Elizabethan Cross Stitch Hardcover – Oct 2004
Customers Who Bought This Item Also Bought
No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.
To get the free app, enter your e-mail address or mobile phone number.
About the Author
Barbara Hammet began her career teaching arts and crafts, and history of art. Embroidery allowed her to combine this with her interest in the colours and textures of fabrics and threads. She runs her own design business, Wessex Embroidery Collection, designing and selling kits based on historic designs. This is her fourth book to be published by David & Charles, after The Art of William Morris, Art Nouveau Cross Stitch and Celtic Art in Cross Stitch. Barbara lives in Winchester.
Inside This Book(Learn More)
Browse and search another edition of this book.
Top Customer Reviews
Those who love to cross stitch would most likely enjoy this book.
Most Helpful Customer Reviews on Amazon.com (beta)
So what is it about Barbara Hammet's book, Elizabethan Cross Stitch that makes me recommend it so heartily?
Hammet begins with an introduction, discussing how the Elizabethans (the late Renaissance in England, about 1550 to 1600) used various forms of embroidery on clothing, cushions, and wall-hangings.
Then she moves on to the designs themselves, begining with one of the more beautiful designs in the book. These are arrangements of heartsease -- or what are known now as pansies. Starting with a bookcover with a knotwork pattern and purple and gold patterns, Hammet then breaks up the design to create simpler designs that can be adapted for card inserts, a jar cover -- and from there, the stitcher can let their imagination work to create new ideas. With each project, a complete materials list is given, along with a chart listing three different manufacturers of embroidery thread -- DMC, Anchor and Madeira -- with how many skeins will be needed to complete the project. There is a full colour gridded chart showing the design to be stitched, as well as a photograph showing the final result. Along with the instructions, most of the designs in the book are easily contained on one page, and the layout and design are laid out with enough care that not only is it nice to look at, but very easy to follow.
Along with the heartsease bookcover, there are projects inspired by tapestries, samplers -- which beginning needleworkers would use to explore new techniques and stitches without committing to an entire project, a set of four pillows that use the four seasons as inspiration, box-covers that have blackwork -- a form of counted stitching worked with just black thread on a white surface, a set of freeform designs that incorporate birds, flowers and insects (These I didn't care much for, but the individual elements were nice), a firescreen, and a selection of small bags that can be used to hold gifts, or use as evening bags.
Finally, there is a motif library, with nearly a dozen pages that has various flowers, fanciful creatures, and even a mermaid, charted out for the reader. This is the most innovative part of the book. Presented with clear, large patterns, it is here that the stitcher can let their imagination roam to make their own designs. While suggestions for colours are pretty much left to the stitcher to decide, with a bit of work, some truly beautiful ideas can be come up with.
The last section of the book covers suggestions for materials, techniques and stitches, with plenty of alternates given. One part I really enjoyed with this was the section on finishing projects, something that far too many books leave entirely up to chance, with the instructions on how to use interfacing, framing work and mounting it up for display, going from making bell-pulls and book covers right on down to such humble items as pincushions and tassels. Along with acknowledgements, an author bio, there is a bibliography and index. One of the best parts is a list of suppliers, with not just surface and telephone contacts, but websites as well, which make this book very valuable indeed.
It's not a very big book either, just about 105 pages, but with so many designs, information and ideas, this is one of the best books I have ever come across on this type of embroidery, and one that I can heartily recommend for any skill level.
So whether you are an experienced or a novice at counted cross stitch embroidery, this is an excellent book to start from. The designs are simple and small enough for a beginner to complete and follow without being intimidated. For the more experienced stitcher out there, the use of metallic threads and seed beads give a new way to add dimension and texture to their work.
What I enjoyed best of all was the section in the back where ideas for new designs, and adaptations of actual designs found in English Elizabethan needlework was added. For anyone who has wondered if they could create their own designs it's a wonderful starting point.
Overall, this has proved to be an invaluable addition to my collection of needlework books, and I intend to keep my eyes out for more works by Barbara Hammet to add to my bookshelves. Five solid stars.
The only thing I think I can add to the other reviewers' great reviews is Images from the book. I consider myself somewhat of an Elizabethan history and needlework aficionado because I've read dozens of histories on Elizabethan and all Tudor times, on Mary Queen of Scots and, especially, on everything I can get my hands on regarding samplers and embroideries from this time frame. One of the very best sources for the latter is Bess of Hardwick's pieces that she painstakingly made to be preserved for 400 years and which include Mary Stuart's embroideries, a couple of which led to her beheading. (They were secret messages agreeing to overthrow Elizabeth and take the crown.) Bess was born 5 years before Elizabeth and lived 5 years after she died. She was the 2nd richest woman in England and was a Lady of the Privy Chamber. Bess's 4th and final husband was George Talbot the Earl of Shrewsbury who incarcerated Mary for the 16 years she was in England. So she had a lot of time to stitch.
The projects in this book are a little simplified but there's nothing wrong with that. I show a couple of the designs I plan to do and you're sure to find something you like as well.
Here are a bunch of other Elizabethan needlework books I can highly recommend:
Exploring Elizabethan Embroidery (Elizabethan needlework)
Elizabethan Stitches: A Guide to Historic English Needlework
The Embroideries at Hardwick Hall: A Catalogue
The Needlework of Mary Queen of Scots
Emblems for a Queen: The Needlework of Mary Queen of Scots
Metal Thread Embroidery
The art of English blackwork