Eichmann

EICHMANN is not an easy film to view: revisiting the atrocities of the Nazi Third Reich through the greasy, smooth, denying words of Adolf Eichmann is a nightmare, but a nightmare we must revisit periodically to remind us of just how heinous was that period of history. The film is set in 160 - 1962 and is based on transcripts obtained by the Israeli forces from the files of the concentration camps and Nazi regime, transcripts that document the words of Adolf Eichmann that lead to his final confession of his participation in the Third Reich atrocities as unveiled under the slow and insidious interview by Police Captain Avner Less.

The film opens after the 1960 capture of Eichmann from his home in Argentina, the country where he and his wife and four sons had been in hiding since the end of WW II. Adolf Eichmann (brilliantly portrayed by Thomas Kretschmann) had been the World's Most Wanted Man and his transport to Israel was met by jeering crowds. The Israeli Minister Tormer (Stephen Fry) elects police captain Avner Less (Troy Garity) to conduct the interview in what is supposed to be a top-secret assignment. But the news escapes and Avner's wife Vera (Franka Potente), suffering from polio of the spine, and the Avner children are marked as targets by the Israeli's who do not appreciate the duty of Avner Less's obligation to interrogate and gain a complete confession from Eichmann before he can be tried. The months that the interrogations take prove that the Israeli's believed in justice: the facts must be proven completely before the prisoner is tried for atrocities.

During the interrogation months Eichmann is shown in flashbacks to have been not only following the orders of Hitler, but being committed to the purification of the 'Aryan race'. What screenwriter Snoo Wilson and director Robert Young allow is for us to see the human weakness of Eichmann as portrayed By Kretschmann: he had mistresses, including one Austrian Jewess and a Hungarian Countess who urged him to complete the Final Solution, he coldly signed extermination orders 'because he had to follow Hitler's orders', yet he also was an apparently devoted father to his own sons. Equal time is given to allow the audience to see the interaction between the conflicted parties of the interrogation: Avner was convinced he must prove beyond a shadow of a doubt that the prisoner was indeed guilty of all of the crimes fro which he was accused. The interrogations become a battle of wills between the smarmy, oily, manipulative Eichmann and the personally distraught Avner. At the close of the film the real Avner E. Less provides voice over regarding the hanging of Eichmann along with statistics of the Nazi atrocities that no matter how often they are quoted continue to astonish our ability to comprehend.

The only artistic aspect of the film that is ultimately distracting is the director's choice to have cinematographer Michael Conner use near black and white/sepia toning for the film. Certain scenes break into real color but the tone of the film footage seems dirty - and perhaps that is the reason for the choice. Richard Harvey adds the musical score, and there are some very fine cameo roles by Delaine Yates, Tereza Srbova, and Judit Viktor. But in the end it is the performance by Thomas Kretschmann that is terrifyingly real: he deserves awards for his courage to accept this role and for his unforgettable impersonation of a man so evil that under other actor's skills would be simply unbelievable. It is Kretschmann's extraordinary performance that brings home the terror of his film. Grady Harp, January 11

The film purports to be based on transcripts from Adolf Eichmann's interrogations while awaiting trial in Israel in the early sixties for the major role he played in the extermination of millions of European Jews during the Second World War. Eichmann, an Obersturmbannführer in the SS is viewed by by many historians as the "Architect of the Holocaust." After viewing the film, and reading up on the Holocaust it is apparent that Major Scenes in the film were Completely Fictionalized. For example, one scene has Eichmann at Theresienstadt Concentration Camp in April 1945 supervising the deportation of Jews to Auschwitz. The only problem is that Auschwitz was liberated by the Soviet Army in January 1945! Therefore, the deportation depicted in the film could not have occurred. Did the filmmakers even bother to crack a history book? Or did they just make things up as they went along?

Another scene has Eichmann in Hungary in 1943 bragging, while having sex with a Hungarian Countess, about the millions of Jews he has killed from the various nations that were occupied by Nazi Germany. In reality, most of the exterminations did not occur until 1944. Essentily the Eichmann character is bragging about events that have yet to happen. Also Eichmann did not actually arrive in Hungary to supervise the liquidation of Hungarian Jewry until 1944. There are so many other falsehoods and inacccuracies in the film that the viewer doesn't know what is fact or fiction.

With all the Holocaust deniers out there, the last thing that is needed is a heavily fictionalized film to muddy up the historical record even more. Eichmann was an unbelieveably evil man, who was proud of his role in the Holocaust. If the film-makers had chosen to stay closer to history, they could have produced a very powerful film.

This acceptable biopic deals basically with the pretrial interrogation of Adolf Eichmann after he was captured in Argentina and brought to Israel. In the interrogation, he insists his role in the Holocaust was minor, just a sort of transport commissioner who has to make sure the different prisoners arrive on time at each concentration camp. This is contrasted with flashbacks from Eichmann during World War II, showing him directly in charge of the extermination of Jews. His main interrogator is a police captain, and the movie shows some of his background, how his role affects his family life, etc. German actor Thomas Kretschmann, who has made a career of playing Nazi officers (in Downfall, Stalingrad and Valkyrie, for instance) is very good as the Nazi criminal. So is Troy Garity playing the Israeli detective. Maybe the movie would have benefited from a larger scope - it includes nothing of Eichmann during the trial itself, very few about his life in Argentina, his capture is dealt in just one quick scene. And there were a few scenes that sounded false to me. For example, Eichmann is seen making love to a Hungarian mistress during the war and to get her hot he tells her the amounts of people he ordered killed. Or in another scene the same lady dares Eichmann to kill a baby. Maybe it really happened but the way it is portrayed in the movie sounded downright false and tasteless to me. These few objections aside, this is not a bad film.

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