- Paperback
- Publisher: Picador (2001)
- Language: English
- ISBN-10: 031227999X
- ISBN-13: 978-0312279998
- Product Dimensions: 20.8 x 14 x 2.3 cm
- Shipping Weight: 363 g
- Average Customer Review: 3.1 out of 5 stars See all reviews (17 customer reviews)
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Most helpful customer reviews
4.0 out of 5 stars
Extremely Offbeat, Funny and, yes, Weird,
By Lleu Christopher (Hudson Valley, NY) - See all my reviews
This review is from: Emotionally Weird (Audio Cassette)
I had never read anything by Kate Atkinson before this and was quite pleasantly surprised. What I hastily concluded from the jacket description was that this was going to be a play-like dialogue between a mother and daughter. This is, instead, a multilayered, multigenre piece of experimental fiction that is fun to read, thought-provoking and original. As much as anything else, Emotionally Weird is about writing and the creative process. Effie, the young woman who is the narrator, tells stories which may or may not be true to Nora, an older woman who may or may not be her mother. The two live on a secluded island off Scotland. The stories Effie tells are mainly whimsical character studies of bohemian college life in the 1970s. By contrast, the scenes that take place on the island beteen Effie and Nora are told in a somberly poetic, almost gothic (and very Celtic) style. To further complicate things, Effie is also herself writing a detective novel about yet another set of characters. If this sounds confusing, at times it is. Yet, you don't have to completely understand what's going on to enjoy this novel. After all, there is very little plot to worry about following. There are, appropriately enough, several references to Alice in Wonderland, though, compared to Emotionally Weird, Lewis Carroll's tale is almost conventional and straightforward. James Joyce is also mentioned, but despite her radical style, Atkinson is much, much easier to read. There is a very deliberate pointlessness to the book. When Effie is at college, for example, there are scenes that are little more than parades of absurd characters. Professors are portrayed as gibberish-speaking buffoons; some of my favorite scenes took place in the classroom, where the professors uttter meaningless jargon to apathetic students. Nora often interrupts the tales to deliver her quite valid criticisms, such as the fact that Effie creates too many characters. Some of the scenes could be considered more like writing exercises than actual scenes that propel a story. Some readers will find this novel tedious; it does take a suspension of your usual expectations regarding fiction. I enjoyed the contrasting styles and the existentialism of the characters that is alternately tragic and comical. Finally, I found it's labyrinthian stories within stories to be a fascinating exploration of creativity and of identity.
2.0 out of 5 stars
Even Being an English Major Doesn't Help...,
By A Customer
This review is from: Emotionally Weird: A Novel (Paperback)
Like many others, I, too, found the first part of this book tough going. In fact, I almost gave up on it completely. Fortunately, after about page 40, things start to pick up. But... I still don't understand exactly where Atkinson is going with this book. Like many others who have majored in English, I have had professors who attempted to force their interpretation of the "meaning" behind authors' words down helpless students' throats (fortunately, I finished school long ago and don't have to put up with that any longer). However, as I replied to one rather stubborn Lit. prof., who firmly stated that my differing interpretation of a book was "not what the author meant": "unless the author told you personally, you don't know for sure either." That goes for me as well.Therefore, I can offer only my own opinion on the one and only "hidden meaning" (if, indeed, there was one at all) I found within Atkinson's words: Effie consistently describes food as rancid, etc. All very negative, even repulsive, descriptions. Food can easily be associated with life... something for which these students seem to have a healthy disregard (see the complete lack of interest in Proteus' well-being as another example of this, as well as their own overindulgence and slovenly lifestyles). So, we have a group of selfish, self-indulgent, careless people. And so many of them!!!! While I did not have a problem keeping one character straight from another, I agree with those who felt there were completely too many "non-essential" characters in this novel. Admittedly, many of the word plays are well spun, but others only grew pointless. For example, why is Watson Grant alternately Grant Watson? (note: I am not completely finished with this book, so I apologize if this becomes clearer in the end. Normally, I would finish a book before reviewing it but in this case I'm not sure the book is worth any more of my time). And all I can say about the many stories-within-stories is that they became daft after a while and I pretty much gave up on them. Further, Atkinson's semi-dreamlike narrative seems to me, at least, an attempt to copy Margaret Atwood's lyrical style (okay... I'm a tremendous Atwood fan, and even she wrote some clunkers, so I'm trying to give Atkinson the benefit of the doubt and will assume that her other writing endeavors are better). If this is the case, she fails miserably; to me, it comes off as bored and lazy. I will admit, though, that Atkinson was a good judge of her readers' criticisms... well voiced, in that aspect, at least, by Nora. As soon as I thought it, Nora said it. Still, that doesn't save this book. Additionally, we are to believe that Effie is narrating this tale to Nora. Why, then, is the story at times referred to as being "written down" and at others a "narrative"? Parts of the story are -by Effie's own admittance- fiction and others... are we to assume they're real? Or is it all imagined? As a side note, biological or not, I really can't imagine a young girl of 20 or 21 happily describing to her mother tales of her sex life and drug use... not to mention academic sloppiness - even if Nora IS a bit of a space cadet herself (and as a side note, if this tale is indeed being written down by Effie, why, then, would she stick with poorly-written, half-baked detective novels when she clearly has a better grasp on the English language than can be found in those pitiful lines?). Finally... do we really need to read "my mother is not my mother... etc." over and over to get the point? Quite frankly, Atkinson doesn't develop Effie enough as an individual for me to really care whether she was spawned under a cabbage leaf or dropped by a stork. Nora's history interests me even less which, to me, demonstrates Atkinson's ineptitude (at least as far as this novel is concerned). If the reader has no interest in the characters, why should she feel compelled to finish the book? It becomes very clear that Bob is more intelligent than Effie (my suspicion is that he downplays his intelligence to match that of Effie's - a person who is so academically unspectacular she is really in no place to judge Bob so harshly), as well as the better human being. In all, he's the only character I enjoyed reading about (and I am neither slouch nor druggie). As for the many other characters in Atkinson's little zoo... with the exception of Professor Cousins, who cares? They're all shallow, slovenly, mean spirited and trite. Again, however, I will assume that Atkinson has an agenda here. Unfortunately for her readers, however, I can't even begin to imagine what it is.
5.0 out of 5 stars
Wacky and adorable,
By A Customer
This review is from: Emotionally Weird (Hardcover)
I have to say, this is one of my all-time favorites. I've read Atkinson's "Human Croquet" and "Behind the Scenes at the Museum," and they are every bit as good as everyone says they are.But I adore the way she takes off here -- the hilarious academic parody, the deft weaving of two or three different texts into a whole and the compelling emotional story at the core. I giggle my way through this book every time I read it, but its far better than just straight comedy. I don't even think you necessarily need to be aware of the various literary styles and methods of criticism she skewers to find the humor in the book -- her slacker undergrads are funny enough to entertain all by themselves. (Bob, the brainless Trekkie who spouts bits of philosophy in his sleep, is my favorite.) Please read it. I really think you'll like it, especially if are or ever were an English major. And don't be put off by the title...far as I can tell, it was picked out of a hat. Just ignore it.
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