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Evocation O/T Spirit/Totus Tuu [Import]

R-Shaw;Robert Festival Si Shaw Audio CD
4.2 out of 5 stars  See all reviews (13 customer reviews)
Price: CDN$ 11.38
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Product Details

1. Gorecki: Totus Tuus
2. Magnificat
3. I. Kyrie
4. II. Gloria
5. III. Credo
6. IV. Sanctus
7. V. Agnus Dei
8. Agnus Dei
9. Friede Auf Erden

Product Description

Product Description

Customer Reviews

4.2 out of 5 stars
4.2 out of 5 stars
Most helpful customer reviews
2.0 out of 5 stars 5 stars subtracting 3 stars Nov. 24 2003
I have to agree with Randolph Wagner. This CD gets 5 stars for the choral pieces minus 3 stars for the recording quality. It sounds like the recording was transferred from an 8-track tape. This CD should have been sent back and remastered. If you have other Shaw CD's, you can hear for yourself the difference. This is NOT a quality recording. Why did they let this slip out the door?
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5.0 out of 5 stars Spiritual! April 25 2002
This is a magnificent recording. Even though, a capella CD's can sometimes be hard to stomach, I find myself listening to this disc again and again. This recording will literally lift your spirits. Gorecki's Totus Tuus is epitome of sublime, easing effortlessly across the span of 11 minutes. Part's Magnificat is a little darker in tone, but if you are patient it will blossom repeatedly. Martin's Mass is somewhere between ethereal and madrigal. Barber's Agnus Dei, based on his Adagio for Strings, is uncannily eerie, yet powerfully cathartic at the same time. Finally, Schoenberg's Peace on Earth is emotionally buoyant, absolutely gorgeous, and sadly, just as relevant now as it was when it was written almost a century ago. The aural depth captured by Telarc will engulf you in sound. Shaw conducts each of these modern masterpieces with aplomb and the Festival Singers sing their lungs out. An exciting album, it is definitely worth being a part of anyone's collection.
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1.0 out of 5 stars Warning: NOT a keeper! Nov. 21 2001
Having had the privilege of singing with Shaw on many occasions, I know and honor him as a passionate choral technician and teacher who could always bring out better than the best in an amateur group. Nearly all the choral directors I've ever sung under pull "Shawisms" from their bag of tricks to improve pitch and accuracy. However, in today's era where we can choose from a plethora of professional groups (Montiverdi Singers, Tallis Scholars, Dale Warland Singers, etc.), sadly, Shaw's recordings usually don't compete.
Particularly in his final years when he would hold his Summer Festivals in Southern France (attracting a huge flock of choral directors), the recorded product (released on a series of Telarc recordings) has been consistently mushy and lugubrious - this one in particular! The usually fine Telarc engineers should be ashamed (as well as their marketers who where obviously trying to ride the Shaw band wagon as far as they could)!
The Barber Agnus Dei (for which I've yet to find a satisfying recording) sounds like the singers are submerged in molasses! The tempo is unbelievably slow and there is a total lack of clarity in the inner parts. I recently was driving through Colorado during the NPR fund-raising week and heard a pair of well-meaning NPR announcers slavering over this recording - I thought I was going to puke!
Much better recordings exist of the Gorecki, Pärt and Martin. With due deference to the master, I wouldn't touch this recording with a ten-foot pole. If you simply must purchase Shaw recordings, stick with the larger choral repertoire - you're guaranteed to get good choral singing and excellent soloists (but usually coupled with a less-than-electric performance).
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5.0 out of 5 stars The Barber is cathartic beyond measure. Sept. 14 2001
I write this review three days after the tragic September 11 events in New York and Washington, three days which left me numbed, during which I searched and searched for music having cathartic value - "music of healing" - largely in vain. For most of that time, the value of listening to music seemed to have eluded me. (Given the circumstances, this must have happened to others as well, even others for whom music is a large part of their lives, as it is for me.)
This was not a state of affairs destined to go on open-ended. I knew that a major part of breaking this "blockage" would somehow involve the recorded work of Robert Shaw, whose recorded performances have in the past led me out of such "wildernesses." And so it was that his recording of the Bach B-Minor Mass (reviewed elsewhere at Amazon.com by me) provided the "lion's share" of healing-through-music. One need only listen to Shaw's performance of the closing "Dona nobis pacem" of this Mass to be instantly uplifted.
But his performance of Barber's Agnus Dei, a choral arrangement by Barber of his Adagio for Strings (which in turn is a string orchestra arrangement of the second movement of his String Quartet, Op. 11), provided me with a healing of an entirely different nature: A searing work guaranteed to cauterize and thereby provide emotional catharsis and release.
One cannot fathom what was going through a very youthful Sam Barber's mind when he wrote this Op. 11 second movement. But we should be thankful that Arturo Toscanini, in 1936, encouraged Barber to arrange it for string orchestra, and that much later (in 1967) Barber chose to arrange it yet again for chorus. And that Maestro Shaw saw fit to include it on this Evocation of the Spirit choral compilation.
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5.0 out of 5 stars Best Shaw Recording Ever June 19 2001
This CD was an introduction of 20th century music for me. There is not a SINGLE TRACK on this CD that is not exceptional. The Martin Mass is wonderful and the Barber is Orgasmic! GET THIS CD!
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1.0 out of 5 stars I guess I'm just old-fashioned... May 31 2001
By A Customer
I bought this CD for Barber's Agnus Dei, and unfortunately, that's the only track I really like! All the others are too weird and "out there" for me. Guess I'm just old-fashioned. :)
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Most recent customer reviews
5.0 out of 5 stars One of Shaw's Best
This exposed me to the works of Part, Gorecki and Martin. As a result, I like the direction contemporary choral music is heading.
Most of this work is easily accessible. Read more
Published on April 17 2001 by Steven Clem Haley
5.0 out of 5 stars Beauty from the Twentieth Century
This disc is wonderful from start to finish. I think the most special piece is the Schoenberg at the end, and the least successful the Barber arrangement of the adagio, which... Read more
Published on Feb. 24 2001 by A. G. Plumb
5.0 out of 5 stars Haunting, Insistent, Beauty
This disc is a soaring masterpiece of truly sublime music. These five pieces of twentieth century choral music shine with the beauty of the moon on a cloudless winter night. Read more
Published on Oct. 30 2000 by NotATameLion
5.0 out of 5 stars Perfection
This is by far my favorite recording of Robert Shaw. If you are in search of choral perfection, look no further than Shaw. Read more
Published on March 24 2000
5.0 out of 5 stars Shaws best
This is my favorite recording of Shaw, and the Festival Singers. The music, though from different composers, all fits together on this album as if it were designed as a concept. Read more
Published on April 30 1999
5.0 out of 5 stars Shaw Does it Again
The late Robert Shaw shines with his Festival Singers in this most luminescent recording. Shaw has done much to bring twentieth century music to the forefront of the choral... Read more
Published on March 5 1999
5.0 out of 5 stars Beautiful and moving!!!
The highlight of this CD is Agnus Dei which is the choral adaptation of Samuel Barber's Adagio for Strings. Read more
Published on Sept. 24 1998
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