From Publishers Weekly
Insp. John Rebus has just 10 days to solve the apparently motiveless murder of Alexander Todorov, an expatriate Russian poet, before he reaches 60 and mandatory retirement in Edgar-winner Rankin's rewarding 17th novel to feature the Edinburgh detective (after The Naming of the Dead
). When the dogged Rebus and Det. Sgt. Siobhan Clarke look into the crime, they find an array of baffling conspiracies involving Russian businessmen, Scottish bankers and local politicians pushing for an independent Scotland. A second murder, of a man who'd taped one of Todorov's poetry readings, ensures the case gets extra resources, and Rebus's own interest is whetted by the possible involvement of Edinburgh crime boss Big Ger Cafferty. Clever, insightful prose more than compensates for the byzantine plot. There's an appropriately wistful tone to this final entry in the series. Fans will miss Rebus and wonder what on earth he'll do in retirement. (Sept.)
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With no let-up in the pressure inside Rebus's head, MacPherson gives us the best performance yet and proves that one reader does not mean one monologue - each character is given their own voice which makes this dramatic. It's a rollicking good listen.
Faultless writing, faultlessly read... Sheer aural pleasure. An audiobook masterpiece.
Glaswegian James Macpherson's reading of Ian Rankin's Edinburgh-set Rebus novels make enthralling listening.—Christina Hardyment
Rankin has given us Rebus' last case in "Exit Music", impeccably read by James MacPherson. As many twists as barley sugar and considerably less sweet.
Rankin once again proves himself to be the master of British crime writing, and James Macpherson's gritty reading brings the characters to life.
The gritty Scots narration intensifies the dramatic darkness and contemporary punch of Rankin's writing.—Rachel Redford
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