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Exodus (French) Paperback – Dec 23 2002


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Product Details

  • Paperback: 448 pages
  • Publisher: Robert Laffont (Dec 23 2002)
  • Language: French
  • ISBN-10: 2221098625
  • ISBN-13: 978-2221098622
  • Product Dimensions: 3.8 x 15.2 x 24.1 cm
  • Shipping Weight: 621 g
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (137 customer reviews)
  • Amazon Bestsellers Rank: #684,685 in Books (See Top 100 in Books)

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Review

"Passionate summary of the inhuman treatment of the Jewish people in Europe, of the exodus in the nineteenth and twentieth centuries to Palestine, and of the triumphant founding of the new Israel." -- The New York Times


From the Paperback edition. --This text refers to an out of print or unavailable edition of this title.

From the Publisher

Exodus is an international publishing phenomenon--the towering novel of the twentieth century's most dramatic geopolitical event. Leon Uris magnificently portrays the birth of a new nation in the midst of enemies--the beginning of an earthshaking struggle for power. Here is the tale that swept the world with its fury: the story of an American nurse, an Israeli freedom fighter caught up in a glorious, heartbreaking, triumphant era. Here is Exodus --one of the great best-selling novels of all time.

"Passionate summary of the inhuman treatment of the Jewish people in Europe, of the exodus in the nineteenth and twentieth centuries to Palestine, and of the triumphant founding of the new Israel." -- The New York Times --This text refers to the Mass Market Paperback edition.


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Customer Reviews

4.3 out of 5 stars

Most helpful customer reviews

1 of 1 people found the following review helpful By dougrhon on March 17 2002
Format: Mass Market Paperback
Int his classic epic of historical fiction, Leon Uris pens his account of Israel's dramatic birth from the time of the first aliyah in the late 19th century through the War for Independence. He introduces heroic characters, dastardly villains and innocent victims. First and foremost, this is the story of the Ben Canaan clan. Heroic, emotionally damaged Ari, the Palmach soldier, his father Barak, one of the fictional founders of the Labor Zionist movement. Barak's brother, known as "Akiva", leader of the outlaw " Macabees", modeled on the real life Irgum movement of Menachem Begin. There is Kitty, the American gentile who falls in love with Ari and ultimately with the struggle for a Jewish homeland, Dov, the young embittered survivor of the Warsaw ghetto and Karen, Danish holocaust survivor who Kitty unofficially adopts. There is Ari's firey redheaded sister Jordana who clashes with Kitty's American idea of what a young woman should be like. and there are others as well. Uris uses the melodrama of the personal story of these characters to show how Israel came to be. It is all here, the escape by Barak and Akiva from their Russian shtetl and their hike (!!!) to the promised land. The horror of the holocaust. And most importantly, the struggle during the post-war mandate period with the British and of course the Arabs.
Uris is not the historian that Herman Wouk is. He has a strange tendency in his historical novels to change the names of people and incidents. For example, in real life, the ship known as "Exodus" was forced to cyprus. It is this that roused the world's ire. In the novel, of course, the ship is permitted to dock in Palestine. This confuses two different ships and two different incidents. Why does he use the name "Macabees" instead of the Irgun? Who knows?
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1 of 1 people found the following review helpful By A Customer on Jan. 26 1997
Format: Mass Market Paperback
"Exodus" is a heartbreaker of a novel, one which indeed
evokes tears. It does so especially to those informed on
both sides of the current MIddle East conflict who can only
weep in despair that this clever and entertaining work of
fictional history ("historical fiction" gives it too much credit) has been, and evidently continues to be, (especially as
a result of the movie it inspired) a main source of popular American perception about the
founding of Israel and the root causes of the Arab-Israel
conflicts. Anti-Arab ethnic stereotype is present but muted (unlike his later writings) as the author
concentrates on romanticizing the efforts of Jewish survivors of World War II in seeking
resettlement in an Arab country without the consent of the
inhabitants. The violence and terror inflicted upon the Arabs
is ignored or justified as are the malignancies of the ideology of
the protagonists. The book deserves three points: one for its storytelling expertise, one for its
place as a politically influential work, and one for its value as a specimen
of effective literary propaganda and fictionalization of history
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1 of 1 people found the following review helpful By John Revue on Jan. 18 2000
Format: Mass Market Paperback
Sad. To see all these people go nuts over nationalist tripe that is dangerously false on fact and brutally racist in tone does not bode well for the future of humanity, the Middle East or Jews and Arabs.
This outdated work appeals primarily to Jews of East European personal or family origin where nationalism (as anyone who follows Yugoslavia and Chechnya or WWII central europe knows) is crude simplistic, violence-venerating, and myth-loving.
Sad to see Jewish values submerged in a hack-novel tale designed to jsutify a claim to a piece of dirt in the Middle East by presenting it as a heroic resurrection of a people against others who lived there who are stereotpyed viciously.
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1 of 1 people found the following review helpful By Amazon Customer on Jan. 15 2001
Format: Mass Market Paperback
When I read this book, I was quite captivated by it and could barely put it down. After I finished the book, I looked up some stuff and found out how grossly inaccurate it is about its "historical events" and how prejudiced it is against Arabs and British. If you read it as complete fiction, then it might be okay, but it should not be classified as historical fiction.
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By Jason A. Miller on Sept. 23 2003
Format: Mass Market Paperback
While at work this morning, I was shown an original birth certificate issued in Israel in 1950. I actually felt something of a thrill of pride (even though I've never been there, and I've long since forgotten Hebrew letters). That's mostly due to my having finished "Exodus" last night.
"Exodus" isn't the kind of book you read for literary merit. The third word in the book is "plip-plopped", which isn't a word at all. If you're deconstructing page 1, you'll get annoyed the random shifts in the narrative voice. The book begins with a couple of plodding middle-American characters with silly names like "Kitty", and "Mark Parker".
However, Uris knows what he's doing. He's constructing an argument in favor of the state of Israel, laid out against 70 years' worth rampant European anti-Semitism. It's no coincidence that the first segment recounts the Holocaust (first, in the eyes of a girl who escaped to relative peace in Jew-friendly Denmark, and then in the eyes of an Auschwitz survivor), and then the second shows the seeds of modern Israel through a pair of mythic-quality Russian shtetl refugees who enter Palestine in the 1880s and begin transforming the soil. The balance of the book shows Palestine's struggles under the suffocating British mandate, and nascent Israel's miraculous victory over the various Arab states seeking to "push Israel into the sea". Played out over the epic history is a storyline involving the Ben Canaan family, Kitty the American nurse, her surrogate Israeli daughter Karen, and Karen's sullen, rebellious, Sal Mineo-type boyfriend Dov. The body count rises and the deaths become more personal, more tragic, as the story builds its way slowly to several shattering conclusions.
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