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This lovely, well-written book is concerned foremost with creating beautiful typography and is essential for professionals who regularly work with typographic designs. Author Robert Bringhurst writes about designing with the correct typeface; striving for rhythm, proportion, and harmony; choosing and combining type; designing pages; using section heads, subheads, footnotes, and tables; applying kerning and other type adjustments to improve legibility; and adding special characters, including punctuation and diacritical marks. The Elements of Typographic Style teaches the history of and the artistic and practical perspectives on a variety of type families that are available in Europe and America today.
The last section of the book classifies and displays many type families, offers a glossary of typography terms, and lists type designers and type foundries. The book briefly mentions digital typography, but otherwise ignores it, focusing instead on general typography and page- and type-design issues. Its examples include text in a variety of languages--including English, Russian, German, and Greek--which is particularly helpful if your work has a multinational focus. --This text refers to the Hardcover edition.
In a discussion embracing five and a half centuries, poet and designer Bringhurst covers the design of individual characters of type and entire alphabets, as well as the layout of pages, including such items as footnotes, margins, and tables. A glossary defines terms such as kern, fore-edge, and pica, and there are annotated lists of type designers, from the 1400s until now, and of type foundries, mostly contemporary. An appendix illustrates unusual typographic characters, such as the Croatian "dyet" and the German "sharp s," and a final appendix lists, without annotation, more than 100 books and periodicals for further reading. The author's prose is sometimes flowery, and some of his strongly expressed opinions are questionable. Nonetheless, there's a wealth of sound advice and instruction here. Not required for most collections, this will be useful to graphic designers and those interested in the history of printed letterforms.?Margarete Gross, Chicago P.L.
Copyright 1997 Reed Business Information, Inc.
Along with the later book by James Felici, called "The Complete Manual of Typography" from Adobe Press, Bringhurst's book is a landmark work in English for any level of... Read morePublished on June 1 2004 by Bernard Klem
If you are into fonts in a big way you'll like this book. If you design fine books you'll enjoy it. Much on history. The section equating musical scales seemed insane to me. Read morePublished on Feb. 10 2004 by D. Garcia
I read the reviews here, so I decided to buy it. It is a GREAT investment. Not only it is instructive, a serious reference book, but it is also a pleasure to read. Read morePublished on Jan. 28 2004 by MiloMilo
I am a graphic design student and this book has been so inspiring to me. It has showed me a side of tipography that I had never seen. Read morePublished on Jan. 27 2004 by Valentina Miosuro
I was hoping for a guide that would help me get more creative using and combining different fonts, instead I got this long history of where certain types came from. Read morePublished on Dec 29 2003 by Read
This book has shaken my passion for type and design. It is inspiring, simple and educational. Either if you have a long life experience in design, or if you are just discovering... Read morePublished on Dec 17 2003 by MiloMilo
I've been a designer from a long time, and lately, have been rather burned out, finding a design world full of too much ego, hype and style without substance. Read morePublished on Nov. 17 2003 by Daniel Sroka
This was the recommended book for my typography class and I must say it was well worth it. Leading by example, it's a beautiful piece, and it's truly invaluble as a guide to... Read morePublished on Nov. 17 2003
If you are into typography and care about little details when laying out a design, this book is perfect for you. Read morePublished on Aug. 10 2003 by Valon Sopaj