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Every Dead Thing
 
 

Every Dead Thing [Mass Market Paperback]

John Connolly
3.9 out of 5 stars  See all reviews (105 customer reviews)
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It's a good idea to avoid reading John Connolly's debut novel on a full stomach. His descriptions of mutilated murder victims give him honorary membership in the gore wars club. Every Dead Thing is a fast-paced piece of fiction from an author whose regular stomping ground is as a journalist for the Irish Times.

NYPD detective Charlie "Bird" Parker was busy boozing at Tom's Oak Tavern when his wife Susan, and young daughter Jennifer were mutilated by a killer called the Traveling Man. Consumed by guilt and alcoholism, Charlie soon lost his job, and almost his sanity. Several months on he is sober and ready to get his life back in order. Charlie takes up private investigating. One of his first cases involves the disappearance of a woman called Catherine Demeter. At first this puzzle seems unrelated to the Traveling Man--but Charlie has a gut feeling that the slayer is pulling the strings. "I dreamed of Catherine Demeter surrounded by darkness and flames and the bones of dead children. And I knew then that some terrible blackness had descended upon her."

The search for Catherine takes Charlie on a whirlwind tour of the South. First to the small Virginian town of Haven, where, some 30 years before, Catherine's sister Amy was murdered, along with other local children. But the trail turns cold--until a tip from a psychic leads Charlie to the swamplands of Louisiana. The subplots of Catherine's disappearance, age-old child murders, and the slaying of the Parker family finally unite in the hot, humid terrain. A showdown with the Traveling Man is inevitable.

Every Dead Thing is classic American crime fiction, and it's hard to believe that John Connolly was born and raised on the Emerald Isle. --Naomi Gesinger --This text refers to the Hardcover edition.

From Publishers Weekly

One serial killer who tortures children and another who steals victims' faces after mutilating their bodies give readers two grisly plots in one darkly ingenious debut novel. New York Homicide cop Charlie "Bird" Parker left the force when his wife and baby daughter were gruesomely murdered (while he was boozing down the block), but he agrees to trace a missing woman as a favor to his old partner. The trail leads from Brooklyn wise guys to a dying rural Virginia town where the shameful secret (children were tortured and killed by wealthy local eccentrics) is linked to the missing woman. Stepping on toes and muscling past stonewallers, Charlie eludes hired killers to flush several villains into the open with the help of two friendly hitmenAa competently lethal gay couple who provide a refreshing change from both stereotypes. Charlie receives a phone call from Tante Marie, a Creole woman near New Orleans whose detailed psychic visions of "The Traveling Man" match the profile of the killer. Scoping out the bayous, Charlie teams up with his old FBI buddy, Woolrich, for more convoluted probing involving a plethora of psychic tips, bodies in the bayou and Creole gangs. A romance with a beautiful Brooklyn profiler who joins the case helps make the New Orleans sequence of the novel sing. The tortuous plot seldom falters and each character is memorable. There are sometimes too many detailsAlike extensive lists of zydeco and Cajun singers on the radioAthat force the Louisiana ambiance, and Brooklyn never does feel right, but the rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of '40s L.A. noir, ? la Chandler and Hammett, but the grisly deaths, poetic cops and psychic episodes set this tale apart. Published by Hodder in Great Britain in January, Connolly's gory tale should find an avid U.S. audience. Foreign rights sold in Germany, Japan and Italy.
Copyright 1999 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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THE WAITRESS was in her fifties, dressed in a tight black miniskirt, white blouse, and black high heels. Read the first page
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Customer Reviews

105 Reviews
5 star:
 (43)
4 star:
 (30)
3 star:
 (20)
2 star:
 (7)
1 star:
 (5)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (105 customer reviews)
 
 
 
 
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4.0 out of 5 stars Every Dead Thing---and a lot of things die!, Jan 15 2004
By 
David W. Nicholas (Van Nuys, CA USA) - See all my reviews
(REAL NAME)   
This review is from: Every Dead Thing (Mass Market Paperback)
This is one heck of a first novel. Charlie Parker ("Bird" to his friends) is a police detective who's lost his wife and daughter to a particularly horrific serial killer who not only murders them, but slices off their faces. Since he was drinking at the corner tavern at the time, he feels guilty, crawls into a bottle, and loses his job. Some months later, having crawled out of said bottle, he agrees to take on work as an investigator to make ends meet. His first case involves finding a rich boy's girlfriend, but when he looks, he finds (of course) much more than he expected to.

This novel has everything in it that you can imagine or want in a crime novel. The killers are gory and vicious, there are numerous shootouts and chases, the women are beautiful but reluctant, heck he even has a (sort of) pair of gay role models. OK, so they're a retired hit man and a retired thief, but they dress well and have a hip repartee going that's a great deal of fun. The novel is very long (460+ pages, with a rather small font) and the action is broken up with long, almost poetically descriptive passages, but it moves along nicely. I will agree with the one guy who said that things get complex. There are so many characters and murders and plot threads that at times you almost wish he'd provided a cast of characters or something.

All in all, though, I enjoyed the book and would recommend it to others. The one real proviso is the goriness: be aware going in, this isn't a pretty book.

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4.0 out of 5 stars LIKE WATCHING A CAR CRASH, Dec 13 2002
This review is from: Every Dead Thing (Mass Market Paperback)
I don't know what to make of this book. Connolly has writing talent. He knows how to pick an interesting subject, research it and integrate his knowledge. However, there is just too much going on. Too many characters making appearances and then getting blown away in the next scene. The book needs not just an index but a chart showing how everything and everybody is related.
Connelly utilizes his knowledge of Greek Mythology, art history, american landscape and police prodecdurals in a very integrated way but overlall there is something missing from this long, and sometime dense novel.
I did find the main character Charlie "Bird" Parker of interest. It is seldom that one comes across a "good guy" who is so deeply flawed. Parker is almost as evil and depraved as the criminals he is chasing. It takes a special talent to create a main character so flawed, amoral and human.
In spite of my reservations I give the book four stars because the main characters are different and the authors research is excellent.
I look forward to reading his other novels.
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1 of 1 people found the following review helpful
4.0 out of 5 stars A gory but wonderful debut, Aug 10 2002
This review is from: Every Dead Thing (Mass Market Paperback)
As other reviewers have noted, it's continually surprising to realize that the author of one of the most American and most accomplished crime thrillers in recent years is actually an Irish journalist. John Connolly only rarely shows his Irish, lyrical side in passages such as this, on page two: "There is a light breeze blowing and my coattails play at my legs like the hands of children."


And so begins a descent into an unforgettable tale of madness. Connolly expertly engages the reader from the first page by interspersing two POVs of his main character, Charlie "Bird" Parker, the present tense, the italicized past tense of the night Parker found the horribly mutilated corpses of his wife and children, and the third impersonal voice of the police report. At first, the reader may suspect that the present tense POV is that of the killer and perhaps Connolly may have counted on this to further shrink the gap between the evil mind and its analogue.

The Traveling Man is one of the more intriguing serial killers in latter day fiction, one drawn with the skill of an established master of the genre. The identity of the killer is a true surprise, not a mean feat considering today's sophisticated reader, although the clues are placed throughout the book with the judiciousness of an M. Night Shyamalan.

It should be noted that the murder scenes should not be read by those with weak stomachs and there aren't too many books that come to memory requiring such an advisory. But just when the jaded reader thinks that every atrocity has already been committed by real life killers or imagined by novelists, John Connolly has come from Ireland with a unique perspective on the genre. Perhaps Connolly's outsider mentality is what separates EVERY DEAD THING from many of the serial killer books being penned by lesser-talented American authors.

It made me groan to see that Connolly, as with his literary grandfathers Hammett and Chandler, continually puts his protagonist in situations until I half expected Parker to find another mangled corpse on his way to the bathroom. The body count and bewildering array of killers (Oh no, the Traveling Man isn't the only one) may turn off readers with milder sensibilities and not as easily-suspended disbeliefs.

The two main plots remained separated for too long, which risks inspiring boredom and impatience in the reader. There are also far too many male characters in the book, especially the cops, and despite the book's length, Connolly didn't take enough care with their delineation to make them very distinctive to the reader. Angel and Louis, the gay hit men, are certainly a breath of fresh air and are treated with the dignity they deserve.

Connolly's Parker cracks wise with the best of them and the jokes tend to be better and funnier than Robert Parker's Spenser. "Bird" Parker is a reluctant PI in the mold of Easy Rawlins or Troy Soos's Mickey Rawlings but he is a much better delineated character than either and still better than most in the too-vast detective universe. Parker is an unimaginably tortured man, one who has no problem going over the line and taking a life with the tenuous ability go back to the side of compassion. With clipped and bloodied wings, he is an earthbound enforcer for St. Jude.

I hope that the next two books will be more judiciously edited. Only Connolly's ferocious wit and sheer mastery of plot advancement kept this book from being a midlist beach thriller. This highly intelligent and erudite novel, with its unusually poetic cops and FBI agents, is some of the best entertainment you can buy for [amt]. I fully intend on following the series.

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