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Elaine and Bill: Portrait of a Marriage The Lives of Willem and Elaine de Kooning
 
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Elaine and Bill: Portrait of a Marriage The Lives of Willem and Elaine de Kooning [Paperback]

Lee Hall
3.0 out of 5 stars  See all reviews (2 customer reviews)

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From Publishers Weekly

The 46-year marriage of solitary, depressive Willem de Kooning, the Dutch-born American abstract expressionist, and gregarious, ebullient painter-critic Elaine Fried was a spiral of competition marked by sexual infidelities, fights and squalid alcoholism on both sides. Hall ( Betty Parsons ) claims the union, strained by an 18-year separation, nurtured the development of their personalities and art, but there is not much evidence for that in this intimate, engaging narrative based on the author's friendship with Elaine (who died in 1989) and on interviews with the couple's friends (Willem, now 89 and afflicted with Alzheimer's disease, was incapable of being interviewed). Hall portrays Elaine as a smart operator who helped establish her husband's reputation by having strategic sexual affairs with art critics Harold Rosenberg and Tom Hess. She limns a high-energy bohemian world of art, booze and talk. Photos.
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews

An unvarnished life of ``action painter'' Willem de Kooning and his artist-wife, by Hall (past president of the Rhode Island School of Design; Betty Parsons, 1991--not reviewed). While focusing on the deeply troubled relationship between the introverted Dutch-born Abstract Expressionist and the ebullient Brooklyn woman he married, Hall also presents an overview of the couple's art-world contemporaries: Jackson Pollock and his wife, Lee Krasner; Arshile Gorky; Robert Motherwell; David Smith; Franz Kline--in Hall's telling, a pretty unappealing lot of bed-hopping brawlers, blowhards, and bigots. The de Kooning marriage was an open one with each partner engaging in a seemingly endless series of affairs: As her husband's reputation as a leader of the emerging New York School of the 1950's gathered steam, Elaine, in order to further his career, embarked on affairs with art critics Thomas Hess and Harold Rosenberg. Even so, fellow action-painter Jackson Pollock's reputation outshone de Kooning's, at least in the popular press, and the two men became rivals, not only for artistic kudos but also for women. Who could best hold his liquor also became a point of contention, though both ended up as alcoholics. When Pollock was killed in a car crash while drunk, de Kooning's reputation as ``the greatest American painter'' soared. His works commanded higher and higher prices--but his drinking escalated as well. The de Koonings eventually separated after Willem fathered an illegitimate child and Elaine sank into dipsomania. But after 20 years, the couple reunited, and Elaine, recovering from alcoholism, devoted her final years to protecting the health and reputation of her husband, who became ever more reclusive and detached. In 1989, Elaine died of lung cancer; today, the ``American Picasso'' has been declared mentally incompetent, his daughter and a lawyer acting as his co-conservators. Written in pedestrian prose--but nonetheless a continually engrossing, if depressing, portrait of an American master. (Sixteen pages of b&w photographs--not seen) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

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3.0 out of 5 stars (2 customer reviews)
 
 
 
 
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1.0 out of 5 stars who needs enemies?, Nov 21 2002
By A Customer
This review is from: Elaine and Bill: Portrait of a Marriage The Lives of Willem and Elaine de Kooning (Paperback)
This book is just chock-full of rumor and gossip, much of which is totally insubstantiated. Some of the 'facts' are just plain wrong. With friends like Lee Hall, who needs enemies? Do yourself a favor and if you do read this, read it with more than a few grains of salt. There are better stories about the New York School - John Myers' memoir comes to mind, for one.
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5.0 out of 5 stars An art-world expos, Aug 17 2000
By A Customer
This review is from: Elaine and Bill: Portrait of a Marriage The Lives of Willem and Elaine de Kooning (Paperback)
Thank you, Cooper Square, for reissuing Hall's valuable book. Elaine and Bill deserves a wide-based readership. Biography readers interested in Elaine and/or Willem de Kooning in particular, or American artists of this century in general, will learn a great deal. Hall's friendship with Elaine lays the groundwork and is enhanced by her discussions with friends (and wannabee friends) of both painters--although after the fact some refused to acknowledge their participation. The author also brings long-delayed attention to Elaine's neglected painting--art that is very much her own, not the weaker shadow of her husband's work often suggested.

Perhaps this book's principal contribution, however, is its cool and calm expos´ of the "art world's" best-kept secret: that, at base, it is a fraud that has less to do with expression than financial gain. Readers get a clear, well-written, and easily believable picture of an artist's life during that time of near-mythical when hard drinkin', butch fightin', and tough paintin' were the mainstays of New York's boy-culture art scene of the 50s and into the 60s. The book provides a much-wanted description of why there's so little "there" there in the articles by the likes of Greenberg and Rosenberg. In light of their various affairs--both amorous and financial-one understands how these critics' and their cronies' small-scale star making paved a sort of on-ramp to the market-driven farce the art world is today.

By all means read Elaine and Bill. It is fascinating reading on many levels and, when all is said and done, provides a window--for some too clean and revealing a window--into the machinery driving the manufacture of art today.

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 2.3 out of 5 stars (3 customer reviews)

9 of 10 people found the following review helpful
5.0 out of 5 stars An art-world expos, Aug 16 2000
By A Customer - Published on Amazon.com
This review is from: Elaine and Bill: Portrait of a Marriage The Lives of Willem and Elaine de Kooning (Paperback)
Thank you, Cooper Square, for reissuing Hall's valuable book. Elaine and Bill deserves a wide-based readership. Biography readers interested in Elaine and/or Willem de Kooning in particular, or American artists of this century in general, will learn a great deal. Hall's friendship with Elaine lays the groundwork and is enhanced by her discussions with friends (and wannabee friends) of both painters--although after the fact some refused to acknowledge their participation. The author also brings long-delayed attention to Elaine's neglected painting--art that is very much her own, not the weaker shadow of her husband's work often suggested.

Perhaps this book's principal contribution, however, is its cool and calm exposŽ of the "art world's" best-kept secret: that, at base, it is a fraud that has less to do with expression than financial gain. Readers get a clear, well-written, and easily believable picture of an artist's life during that time of near-mythical when hard drinkin', butch fightin', and tough paintin' were the mainstays of New York's boy-culture art scene of the 50s and into the 60s. The book provides a much-wanted description of why there's so little "there" there in the articles by the likes of Greenberg and Rosenberg. In light of their various affairs--both amorous and financial-one understands how these critics' and their cronies' small-scale star making paved a sort of on-ramp to the market-driven farce the art world is today.

By all means read Elaine and Bill. It is fascinating reading on many levels and, when all is said and done, provides a window--for some too clean and revealing a window--into the machinery driving the manufacture of art today.


1.0 out of 5 stars treason of the clerics, April 11 2012
By jigme - Published on Amazon.com
This review is from: Elaine and Bill: Portrait of a Marriage The Lives of Willem and Elaine de Kooning (Paperback)
This is a letter written by Ernestine Lassaw and published in the East Hampton Star at the time of the publication of Elaine and Bill by Lee Hall.

For those of us who knew both Elaine and Bill very well this book is a twisted bunch of lies.Had Elaine lived to see this she would have been very angry. Denise

Comments on Lee Hall's book : Elaine and Bill: Portrait of A Marriage

pp: Lassaw, Ibram-pp.19, 97, 254, 306,311, 41, 294, 73,74
Ernestine Lassaw pp.255, 45, 47, 175, 26-27, 41, 294, 311
Letters to the Editor, East Hampton Star
Errors Too Numerous
Springs, July 10, 1993

Dear Helen,
I'd like to say, contrary to the general impression, I did not write Lee Hall's book for her.
Since no complimentary copy was ever sent to us, we had to buy one in order to discover how many errors seem to be our contribution to the life of the de Kooning's. Sadly, they are too numerous to enumerate.
We disclaim any credit or cash for that matter due from the book, "Bill and Elaine"" or is it "Elaine and Bill"? There is an old French pharse Ibram likes to quote, "La trahison des clercs."
Sincerely, Ernestine Lassaw

July 20, 1993 ( a letter from Ernestine in the files. Don't know if it was ever published )
In reference to Lee Hall's book, "Elaine & Bill"
I will attempt to set the record straight on the quotes directly attributed to me but that does not mean there are not hundreds of errors too numerous to mention.

Page 26. Milton, Elaine and I shared a place on Fourth Avenue near 29th St. and later on E. 22 St. but never on 9th Street.

Page 47: This story had nothing to do with jackson Pollock and the war plant! Ibram worked at a display place and he got Elaine a job there. I had to make two sandwiches every day because Elaine never had lunch and always begged helf of Ibram's.
Maire never said, "Why couldn't you have married Ibram!!". She simply siad, "Ernestine married a real prince charming."

page 97 elaine and Mercedes were not among the original members (of the Club) but after much lobbying they were the first women members.

Page99 Drinking was not the purpose of the Club, as she would have one think. Talking was the purpose and there was drinking of alcohol only at parties when one of th ewomen would pass around a basket. The drunks usually came there already loaded.

Page 175 I'm sure I never said those words but it true that Elaine never considered divorce.

Page 83 I hope I am not so stupid as to say what she quotes me as saying. however, I might have said, "lots of artists were influeneced by Bill."

Page 311 a better quote for Ibram would be, "I try not to think about how Bill would feel if he could read this book".

2 of 9 people found the following review helpful
1.0 out of 5 stars who needs enemies?, Nov 20 2002
By A Customer - Published on Amazon.com
This review is from: Elaine and Bill: Portrait of a Marriage The Lives of Willem and Elaine de Kooning (Paperback)
This book is just chock-full of rumor and gossip, much of which is totally insubstantiated. Some of the 'facts' are just plain wrong. With friends like Lee Hall, who needs enemies? Do yourself a favor and if you do read this, read it with more than a few grains of salt. There are better stories about the New York School - John Myers' memoir comes to mind, for one.
 Go to Amazon.com to see all 3 reviews  2.3 out of 5 stars 
 
 
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