5.0 out of 5 stars
A mystery that transcends the genre, July 18 2004
Laura Lippman is hardly a household name, even after seven well-received books featuring P.I. Tess Monaghan. Her latest book is likely to change that. Every Secret Thing is one of those books that publishers like to say "transcends the genre," but in this case it's true.
It has been seven years since Olivia Barnes, a baby from a prominent Baltimore African-American family, disappeared. Her killers, two 11-year-old white girls, have only recently been released from prison when children again start to disappear.
Cynthia Barnes, the slain child's mother, is certain that the pair is at it again, and the police aren't far behind. But which of the teens is responsible? Is it good girl Alice or bad girl Ronnie? Or is it another killer altogether?
Every Secret Thing deals with difficult subject matter, portraying children as both victims and perpetrators of the worst kind of violence. Lippman, however, writes with such a deft touch and with such keen insight that her story is never exploitative or crass.
Whether it is driven by Lippman's feminine sensitivity, her skills as a writer, or both, one thing is certain: Every Secret Thing will stay with you for a long time.
Reviewed by David Montgomery, Chicago Sun-Times
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5.0 out of 5 stars
An American Ruth Rendell., May 9 2004
When I picked up "Every Secret Thing," by Laura Lippman, I expected nothing more than a formulaic novel about child abductions. Much to my surprise, this book turned out to be a deeply psychological page-turner with marvelously descriptive writing, dry humor, and intricate plotting. Now that I have finished the book, the highest compliment that I can pay to Ms. Lippman is that she reminds me of the great British novelist, Ruth Rendell. Why? Rendell has never been satisfied with the standard whodunit formula. She likes to examine the unexplored dark corners of the human psyche and the mystery is not always the centerpiece of her books. The people are.
"Every Secret Thing" begins with a tragedy. A little girl named Olivia Barnes is kidnapped and, several days later, she is murdered. Two eleven-year-old girls named Ronnie Fuller and Alice Manning are charged with the crime, and they spend seven years in juvenile detention facilities. When they are released, Ronnie and Alice are young women of eighteen. Before long, when another little girl named Brittany goes missing, Ronnie and Alice are once again under suspicion.
There are so many things to praise about this book that it is difficult to pick one, but above all else, the character development is uniformly outstanding. We get to know each major and several minor characters intimately, as if they were our own neighbors. Lippman gives us a glimpse into the minds of Ronnie and Alice, two unhappy and lonely misfits with a tenuous grip on reality. We become well acquainted with Helen Manning, Alice's narcissistic and foolish mother, Nancy Porter, the cop who found Olivia's body and has been haunted by the case ever since, and Cynthia Barnes, Olivia's bitter and grieving mother whose life is devoted to seeing Alice and Ronnie destroyed. That the two girls responsible for killing Olivia should be set free to walk the earth is simply not an option for Cynthia, who has powerful political connections and is used to getting what she wants.
As the story unfolds, a tale of psychological horror emerges that is truly chilling. When I turned the last page, I knew that I would be thinking about this book for some time to come, marveling at how Lippman mines so many themes so effectively, and how she makes us care deeply about the outcome of her story. Don't miss this unforgettable thriller.
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