reviews  4.5 out of 5 stars 

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