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| 1. Intro |
| 2. Knowledge of Self |
| 3. Superfabulous |
| 4. Somnambulist |
| 5. Force of Gravity |
| 6. Dark Heart Dawning |
| 7. The Great Escape |
| 8. Paris |
| 9. Circles |
| 10. Last Moment of Clarity |
| 11. Communicate |
| 12. Animals |
| 13. The Only Constant is Change |
Enter Emotional Technology, or as I like to call it Satellite 2. Sure he has the breakbeat/rap number and the dance tracks (a few of which are decent), but any listener can plainly tell BT's focus on this album is on these disgusting regurgitations of Satellite. He croons and he woos the ladies with his deep thoughtfulness and obscure rants. However, he is not Justin Timberlake or John Mayer and the result is... well frankly, embarassing. Throw all of these songs away and we are left with a handful of dance tracks and a breakz diddy.
Knowledge of Self is a pretty phat song to throw on in the car and drive fast to. I was ecstatic when I saw that Guru was being featured on the track, but was expecting him to spit a verse, which he never really does. I couldn't help but think this was a less exciting rehash of Smartbomb. As for the trance tracks, the music would be extremely impressive minus the vocals (which render nearly every track on here unlistenable.) The exception and the highlight of the album is The Great Escape. The vocals grate a bit on the nerves after repeated listens, but are used sparsely. BT really goes to town on this track and occasionally you will find yourself actually wondering if what you just heard actually happened and how anyone could produce such sounds. This is the BT I know and love, sappy love songs are not.
BT should follow this album with an "Ooops" and get back to a sound that he helped invent instead of trying to run with the 'poppers'.
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