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Eliminator


Price: CDN$ 10.00 & FREE Shipping on orders over CDN$ 25. Details
Only 3 left in stock (more on the way).
Ships from and sold by Amazon.ca. Gift-wrap available.
34 new from CDN$ 4.04 19 used from CDN$ 0.49 1 collectible from CDN$ 8.58

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Frequently Bought Together

Eliminator + Afterburner + Tres Hombres (Expanded)
Price For All Three: CDN$ 25.94


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Product Details

  • Audio CD (Nov. 29 1983)
  • Number of Discs: 1
  • Label: Warner Bros
  • ASIN: B000002KYR
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (35 customer reviews)
  • Amazon Bestsellers Rank: #3,570 in Music (See Top 100 in Music)

1. Gimme All Your Lovin
2. Got Me Under Pressure
3. Sharp Dressed Man
4. I Need You Tonight
5. I Got The Six
6. Legs
7. Thug
8. TV Dinners
9. Dirty Dog
10. If I Could Only Flag Her Down
11. Bad Girl

Product Description

Product Description

ELIMINATOR, with its churning guitars and synthesizer hooks, was on the album charts for over a year. The album and its accompanying videos were ubiquitous in 1983, on television ZZ Top was seen on MTV, St. Elsewhere, even on the Tonight Show. Certified at 10 million units by the RIAA. (2/01)

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ZZ Top's ninth studio album truly captured the mood of the times. Released as MTV was learning to crawl, the videos of the Lone Star trio's droll, masculine anthems were staples on the nascent music channel, making the world think that all the women in Texas looked like Jerry Hall--which wasn't far from the truth in 1983. And even if it wasn't completely accurate, listeners could at least visit a world where both cars and woman were fast and available. Billy Gibbons's roaring guitar licks streaked across songs with the speed of a young Hendrix. Even though the lyrics are often ham-fisted, all is forgiven for the pleasure of just letting the ZZ Top locomotive mow you down. While "Gimme All Your Loving," "Legs," and the satirically dynamic "Sharp Dressed Man" ruled the airwaves, the real gems here are the thundering "I've Got the Six" and the equally bombastic "Bad Girl," which showcase's Dusty Hill's heart-stopping drumming and Frank Beard's sturdy bass. Eliminator also marks the first time that the rough-and-tumble outfit turned to studio wizardry to goose up their meat-and-potatoes boogie. And while some early fans may have been dismayed, truth be told, their new studio sophistication added finesse and depth to ZZ Top. --Jaan Uhelszki

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Customer Reviews

4.3 out of 5 stars
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Most helpful customer reviews

1 of 1 people found the following review helpful By LeBrain HALL OF FAMETOP 50 REVIEWER on Oct. 18 2010
Format: Audio CD
Say what you will about ZZ Top's foray into 80's music, using sequencers and compression on the drums, I like this album. Rev. Billy Gibbons' guitar tone was so sweet on this album. It's so smooth and creamy, I just love the tone. This might be my favourite album of his, purely for guitar tone. Just listen to that sweet picking on the album version of "Legs". Man, how does he get that sound?

The original album has been lovingly remastered, with the original album version of "Legs" restored. However, fear not, the single version is still here as a bonus track. Other bonus tracks include live versions, the most exciting of which is a fiery "I Got The Six". And hey, if you don't like the techno sounds of the album, the live tunes give you an idea of what they'd be like stripped down to the bone. It's cool how Frank Beard is just as metronomic on the live versions. Honestly, he's not a flamboyant drummer, but he's definitely a great drummer. Just like the Beatles wouldn't have sounded the same without Ringo, or the Stones without Charlie, Frank is essential to that whole ZZ "Je ne sais quoi?"

Really I like the whole album, with only a few songs I call filler, such as "Thug". I always enjoy hearing "Sharp Dressed Man". I don't know how all these years later I'm not sick of it, but I'm not. "TV Dinners" always makes me smile. Really, these guys will write about anything!

The DVD is cool, you get the original music videos and some live TV performances. If you're a ZZ Top fan (and you must be or why else would you be reading this?) I think you will enjoy the video stuff. Liner notes are also ample.

5 stars, this is really an essential album for every rock fan's collection. It's never too late to pick it up!
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Format: Audio CD
"Eliminator" introduced the world to one of rock's most unique sounds from one of rock's most unique bands, ZZ Top. Past albums like "Tres Hombres" or "Deguello" had firmly established the band as a major draw, but it was with this 1983 album that the band first used an appealing blend of technology that was perfectly topped onto their trademark R&B/Delta blues roots.
The vocals and bass of Dusty Hill are as rough as the Texas sand, matched only by that of Billy Gibbons (who was a favorite guitarist of Jimi Hendrix), backboned by Frank Beard's disciplined drumming. All of this makes for a tightly wound musicianship that never suffers from "Eliminator"'s synthesized element. The album spawned several hits, notably 'Legs,' 'Sharp Dressed Man,' and 'Gimme All Your Lovin'. 'Got Me Under Pressure' is just as legendary, being an enduring ZZ Top favorite. The one-of-a-kind 'Thug' meanwhile is a darker tale, and features an incredinbly funky bass texture, while the likes of 'TV Dinners' and the incredibly eye-roll inducing 'I Got the Six' are somewhat less serious, but just as memorable. 'I Need You Tonight' however is surprisingly sympathetic and features some of Gibbons' best guitar work.
Although "Eliminator" became one the 80s most recognizable efforts, it finally gave ZZ Top the worldwide success they'd deserved since the early 70s. It is very much a male-ego album, containing the brilliant arrogance and flashiness that made ZZ Top so great in the first place.
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By Tnahpellee on Oct. 14 2003
Format: Audio CD
Some people claim this and the next couple are too "Slick" and "Polished" and all that [sounds like they're describing a car chassis] but they are good albums nonetheless. I don't like Eliminator as much as I like Afterburner but There are a bunch of songs that I thoroughly enjoy. It's probably the album I owe the most too, Because, as Lawrence M. Bernarbo points out, a lot of people would not have heard of ZZ TOP had it not been for MTV and this album, so I owe it to you, Eliminator. My Favourite songs: TV Dinners, Legs, Sharp-dressed Man, Thug, If I could only flag her down [the best song here!], Dirty Dog I need you tonight and Bad Girl. Still, I can't help but wonder why, if "Gimme all your lovvin" and "Sharp-dressed man" were HUGE hits, why weren't "Tube snake boogie" "Leila" "I'm Bad, "I'm nationwide" "El Diablo" "Pan Am highway blues" "Balinese" etc or even stuff like "Fearless boogie" "Black Fly" "Breakaway" "World of Swirl" "Tell it" "Hairdresser" etc.? Probably because MTV gave Elminator and Afterburner publicity and none of the other albums got publicity.
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Format: Audio CD
I own this in LP. But I had heard on the radio before buying it, this was their first hard rock recording. And between the radio and MTV, I had heard enough of the songs from this album. I admit. I was impressed by how they did this. It separates the professionals from the amateurs. I will cover why.
One thing I like about this recording is, it was so little of a transition hardly anyone who had not heard this was a hard rock recording would not know it. They made little change in their style of music in this recording. But it was enough to classify as hard rock. I had heard earlier recordings of theirs. One is Tres Hombres. It was to be one of their last regular rock recordings for a while.
The guitars were a little deeper and heavier. They slowed down the tempo just enough. The drums had a harder beat. It was in all their songs in this recording.
I noticed why they only made a gradual transition. One was to keep their regular rock fans. The other was to pick up new hard rock fans. And they did succeed in both areas.
Of course, I noticed their next hard rock recording that came out in 1985, Afterburner, got a little harder yet. I liked their gradual approach. There is a reason.
There have been other regular rock groups who changed too rapidly into either hard or metal rock. They did not last.
Others chose not to change. And they faded as well. One is Pat Benatar. It was at an era when regular rock was fading. And hard and metal rock were on the rise. ZZ Top knew they had to change or fade out. And they knew to change gradually. Or they would risk losing their then current fans. And they would not be able to pick up hard rock fans. This is what separates the professionals from the amateurs.
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