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Everybody Knows This Is Nowhere: A Mystery
 
 

Everybody Knows This Is Nowhere: A Mystery [Hardcover]

John McFetridge

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Product Details

  • Hardcover: 300 pages
  • Publisher: ECW Press; 1 edition (May 28 2008)
  • Language: English
  • ISBN-10: 1550227556
  • ISBN-13: 978-1550227550
  • Product Dimensions: 23.1 x 15.5 x 3 cm
  • Shipping Weight: 544 g
  • Amazon Bestsellers Rank: #757,482 in Books (See Top 100 in Books)

Product Description

Quill & Quire

Next time I need to score handguns, hookers, or heroin in Toronto, I’m going to look up John McFetridge, a crime writer who clearly knows his way around the city. One of the key elements in McFetridge’s second novel, which bears the intentionally ironic handle Everybody Knows This Is Nowhere (after the Neil Young song), is the sheer immensity of what the author points out is North America’s fourth-largest metropolitan centre. In one of the book’s many spot-on and streetwise descriptions of Toronto’s disparate locales – in this case, the Jane/Finch shopping centre – McFetridge comments that the city “built its ghetto way out in the burbs, never thinking it was a growth industry.” This Nowhere really is known to everybody, at least everybody who lives in a big enough city. Growth is the literal root of the evil driving the book, which crashes open with a man’s swan dive from the balcony of an apartment building that houses more marijuana plants than residents. A pair of detectives is tasked with not only figuring out whether the death is homicide or suicide, but with the less-than-simple act of giving the body a name. By the time they have that name, fully halfway through the book, the entire homicide division is entangled in the case, and the city has been crossed repeatedly. Crime, like rust, never sleeps. Not so much larger than life as just alive, the Greater Toronto Area itself is the most conflicted protagonist in a novel brimming with them. “As if happy people in rent-controlled public housing will live side by side with happy people in expensive condos,” spits a seasoned patrol officer surveying a housing project being forcibly converted into a mixed-income neighbourhood. McFetridge’s style can be compared to Elmore Leonard’s, as both writers seamlessly mix police procedural with perp procedural to underscore the parallel lives of members of the opposing teams. But where Leonard tends to favour Hollywood-homicide banter, McFetridge keeps the quips to a minimum, preferring punch to panache. As a result, the only time his prose gets purple is when fists are flying.

Review

"McFetridge combines a tough and gritty story populated by engagingly seedy characters . . . with an effective use of a setting, Toronto."  —Booklist


"Rapaciously ambitious, swaggeringly assured, brash beneath its cultured veneer, ripe with opportunity and tottering on the brink of anarchy."  —Declan Burke, author, Eight-ball Boogie



"McFetridge navigates a breathless plot punctuated by slick, staccato dialogue . . . . A breakout effort for McFetridge and a rude awakening for the rest of us. Toto, we're not in your momma's Toronto anymore."  —Winnipeg Free Press



"[McFetridge] has a gift for dialogue and setting . . . [and] is an author to watch. He has a great eye for detail, and Toronto has never looked seedier."  —Globe and Mail

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Amazon.com: 3.4 out of 5 stars (5 customer reviews)

4 of 4 people found the following review helpful
5.0 out of 5 stars Fast, darkly funny, and authentic, July 16 2008
By Joseph Louis - Published on Amazon.com
Why do writers and reviewers like Ken Bruen, Parnell Hall and others keep comparing literary crime writer John McFetridge to Elmore Leonard? Because McFetridge is the real deal. Everybody Knows This Is Nowhere, his latest novel, is tough, gritty, authentic, and peopled with characters who survive on quick wits and dark gallows humor on the mean streets of Toronto, one of North America's largest, most disfunctional cities. Once known as "Toronto, The Good," McFetridge has captured the darkest underbelly of "Toronto, The Bad," with the sharpest eye for location and character and the keenest ear for dialogue. Feeding off real life stories that have peppered the city's media for the past few years--from international biker wars and drug cartels, to an explosion of ethnic marijuana grow-ops, to the discovery of an unidentified headless, limbless corpse that recently turned up in a back alley garbage bin--McFetridge has packed it all into a taut, suspense filled mystery told through the eyes of a highly believable and enjoyable ensemble of straight and crooked cops; a down-on-his luck new guy in town with a sure-fire, get-rich-quick scheme that could get him killed; and a stripper playing footsy with a stranger who might be a hustler, a cop, or her best chance of surviving one more day in Nowhere. One of the best-ever openings for a crime novel. Congratulations, Mr. McFetridge.
Reviewed by Joseph Mark Glazner (AKA Shamus and Arthur Ellis Nominee Joseph Louis)

1 of 1 people found the following review helpful
4.0 out of 5 stars "There's gonna be a takeover.", July 19 2008
By Luan Gaines "luansos" - Published on Amazon.com
A shocking opening sets the stage for a fast-paced noir thriller that marries powerful drug cartels with international biker gangs enjoying unfettered opportunity in Toronto, where supply and demand drive an insatiable market. In McFetridge's thriller, the characters are colorful, the city teeming with thugs, drugs and a sophisticated market that has long since transcended independent biker gangs and an infusion of mob money, more sophisticated and creative as the times require. From the first chapter, when an Iranian plunges to his death from twenty-five stories, landing gracelessly on the windshield of an SUV parked in an alley, the surprised occupants' business transaction abruptly curtailed, cops quickly swarming over the scene, it is clear this city is in the throes of free enterprise gone wild. Watching the action from her apartment in the building, ex-stripper, self-employed weed entrepreneur Sharon Macdonald worries that her top floor grow rooms may be compromised by the enterprising detectives. She's right.

Although it takes a while before the dead man is identified, the detectives have not only spotted Sharon's enterprise, but are carefully monitoring increased suspicious activity by the cartel. It's in the air: something is going down. Recently returned to work after bereavement leave, Gord Bergeron is adapting to a new partner, the sharp-dressing, handsome Armstrong, the detectives called from the scene to aid in a search for a missing girl, later puzzling over their next call, a torso found in an alley; the partners rendezvous with their fellow officers, discussing the uneasiness in the streets and how much corruption may have tainted the department. With so much money available, temptation is unavoidable. Indeed, the cops are right, a move is in the works, but even Sharon, with her inside connections, cannot guess the extent of the coming changes. Her supply currently unavailable, Sharon meets with Ray, a new guy in town, who promises an outrageous supply, his presence sure to attract the notice of the ruthless bikers-cum-businessmen who control Toronto's drug market.

From earnest cops to petty hustlers, stone killers to undercover narcs, crime proceeds unimpeded by an overworked force, Toronto is a cornucopia of opportunity. A formerly loose confederation of independent operators has morphed into an organization that absorbs the opposition while disposing of any fools who get in the way. From detectives to crooks and all the players in between, the novel rocks from enforcement to violence, Sharon and her new friend small fry in the grand scheme of things, but determined to survive unscathed from the coming conflagration. Massage parlors, grow rooms, strip clubs, slums and gated condos compete for room in a city transformed by greed, corruption and mayhem, a few good men policing the mean streets in McFetridge's rollicking story. Luan Gaines/ 2008.

4.0 out of 5 stars Interesting approach, May 23 2012
By Fan Of Lit - Published on Amazon.com
Ok, so the guy takes liberties with dialog and punctuation, so what? It's a good story. The characters, for the most part were believable. It's fast paced and enjoyable.
 Go to Amazon.com to see all 5 reviews  3.4 out of 5 stars 

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