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The End of Blackness
 
 

The End of Blackness [Hardcover]

Debra J. Dickerson
2.5 out of 5 stars  See all reviews (36 customer reviews)

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From Publishers Weekly

In order to make progress possible, blacks have to give up on the past-that's the core argument of this inflammatory, cogently written book. Dickerson, a lawyer and journalist, continues the examination of black self-reliance that she introduced in her first book, An American Story. This time, however, she leaves her own experiences out of it and focuses on breaking down racial myths, social concepts and prejudices with the help of statistics and citations by such figures as W.E.B. Du Bois, Frederick Douglass and James Baldwin. Racism, according to the author, "is compounded by black cooperation and by fruitless black jousts with intransigence, while winnable victories are ignored because they do not center on whites and because they are unglamorous." Dismissing Afrocentrism as "self-eliminative and isolationist," Dickerson encourages blacks to focus on their own talents and ignore the expectations of whites and other blacks. She fearlessly condemns the black community for defending the actions of O.J. Simpson and Marion Barry, and for scorning "Uncle Tom" figures like Julian Abele, a black architect who designed Duke University in the 1920s despite its whites-only policy preventing him from ever visiting the campus. "The great architect never got to see his creation, but those for whom he left it in trust-knowledge seekers of all races and nationalities-do. Thank God he was an Uncle Tom," she writes. Few of the book's assertions are new or groundbreaking, but Dickerson updates and expands the arguments by using references to current television sitcoms, mass-mailed Internet jokes that reinforce stereotypes and the emergence of hip-hop artists as individualistic thinkers to back up her statements. Addressing an incendiary issue in a straightforward and un-self-serving manner, this polemic is likely to provoke thoughtful discussion.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Journalist Dickerson asserts that black consciousness, Afrocentrism, and other aesthetics growing out of the civil rights movement have reached their limitations as progressive strategies. They have focused too much on whites by seeking to change their minds and provoke acknowledgment or admission of racism. Given that whites feel they have conceded enough and are blinded by self-interest, a better strategy would be to turn the focus inward, to transcend race while continuing to address historic racism. Dickerson's perspective is that of a post-civil rights generation, who, although they have been the direct beneficiaries of the movement and are well versed in historical facts, are more inclined to look for solutions in new arenas. She contrasts members of the old-school civil rights generation with youngsters from the emerging hip-hop generation, who have lost respect for their elders even as some of them continue to fall victim to self-destructive forces centered in racism. This is a thought-provoking and compelling look at generational perspectives on contemporary race issues. Vernon Ford
Copyright © American Library Association. All rights reserved

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Customer Reviews

36 Reviews
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Average Customer Review
2.5 out of 5 stars (36 customer reviews)
 
 
 
 
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4.0 out of 5 stars Great no-prisoner take on racism, blackness, July 2 2004
By 
Scott Woods (Columbus, Ohio United States) - See all my reviews
(REAL NAME)   
This review is from: The End of Blackness (Hardcover)
Dickerson's body blow-dealing introduction is enough to wither most black intellectuals where they stand. Taken by itself, one would think the remaining 275 pages were a primer on how to get your butt-whupped at the company picnic of the NAACP. After plainly and deftly laying out in the first sentence the purpose of her book, she jabs, kicks and otherwise pounds on the kufi-donned heads of any black person donning race baggage without breaking a lip sweat, with such haymakers as:

"[Blacks] have not been left out of America; they affect rejecting it while availing themselves of every morsel of its benefits."

Ouch. Or how about:

"If an upheaval on the scale of the civil rights movement couldn't do it, it is hard to know what it will take to satisfy the 'woe is me' race men that they are citizens; perhaps a giant Hallmark card signed by every Caucasian in America."

Are your cowry shells ringing yet?

Dickerson, however, isn't a simple race baiter. She just as easily spends the next 25 pages running white folks through the ringer, detailing the developmental history of slavery and racism as it has nurtured and been so nurtured in the west. From there, the rest of the book is open season on anybody without an open mind.

Dickerson possesses a cool hand when it comes to capturing not only the academic side of the racial shebang, but is particularly stunning at pointing out the ridiculous foibles of a people who want freedom by as few means as necessary. Her codification and critique of popular public-passed emails such as "You Know You're Ghetto Corporate If..." and "Ghetto Resume" puts her research firmly in the front lines of the debate, and yet, just when you think she's Clarence Thomas in a dress, she lambasts whites for contributing politely to much of the same crimes of ignorance and fear-based rhetoric as blacks. A great example, among many, is the section on Africa-bashing by whites to slip under the radar of the homegrown racism they claim to no longer possess as it relates to Africa's American stepchildren.

Dickerson plays for keeps, and despite what must be an obvious and careful noting of just-enough cases to make the points she wishes to make, she writes this book with more courage and brawn than any Dyson book, and with more on-ramps into her worldview than Cornel West has ever offered. You may not like what she has to say, but chances are if the rock hit you, well, you were the one in the pack she was aiming for. The question isn't how back is Dickerson. The question is, how black are blacks, and what does that mean 40 years out of the civil rights movement?

This book reads as though Dickerson wrote it like it might be her only one. Hopefully, we'll not have to wait long for another dose of her medicine. It goes down tough, but you'll be better in the morning.

(Review from KISO Books)

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2.0 out of 5 stars You mean a Harvard grad wrote this illiterate book?, Jun 8 2004
By A Customer
This review is from: The End of Blackness (Hardcover)
Miseducated lunacy in print. The author needs a good English teacher and a shrink before she publishes another book. To see how well she managed her own personal life, read her previous semi-fictional autobiography. Another unemployed degree-holder looking for attention and profits.
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1.0 out of 5 stars An Inconsistent and Deeply Flawed Book, Jun 2 2004
By 
Charles J. Rector (Woodstock, IL United States) - See all my reviews
(REAL NAME)   
This review is from: The End of Blackness (Hardcover)
This is an inconsistent book. In the author's introduction, Dickerson says that she aims at making the case that blacks should get away from obsessing over past grievances such as slavery and Jim Crow and take full responsibility for the choices that they make and accept the consequences. In other words, blacks should stop blaming white folks for everything that goes wrong.

She then turns around and spends the first half or so of the book blaming whites for the state of black America. She presents horror stories of racism, such as the murder of Emmett Till, just as if she believes that they represent the state of race relations today. Indeed, she expends much verbiage on whites and on how they pretend to support civil rights while secretly doing everything that they can to undermine those same civil rights.

Dickerson seems to have some racist tendencies of her own. She seems to resent the fact that Asian Americans generally live in mostly white, middle-class communities as opposed to having their own ethnic enclaves.

Dickerson also has some weird ideas on how prevalent racism supposedly is in America. For instance,Dickerson complains about the fact that the movie "Saving Private Ryan" does not include black soldiers storming the Normandy Beach. However, she admits that no blacks participated in the D-Day invasion. Yet, she criticizes the producers for excluding a black presence in the film anyways.

After her carnival of criticism of whites and Asians for their alleged role in keeping blacks down, she then gets into the second half of her book, which is a critique of blacks in modern America. In this part, she criticizes blacks for dwelling on the racist past and using racism as a crutch for blacks not making it in America. By doing so, she completely contradicts the first half of her book.

This is an inconsistent and contradictory book on race relations in America. Definitely not recommended.

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