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You've probably heard that this love story about two cannibalistic serial killers (loosely modeled after Dennis Nilsen and Jeffrey Dahmer) is over the top. You've been warned about the lovingly meticulous descriptions of murder and necrophilia. But the novel also features a keen look at the AIDS plague, in a setting almost worth dying for: Brite's doomed aesthetes dance in a sweet, heady New Orleans of milky coffee and beignets, alligators, Billy Holiday tunes, scented candles, pirate radio, swamp French, andouille sausage and one bar for every 175 people. And the structure is the tightest of Brite's books so far. --This text refers to an out of print or unavailable edition of this title.
Blood-soaked sheets, cannibalism, rotting, half-dissected corpses: this gruesome psychological horror novel has all the grue a reader might?or might not?want. Brite (Drawing Blood, 1993), the reigning queen of Generation-X splatterpunks, pulls out the stops in this ghastly tale of two serial killers who find true love over the body of a murdered and mutilated boy in the historic French Quarter of New Orleans. Londoner Andrew Compton, imprisoned for the necrophiliac slayings of 23 young men, escapes from prison by (rather unbelievably) faking his own death and killing the coroners gathered to autopsy his body. Fleeing to Louisiana, he hooks up with Jay Byrne, slacker scion of a wealthy old family, a man whose murders are even more fiendish than Compton's own. Brite is a highly competent stylist with a knack for depicting convincing, if monstrous, characters. Her plot development rests too heavily on coincidence, however, and on an excess of details drawn from the life of real-world serial killer and cannibal Jeffrey Dahmer. Though Brite shifts point of view throughout, she always returns to Compton's first person. This technique gives the narrative rhythm and emotional force but also seems aimed toward intimating the reader in Compton's acts of dehumanization ("the aesthetics of dismemberment") and depravity. And so what Brite really presents here is, ultimately, yet another crimson leaf in the literature of the pornography of violence.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
While I would not define this as horror, my best advice is reader beware. I was taken in by the story, but left unsettled by the gore and violence portrayed within. Read morePublished on Sept. 30 2010 by A Customer
The book was in pristine condition, not a bend or scratch anywhere! The delivery was efficient as expected. Overall good quality product!Published on April 22 2010 by Taco Trivia
This books opens the mind to a whole new world of fantasies. You will be amazed, juts don't read it before bed. Or too much of it at once. Read morePublished on Oct. 6 2006 by Thorn Draven
Yup. I should have listened to my gut instincts as soon as I read the ridiculous title, but noooooooo, I had to go ahead and read the whole damn book. Read morePublished on May 25 2005 by Angie
Well, I really wanted to love this novel. It seemed just my kind of thing when I read the editorial reviews. But I was deeply disappointed. Read morePublished on June 3 2004
I read this book when I was a punk-gothic teenager full of angst and rebellion. Now I'm a mother, a career woman, and I remember very little about this book. Read morePublished on May 21 2004
Poppy Brite writes incredibly well, but I kept wondering, where in the world does she come up with the ideas, the detail, for the gore? Read morePublished on April 18 2004 by Lori Anderson
If you have not read Poppy before, do not read this novel first. Even if you have read her, and loved her, proceed with extreme caution. Read morePublished on April 5 2004 by Erin McFarlane
As many others have said, you cannot unread Poppy Z. Brite. I would not recommend this book to rather immature people, seeing that the subject manner is quite disturbing. Read morePublished on March 9 2004 by "jessietheinsane"