Review
“Biographers have published dozens of books on Eugene O’Neill over the last 50 years in an attempt to explain the complexities of America''s 20th-century ‘master playwright.’ What makes Diggins’s thoroughly researched effort particularly effective is his use of political, philosophical, social, psychological, and religious themes in his discussion of O’Neill’s life and plays within the context of a dynamic American society. Diggins begins with a narrative describing O’Neill’s troubled early personal life and follows with thematic chapters discussing the major influences on the playwright’s writing, from contemporary philosophers like Friedrich Nietzsche to the ancient Greek tragedians. Diggins generously illustrates each theme with multiple examples from O’Neill’s plays and correspondences. Particularly insightful are his comparisons of O’''Neill’s work with that of other great writers on the theme of American democracy, including Alexis de Tocqueville, Ralph Waldo Emerson, and Abraham Lincoln. This book offers the reader a lot to think about, regarding not only O’''Neill’s life and work but also American society at large.”—Library Journal
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Library Journal )
"Shedding new light on the O''Neill canon, Diggins offers an einsightful examination of O''Neill''s haunted past and the cultural background against which he wrote his plays. This is the first book this reviewer has encountered that fully explains how . . . ''O''Neill''s writing traces a dark stain on American history.'' "—Choice
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Choice )
"[The book] succeeds in placing O''Neill in the context of a body of philosophical, political, and historical thought, and it makes a convincing case for Diggins''s contention that O''Neill was a prime example of what Eric Bentley has called the playwright as thinker."—Brenda Murphy, Journal of American History
(Brenda Murphy
Journal of American History )
Product Description
In the face of seemingly relentless American optimism, Eugene O’Neill's plays reveal an America many would like to ignore, a place of seething resentments, aching desires, and family tragedy, where failure and disappointment are the norm and the American dream a chimera. Though derided by critics during his lifetime, his works resonated with audiences, won him the Nobel Prize and four Pulitzer, and continue to grip theatergoers today. Now noted historian John Patrick Diggins offers a masterly biography that both traces O’Neill’s tumultuous life and explains the forceful ideas that form the heart of his unflinching works.
Diggins paints a richly detailed portrait of the playwright’s life, from his Irish roots and his early years at sea to his relationships with his troubled mother and brother. Here we see O’Neill as a young Greenwich Village radical, a ravenous autodidact who attempted to understand the disjunction between the sunny public face of American life and the rage that he knew was simmering beneath. According to Diggins, O’Neill mined this disjunction like no other American writer. His characters burn with longing for an idealized future composed of equal parts material success and individual freedom, but repeatedly they fall back to earth, pulled by the tendrils of family and the insatiability of desire. Drawing on thinkers from Emerson to Nietzsche, O’Neill viewed this endlessly frustrated desire as the problematic core of American democracy, simultaneously driving and undermining American ideals of progress, success, and individual freedom.
Melding a penetrating assessment of O’Neill’s works and thought with a sensitive re-creation of his life, Eugene O’Neill’s America offers a striking new view of America’s greatest playwright—and a new picture of American democracy itself.
