<strong>Executive Koala</strong> (Minoru Kawasaki, 2005)
<em>The Calamari Wrestler</em> is cracked genius. It's a wonderful, wonderful movie, and I highly recommend it every change I get. A year later, Minoru Kawasaki followed up his bizarro masterpiece with <em>Executive Koala</em>, and while it doesn't have that same infectious sense of joy, it certainly strikes all the right notes to appeal to <em>Calamari Wrestler</em> fans. However, it also has a distinct odor of "we made this to capitalize on the appeal of <em>The Calamari Wrestler</em>!", and it feels rushed, those times when it doesn't feel unfinished.
The plot, which is very loosely based on a Philip K. Dick story (if I tell you which one, it'll give the game away), concerns a koala salaryman. This is the only thing odd about him, really (there are other human-sized talking animals in the film, but they aren't the norm, and it's obvious from the setting that, while a minority, they are accepted in the universe we are given), at least at the beginning of the film. He is a minor manager at a pickle company, but he's working on a big deal to branch out into kimchee, which could mean a heavy promotion. As a result, he works a lot of late nights and is under stress. When he meets with the kimchee folks, one of the company's representatives takes an interest in the koala, and challenges him to a sparring match. The koala (my apologies, I am not remembering names, and IMDB is failing me) proves to be surprisingly good at martial arts, and far more savage than his fawning salaryman demeanor would have us believe. There is more under the surface here, obviously...
Done well, this is a really good plot. (I know. This particular PKD story has been turned into a successful movie at least once before.) And there are enough hints of "done well" here that you can see how much fun this movie could have been, given a little more time and effort. The characters are decent, though not as well-drawn as one would hope, and the situations are interesting. There's some great comic relief from a local convenience store owner (is he a frog? A chameleon?) and some interesting office workplace dynamics. Then comes the Big Reveal(TM), and everything falls into place... until the climax, which is a huge letdown in every way it can possibly be. You might even be better off stopping your DVD player ten minutes before the movie ends. But up until then, it's quite a good little movie, though you will appreciate it far more if you are capable of looking through the wasted potential. ***