From Publishers Weekly
Grammy-winning cut-and-paste recording artist of "Loser" fame Beck (aka Bek David Campbell) has blessed the music press with some of the most hilarious and articulate pull quotes in recent pop history. Take, for instance, this nugget that closes Jovanovic's preface: "All you've seen so far is `This is a test,' not the actual broadcast. Prime time has not come on yet. I've got a million ideas." It's a sound bite that Jovanovic, a rock writer based in England, should have taken to heart before embarking on this first full-length biography of the alternative musician. Although undeniably talented, painstakingly hardworking and, like Bob Dylan, remarkably self-educated in American folk and blues, at 30, Beck seems just too young to merit a biography. Thus far, he's only released four, albeit inventive, major-label albums: Mellow Gold (1994), Odelay (1996), Mutations (1998) and Midnite Vultures (1999). Jovanovic dedicates a chapter to each, blandly recounting the trials and tribulations of recording processes, band lineups and live performances, with the occasional biographical aside (e.g., Beck's maternal grandfather is the late Fluxus artist Al Hansen). Exactly how Beck taps his schizophrenic muse remains a mystery. A noticeably stiff writer, Jovanovic is unable to synthesize the plethora of magazine, radio and TV interviews upon which he relies so heavily into his own narrative. Like many biographies on precocious musicians (e.g., Mac Randall's Exit Music: The Radiohead Story), this is a labor of love that doesn't transcend basement-tape enthusiasm. 8 pages b&w photos, discography, gigography, index. (Apr.)Forecast: Although Beck has myriad and sundry fans, they may not be motivated to buy this book until late fall when Beck is due to release a new album.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
British rock journalist Jovanovic here attempts to trace the roots of Beck Hansen's innovative musical approach. While he spends a good deal of time exploring Beck's romantic bicoastal struggle to reach acclaim, he neglects more insightful information about Beck's prolific and wildly eclectic recording career, which began with the single "Loser" in 1993. For instance, rather than shedding light on the production and release of Beck's critically lauded 1996 album, Odelay, he furnishes set lists from the artist's early club dates. All in all, this first full-length biography of the Grammy Award winner simply does not flesh out the wealth of information it presents. Libraries should instead consider Beck & Al Hansen: Playing with Matches (Smart Art Pr., 1998), which offers a window into the personal and professional relationship between Beck and his late Fluxus artist grandfather, who greatly influenced the younger Hansen's pastiche style. Not recommended. Caroline Dadas, Univ. of Illinois, Urbana
Copyright 2001 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.