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Enchantment


Price: CDN$ 5.99
Only 1 left in stock.
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Product Details

  • Audio CD (Oct. 9 2001)
  • Number of Discs: 1
  • Label: Sony Music Canada Inc.
  • ASIN: B00005OWEJ
  • Other Editions: Audio CD  |  Audio Cassette
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (483 customer reviews)
  • Amazon Bestsellers Rank: #19,435 in Music (See Top 100 in Music)

1. Tonight
2. Carrickfergus
3. Habanera
4. Bali Ha'i
5. Papa Can You Hear Me?
6. The Flower Duet
7. The Little Horses
8. From My First Moment
9. The Water Is Wide
10. Can't Help Lovin' Dat Man
11. The Laughing Song
12. If I Loved You
13. A Bit Of Earth
14. Somewhere
15. The Prayer

Customer Reviews

3.1 out of 5 stars
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Most helpful customer reviews

1 of 1 people found the following review helpful By Adele on June 29 2004
Format: Audio CD
When I first heard Charlotte Church sing she was thirteen and singing "The Last Rose of Summer". I was in awe of her voice, and the fact that she had a voice like that at a young age. However I was a bit concerned about her vocal training. She had a very uneven vibrato, which created a wobble. I kept in mind that she was only thirteen so I let it slide. Almost a year later, "Enchantment" came out. I did notice that her pushing was gone, and I also noticed that much of her shimmer was gone, that sparkle and shine sensation that she gave pieces when she sang.
Not only that, but since when is "Mien Herr Marquis" (Adele's Laughing Song) or "Habanera" appropriate for a fifteen year old girl? Most twenty year olds don't even sing them! If I went into my vocal instructor's studio and asked her if we could sing "Adele's Laughing Song or Carmen's "Habanera" she would more than likely flip her lid, meaning either die of fright or shock, or just die from the thought of a fifteen year old girl (like myself) singing the arias.
Many things where wrong about how the arias where sung. First off, you don't take a classic french aria and make it into a 'ropera' (rock opera) song, and then try to pull of shaking your (...) on Jay Leno as dancing. It just does not work.
Secondly, if you are going to sing "Adele's Laughing Song" you should have technique, lightness, and good german, not half way decent english. Being on key also helps too. I mean, singing a C sharp when the note is a high D? If you can't sing the note then don't sing the aria. Its not rocket science, its simple vocal knowledge.
The only thing that Church sings in her repertoire for this disc that is even half suited to her voice is "Carrickfergus".
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By "bombshell90210" on July 26 2003
Format: Audio CD
Ms. Church does not have the emotional or vocal range for a CD of this nature. It is bad enough to see her slaughter classical arias...but to hear her butchering my favorite musical theater songs is painful.
She has a beautiful voice, which got her the three stars I gave her. She's not trying to be Renee Fleming or Kiri Te Kanawa, for example, so I don't hold a grudge against her because she doesn't sound like them. I also like that she doesn't feel the need to show skin like Britney Spears of other pop idols. But hers is a voice that sounds the same on every single song. And, while there is a lovely selection of songs on this CD, many of them are totally wrong for her. As for the good songs, her voice was perfect for "The Flower Duet" from Lakme, for example, but Adele's Laughing Song is far out of her league technically. She does have those high notes, but she needs to refine them with her voice teacher. "Carrickfergus" and a few others were also well done.
However, what was Ms. Church thinking when she did "Habanera?" The arrangement is interesting and original, but her voice ruins the song. This aria was written for a mezzo, and the only sopranos who should sing it are the ones who have "darker" timbres, like Maria Callas. Ms. Church apparently belongs to that ever-so-annoying group of sopranos who believe that, if it's in their range, they should sing it, even if it was written for a different voice part. And "Tonight" and "Somewhere," both from "West Side Story," my second-favorite musical ever, don't work at all. While Charlotte's youthful-sounding voice is appropriate for Maria, it doesn't have any character or interest to it. "Tonight" is devoid of the rapture and urgency it needs, and Ms. Church's boring and right-off-the-page delivery robs "Somewhere" of its poignancy.
--Killashandra, soprano
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Format: Audio CD
I'm not usually into this kind of music but Charlotte Church's amazingly beautiful voice makes this CD a pleasure to listen to. I find it relaxing and often listen to it while soaking in a bath. Truly a voice of an angel.
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Format: Audio CD
I think that this is Charlotte's worst CD. She is singing songs from old American musicals, and I don't think that this is Charlotte's style. She doesn't have the right kind of voice to do this, which is evident in the CD. She also sings the cabanero from Carmen, and this is meant to be sung by a mature, mezzosoprano voice, not by a 16 year old soprano! She makes the song too screechy and ruins it. Charlotte is also now trying to look sexy instead of innocent. Charlotte's voice is meant for religious songs and old folk songs. She's trying to get into pop now, but it's not quite working out. I would pass this one up if I were you.
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Format: Audio CD
...because it can't be this one. I am breaking a long time rule of mine here, never to write a second review of anything, but always go with my first impressions, since those are the ones that most often matter. The CD is wonderful! Period. I stand by what I said in my first review about the opening song, "Tonight." It sounds to me as Church is forcing herself a bit too much here...but she more than makes up for it with the following song, "Carrickfergus." She simply nails this one. Possibly (along with two other contenders) the best song on the recording. The third song, "Habanera" is one that is going to make say "I was wrong in my first review." I didn't like it then, but there is a mysterious something that keeps bringing me back to it, and now I find myself liking the song a great deal. There is an implied sensuality to the song that gets under your skin if you give it the smallest chance. The other two songs that I think are contending for "best song" are "The Water Is Wide" and "Somewhere." "Water" is a beautiful Celtic song, (a genre in which Church's talent truly shines), and as she did with "Carrickfergus," she basicaly sets the standard for how this one should be performed. "Somewhere" is the song that sold me this CD. I heard Church perform this on the "Christmas in Washington" televison special in 2001, and although I had not been a particularly big fan of Charlotte Church up till then, I became one upon hearing this song. She get across a depth of feeling in this song that has to be heard. (If some Broadway producer needs a teenager than can truly sing, you're missing a solid bet by not checking out this young Welsh woman.Read more ›
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