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Excession Paperback – May 15 1997


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Product Details

  • Paperback: 451 pages
  • Publisher: Orbit (May 15 1997)
  • Language: English
  • ISBN-10: 185723457X
  • ISBN-13: 978-1857234572
  • Product Dimensions: 12.7 x 19.7 cm
  • Shipping Weight: 358 g
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (60 customer reviews)
  • Amazon Bestsellers Rank: #76,479 in Books (See Top 100 in Books)


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3 of 3 people found the following review helpful By James D. DeWitt on March 7 2001
Format: Mass Market Paperback
Reading your first Iain Banks novel is like nothing else in literature. It's a little like being in the washing machine on spin cycle. You emerge dizzy but refreshed. Machine gun pacing, vivid characterization, universe-spanning cultures and, of course, The Culture. Smug, self-satisfied, hedonistic and vain, The Culture is also bifurcated between more-or-less humankind and Minds, advanced AI's that are not always tolerant of their "meat-based" co-citizens.
More than any other novel of The Culture, this one involves those Minds and, without spoilers, they turn out to be human, all too human. Banks handles very well the problem of writing dialog for beings who are far, far more intelligent and think millions of times faster than we do. As others have noted, it sometimes makes for dense reading, but it is very believable. In some ways, this is a novel about the psychology and motives of Minds.
As always, Banks laces the story with sly humor, word play and wholly believable aliens. The Affront, the most conspicuous aliens in this tale, are a wonderful invention. As always, the structure of the novel itself with its interlacing of different story lines and physical organization is a part of the story itself, although less obviously so than in the earlier _Consider Phlebas_.
The Excession of the title is the focus of the attention of most of the characters in the story, but Banks is far too gifted a writer to make it the whole story. Readers who complain about the ending may be missing Banks' most important point. Perhaps the story isn't so much about the Excession, but how the characters react to the Excession. And maybe the ending is Banks' way of underscoring that point.
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Format: Kindle Edition Verified Purchase
The Culture series are all great so far. Incredibly complex plot, character interactions on multiple levels and across books. Really great reading. His non sci-fi is equally great. How does he do it?
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2 of 2 people found the following review helpful By Michael Battaglia on Oct. 31 2001
Format: Mass Market Paperback
Most Iain Banks books are challenging reads, it's a credit to the man that he refuses to write down because he's penning SF novels and not the higher profile "literary" stuff that most of the mainstream probably recognizes him for (is he well read in this country, nobody I know has heard of him . . . what's with that?) so what you basically get with the Culture novels is SF from someone who really knows how to write and doesn't just have a degree and feels the need to share this nifty cool idea he had the other day. This book is full of cool ideas but more importantly it's a dense and slightly elusive work . . . while it's not opaque stuff isn't spelled out explicitly for the reader, there are a lot of dots to connect here. The setup is a large object has appeared from literally nowhere and interacts with the energy grip in a way that is supposed to be impossible. But this isn't the first time this object appeared and the only person who is around from that last appearance is Stored in a ship and has to be convinced to come out. That's how the plot starts. Where it ends is somewhere totally different and if sometimes you think you're reading a totally different book, that's just par for the course with Banks. The focus this time around is more on the Minds in the ships, which is good and bad. The Minds are basically human and their rapid fire conversations that take up a large chunk of the book are highly entertaining . . . however it can be daunting for readers unable to keep track of the dozens of names, especially with little strong personality to back up the Mind and make an impression. You may wish for a recap box at some point to make sure you're still up to speed. Still astute readers are rewarded with a plot that twists almost dizzingly . . .Read more ›
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Format: Mass Market Paperback
This book is on par with "The Illuminati Trillogy" for strangeness. Borrow it, read it, sit with an ice pack for a week eagerly anticipating the next punch in the head. Cause every so often another messed up bit of plot twist or snarled logic is going to jump out and hit you from the recesses of memory. Its like carrying a bomb around in your head! Other than the mental torture and too many plots in one book it was good. I recommend it for those masochistic moments.
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Format: Mass Market Paperback
What drives me to read science fiction is to make contact with well-built, convincing fictional universes where interesting plots take place. The literary talent of the author simply does not matter as long as he or she has the ultimate talent of telling an interesting story. Indeed, arcane luminaries of the Science Fiction genre, such as Isaac Asimov and Arthur Clarke, almost invariably have a plain, objective narrative style.
Well, this is my first book by Iain M. Banks, but so far I can say that he goes in the opposite way: the style of his book is baroquely sculpted and each character is exhaustively (yet subtly) worked upon. Even though, the plot and setting told/described with such a literary richness is simply crappy.
Iain M. Banks' Culture universe resembles some idiotic science fiction cartoon or movie (such as "The Jetsons" or "The Fifth Element") turned into a book. In some ways, it also resembles "The Hitchhikers' Guide to the Galaxy", but the problem is that it is not exactly intended to be comical. As for the plot, there is basically no strong central narrative line, nothing that makes the reader (or at least me) cares about what will happen in the next page or how the book will end. As a matter of fact, it is a remarkably boring, tiring reading, and I took perhaps two or three more times to finish this book than the average for a compendium of the same size.
Putting it shortly, Iain M. Banks seems to be an author for someone who loves form but does not demand content.
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