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Electric Michaelangelo Paperback – Apr 27 2004

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Product Details

  • Paperback: 288 pages
  • Publisher: Faber & Faber (April 27 2004)
  • Language: English
  • ISBN-10: 0571219292
  • ISBN-13: 978-0571219292
  • Product Dimensions: 13.4 x 2.8 x 21.6 cm
  • Shipping Weight: 381 g
  • Amazon Bestsellers Rank: #1,192,223 in Books (See Top 100 in Books)

Product Description

From Publishers Weekly

Hall's mellifluous coming-of-age story about an apprentice tattoo artist from the north coast of England who reinvents himself in Coney Island, N.Y., is picaresque in its sweep and lovely in its lush description. This 2004 Booker Prize finalist, Hall's second novel (after Haweswater) but first U.S. release, follows Cyril Parks from his youth in the 1910s, as he grows up the only son of the widowed proprietor of the Bayview Hotel in Morecambe, through his hard-won apprenticeship to the seedy rogue Eliot Riley, under whose exacting tutelage he becomes a skilled tattoo artist. From his benevolent mother, Reeda Parks, who puts up consumptives at her hotel, he learns not to be disgusted by the spectacle of human misery. (Reeda also performs secret abortions and campaigns for women's suffrage.) Upon Reeda and Riley's deaths, Cy takes off for America and plies his trade among the vibrant array of freak shows at Coney Island. By 1940, he meets a local Russian chess champion, Grace, and during the course of their love affair he inscribes 109 eye tattoos all over her body. Hall's writing is pure joy, especially when describing the childhood seaside shenanigans of Cy and his boy pals.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Tracing the arc of Cyril Parks' life from a young boy growing up in a ramshackle hotel for consumptives run by his widowed mother in the English seaside town of Morecambe through his emigration to America and back again, Hall paints a lush and sumptuous portrait of a sensitive, solitary man who ekes out an unlikely living as a tattoo artist. As a teenager, Parks learned his trade from Eliot Riley, an abusive loner who virtually kidnapped Parks to be his apprentice. After the deaths of both his mother and Riley, Parks escapes England and the approaching World War, sailing to America where he establishes himself in the bacchanalian world of Coney Island's boardwalk as "The Electric Michelangelo." When an enigmatic young woman hires him for a most bizarre commission, Parks finds himself caught within a maelstrom of emotions and desires unlike any he has ever known. A Man Booker finalist, Hall's sweeping novel explores timeless themes of loss and redemption with an ageless wisdom and grace. Carol Haggas
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

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Most Helpful Customer Reviews on (beta) 25 reviews
16 of 16 people found the following review helpful
Art as Life; Life as Art April 29 2005
By J. K. Grice - Published on
Format: Paperback Verified Purchase
The Electric Michelangelo is at once a fascinating study of both character and career. Author Sarah Hall lovingly chronicles the life of tattoo artist Cyril Parks from childhood through later adult life. The novel is set on the norhthern coast of England and later moves to the bawdy atmosphere of Coney Island in Brooklyn, NY. That is where, in the late 1930's, Cyril Parks sets up his tattoo shop and begins his adventures in America.

He eventually meets a woman named Grace, who is a circus performer and also becomes a client of Cyril's. While growing up in England, Cy was primarily influenced by his independent mother, Reeda, as well as his violently disturbed tattooing instructor, Eliot Riley. In the character of Grace, Cyril discovers qualities of both his mother and of Riley. This is a very powerful point of the novel.

Sarah Hall writes some amazing prose, and she infuses humor throughout the story. At times philosophical and symbolic, The Electric Michelangelo has strong, very human characters, and it gives insight into the lives of its inhabitants through the unigue profession of tattooing. The book can be compared to some of the works by John Irving, where we find strong female characters, various points of irony, and offbeat humor surfacing along the way.

This is one of the most original novels I have read this year. Although it is largely narrative, I found myself drawn into the book more and more as the story developed. There was a quiet, unassuming way in which the themes and messages of the book were conveyed. Through Cyril's tattoo artistry, we are shown a unique way of thinking, living, and dealing with the world, based on his art and profession. There is no fluff here. This is a meaty perspective on the human condition using subject matter that I have encountered in no other work. Given the chance, The Electric Michelangelo will lead the reader on a magical, rewarding journey.
11 of 11 people found the following review helpful
A Rare Gem Dec 17 2005
By Bartleby (scrivner) - Published on
Format: Paperback Verified Purchase
This is without a doubt one of the finest novels I have ever read. The writing is pure heaven, the metaphors and similes are creative divinity--where does she get them? She is so highly gifted and so young that she can look forward to a wonderful career and you can be sure that I will follow her progress.

Yes the novel can be heavy going at times but the beauty of her story and her talent as a writer just kept me wanting more and I earmarked so many passages because they were the finest, among the best poetry that I have ever read, her imagination and facility with language is stunning, not to mention the level of research that she did.

A wonderful and rare performance--Bravo!
10 of 10 people found the following review helpful
A superior reading experience Oct. 16 2005
By C. Collins - Published on
Format: Paperback Verified Purchase
Electric Michelangelo by Sarah Hall is masterfully written. There are several aspects of the book that I would like to point out.

First, in some ways one of the strenghts to this novel is minimal number of characters, minimal number of cities, and minimal number of intereactions. There are four main characters; Cy, this mother Reeda, his mentor Eliot Riley, and the woman he falls in love with, Grace. The action takes place in two cities; Morecambe England and Coney Island, NYC. Significant dialogue happens in two taverns; the Dog and Pheasant in Morecambe and the Varga on Coney Island. Cyril Parks is loved and protected by a wise mother, Reeda, who runs a boarding house by the sea for TB patients and performs abortions late at night for local girls in trouble. Her emotional stability gives Cy a bedrock of natural compassion and internal resources. She dies of breast cancer and Cy decides to become apprentice to the alcholic Eliot Riley, an angry bitter drunkard who introduces Cy to the profession of tatoo artist. After the death of Eliot, Cy migrates to Coney Island and makes a living on the boardwalk and socializing at the Varga, the local diner for circus and carnival folks. He meets a young angry intelligent beautiful Russian Jewish bareback rider and her horse, Maximus. She is agnostic, skeptical, and obviously has seen much pain and disappointment in her life, which she keeps to herself. Cy loves Grace but her personality is so much stronger than his, that his courtship must be carefully plotted. I will not say more about the straight forward story line since I don't want to ruin the reading experience of others, but the point here is that Hall uses a very minimal approach so as to better explore the few characters and situations she introduces.

Second, Hall engages in skillful social commentary through the interactions of her characters, reminding me of the masterful job that VIctor Hugo does in Les Miserables. Social class and mileau commentary is best revealed by the manner in which the characters navigate to survive. Social commentary has more power through empathy than via lectures. This is true of Les Miserables as well as The Electric Michelangelo.

Third, Hall engages in insightful analysis of the art of the tatoo and the impulses that drive human beings to mark their bodies. Some people mark their bodies to show experiences they have survived, such as military service or service in a particular part of the world. Others, mark their body to show committment. Others mark their bodies to signify loss. Some seek a tatoo so that the painful experience acts as an initiation rite, taking them apart and building them again with a symbol to show they have been rebuilt. Some men select terrible images to attempt to warn other men to stay away from them, that they are dangerous. Her commentary on the purposes of tatoo are skillfully interwoven throughout the work.

Fourth, but you may ask "what is this book really about?" I would say that the overwhelming theme is recovery from loss, the resources we have to overcome loss, the lessons we learn from overcoming loss, and the baggage we carry into our next significant relationships and situations from our previous loss.

The language is poetic and vibrant, the characterization exact and empathetic, the flow of events was strategic, and in the end Hall has produced an incredible book. She wrote this book when she was 30 years old. She has certainly learned a lifetime of lessons in her short life and she reveals these lessons like a master.
6 of 6 people found the following review helpful
Excellent Novel Jan. 16 2005
By Calliope - Published on
Format: Paperback
The Electric Michelangelo is a well-written, thoughtful novel that vividly portrays the places in which it is set. It is the life story of Cyril Parks, who is born and grows up in the English seaside resort Morecambe, raised by his widowed mother. The first third of the book is about his childhood experiences, told as a series of anecdotes (mostly the trouble he gets into with his friends, as well as the discovery that his mother is an illegal abortionist.) Later, he is apprenticed to Eliot Riley, a tatoo artist who is a drunkard and loudmouth. For many years, Cy has a love-hate relationship with Riley, who he reviles but sees as a father-figure. After Eliot's death, Cy sails to America, and sets up his own tatoo parlor, The Electric Michelangelo. The most important events that follow have to do with Cy's relationship with Grace, whose body he covers in eyes.

The book definitely has many strong points. Hall has a gift for describing the more disgusting parts of human nature, so while not easy to read, everything in this story rings sadly true to our minds. The world of Coney Island with its bars, carnivals, and freak shows is brought to life.

However, the story itself does not leave one feeling satisfied. None of the characters are easily likeable, not even Cy. He has moments of revelation about himself that Hall manages to write without seeming preachy, but most of the time he is getting drunk and being unable to rid himself of Riley's ghost in his mnd. Hall also tends to digress about minor character at lengths that are not really necessary.

But despite these flaws, The Electric Michelangelo deserves its Booker Prize shortlist, and in my opinion is a better book than the winner. I would recommend this book as a thought-provoking read.
5 of 5 people found the following review helpful
Sometimes disturbing, but compelling and emotionally stirring March 29 2006
By Linda Linguvic - Published on
Format: Paperback
I couldn't resist this 2005 novel when I heard it was about a tattoo artist. The fact that it was writen by Sara Hall, a Brit born in 1974 and a Booker Prize finalist with a fresh new voice in literature, made it even more appealing.

From the very beginning I was captivated. Ms. Hall paints pictures with words and stirs emotions. And most of the emotions she stirs are disturbing and sometimes bordering on the grotesque. The story is compelling too, beginning in the seaside town of Morecambe, England, where working class consumptives whose lungs were destroyed by the mills and the coal mines, often took their one-week vacation in the quest for good clean sea air. Indeed, Ms. Hall was raised a few towns away and her descriptions of a widow hotelkeeper and her young son Cy the early part of the 20th Century introduced me to a time and a place that I will never forget. I will also never forget the main character, Cy, who grows up in the town where he apprentices to a foul-mouthed hard-drinking tattoo artist with a garrulous nature and larger-than-life persona.

Later, our hero travels to America, where he sets up tattooing in Coney Island. It is the 1930s now, and Coney Island is in its heyday. Even though it was across the ocean from Cy's native Morecambe, it was a similar seaside resort catering to the appetites of a working class population looking for the outrageous and bizarre as a break from their own lives of struggle during the depression. Here, Cy meets Grace who does a horse act and even manages to sneak the horse into her Brooklyn apartment. She's a refugee from war-torn Europe, her background is a mystery and she, too, is larger than life. She wants an outrageous total body tattoo, and this act, with all its needles and inks and pain, is described in exquisite detail as an intimate connection between these two potential lovers. How it all plays out is not what I expected. There's an act of violence. There's an act of revenge. And then there are the years that pass.

Eventually, I was left with a feeling of discomfort as well as completion. And I was also left with the feeling that Sara Hall is an extremely talented writer and that we will hear a lot more about her in years to come. Naturally, The Electric Michelangelo is not for everyone. But if you like a novel with a fine writing style, in-depth complex characters and a sense of looking at weird and offbeat side of history, you'll love this book.

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