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Extra Lives: Why Video Games Matter [Deckle Edge] [Hardcover]

Tom Bissell


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Book Description

Jun 8 2010
Tom Bissell is a prizewinning writer who published three widely acclaimed books before the age of thirty-four. He is also an obsessive gamer who has spent untold hours in front of his various video game consoles, playing titles such as Far Cry 2, Left 4 Dead, BioShock, and Oblivion for, literally, days. If you are reading this flap copy, the same thing can probably be said of you, or of someone you know.
 
Until recently, Bissell was somewhat reluctant to admit to his passion for games. In this, he is not alone. Millions of adults spend hours every week playing video games, and the industry itself now reliably outearns Hollywood. But the wider culture seems to regard video games as, at best, well designed if mindless entertainment.
 
Extra Lives is an impassioned defense of this assailed and misunderstood art form. Bissell argues that we are in a golden age of gaming—but he also believes games could be even better. He offers a fascinating and often hilarious critique of the ways video games dazzle and, just as often, frustrate. Along the way, we get firsthand portraits of some of the best minds (Jonathan Blow, Clint Hocking, Cliff Bleszinski, Peter Molyneux) at work in video game design today, as well as a shattering and deeply moving final chapter that describes, in searing detail, Bissell’s descent into the world of Grand Theft Auto IV, a game whose themes mirror his own increasingly self-destructive compulsions.
 
Blending memoir, criticism, and first-rate reportage, Extra Lives is like no other book on the subject ever published. Whether you love video games, loathe video games, or are merely curious about why they are becoming the dominant popular art form of our time, Extra Lives is required reading.

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Review

"Tom Bissell is a Renaissance Man for our out-of-joint time . . . His descriptions of simulated gore and mayhem manage to be clinical, gripping, and hilarious all at once. He transmits to the reader the primitive, visceral excitements that make video games so enticing, even addictive, to their legions of devotees. One can almost understand why an intelligent, cultured man such as Bissell has been driven to dedicate large chunks of his adult life to bouts of gaming."
The New Republic

"Even if Extra Lives wasn’t the only book to deal with the future of videogames in a serious manner, it would probably still be the best one."
Newsweek

"What should videogame criticism look like? Bissell’s book offers plenty of tantalizing possibilities. . . A deeply personal work, as entertaining as the video games it profiles . . . It’s also the first book about videogames that non-gamers can actually enjoy."
Entertainment Weekly

"For anyone who has spent a weekend thrilled by the prospect of beating a game, "Extra Lives" will cast the addiction in a new, cerebral light."
Washington Post

"An important, relentlessly perceptive book . . . Bissell proves that it’s possible to ruminate on the past, present, and future of video games in a way that is both intellectually rigorous and consistently entertaining."
San Francisco Bay Guardian
 
“Bissell has written the finest account yet of what it feels like to be a video game player at ‘this glorious, frustrating time,’ a rare moment when humanity encounters, as he writes, ‘a form of storytelling that is, in many ways, completely unprecedented.’”—New York Times Book Review 
 
“Fantastic . . . I wish, someday, to play a game that will stay wit me as long as this book about games.”
—Farhad Manjoo, Slate

Extra Lives is the first truly indispensable work of literary nonfiction about society’s most lucrative entertainment medium. Bissell’s commentary is marvelously astute and his enthusiasm for videogames beams through every inch of text.”
Paste Magazine

“Tom Bissell is a Renaissance Man for our out-of-joint time . . . His descriptions of simulated gore and mayhem manage to be clinical, gripping, and hilarious all at once. He transmits to the reader the primitive, visceral excitements that make video games so enticing, even addictive, to their legions of devotees. One can almost understand why an intelligent, cultured man such as Bissell has been driven to dedicate large chunks of his adult life to bouts of gaming.”
The New Republic
 
“Even if Extra Lives wasn’t the only book to deal with the future of videogames in a serious manner, it would probably still be the best one.”
Newsweek
 
“What should videogame criticism look like? Bissell’s book offers plenty of tantalizing possibilities. . .  A deeply personal work, as entertaining as the video games it profiles . . . It’s also the first book about videogames that non-gamers can actually enjoy.”
Entertainment Weekly
 
“For anyone who has spent a weekend thrilled by the prospect of beating a game, “Extra Lives” will cast the addiction in a new, cerebral light.”
Washington Post
 
“An important, relentlessly perceptive book . . . Bissell proves that it’s possible to ruminate on the past, present, and future of video games in a way that is both intellectually rigorous and consistently entertaining.”
San Francisco Bay Guardian
 


“A master prose stylist, the erudite Bissell is frequently insightful.”
Boston Globe
 
“A fascinating book . . . Extra Lives is like taking a private tour at a very exclusive museum, filled with lost masterpieces you never knew existed. You may not find yourself becoming a collector, but you won't soon forget the experience.”
San Francisco Chronicle
 
“This journalistic memoir is not only about the meaning of video games; it’s about the heat and hesitation of love.”
Los Angeles Times
 
 “Mr. Bissell is so descriptively alert that his accounts of pixelated derring-do may well interest even those who are immune to the charm of video games . . . Extra Lives is the most fun you’ll ever have reading about videogames.”
Wall Street Journal
 
Extra Lives is the first truly indispensable work of literary nonfiction about society’s most lucrative entertainment medium. Bissell’s commentary is marvelously astute and his enthusiasm for videogames beams through every inch of text.”
Paste Magazine
 
“Tom Bissell's brave book, occupying a niche somewhere between journalism and an extended personal essay, couldn’t come at a better time.”
—BarnesAndNobleReview.com
 
“Bissell, a whip-smart writer, is engrossed by the new artistic and narratological possibilities that video gaming opens up to us, and his prose is never dry or academic—rather, it’s sweetly personal, and always engaging, even as it pushes its readers to reconsider gaming’s lowbrow status.”
Time Out New York
 
“A scintillating meditation on the promise and discontents of video games . . . Bissell excels both at intellectual commentary and evocative reportage on the experience of playing games . . . If anyone can bridge the aesthetic chasm between readers and gamers, he can.”
Publishers Weekly (Starred review)
 
“Bissell explores not just his own affection for video games but also the games themselves. What separates good games from bad? Where do video games fit on the sliding scale of art? . . . Not just for gamers, the book should also appeal to readers who have some serious questions about the nature and impact of video games.”
Booklist
 
“Bissell successfully dissects key aspects of the medium with razor sharp sense and artfully crafted analysis. A thought provoking, thorough, and ultimately personal study of the industry and its denizens.”
—Cliff Bleszinski, Design Director, Epic Games
 
 “The last thing I ever thought I'd do in this life is read a book about video games. And yet Extra Lives is sharp, critical, very funny, and Tom Bissell's description of killing zombies in the first iteration of Resident Evil is simply a tour de force. If you've ever wanted to know what Grand Theft Auto actually is, and why a highly intelligent person would be interested in it, and whether it is in fact "art," you will really like this book.” —Keith Gessen, author of All the Sad Young Literary Men
 
“The best long-form writing about games I’ve read. No one has written an experiential consideration of games that so carefully and lovingly examines their blossoms and warts. No one has written an astute personal account of the push and pull of games, both in terms of their meaning in our lives and in the many ways they infiltrate our consciousness and drive us bananas. No one has given me more reason to believe I’m not crazy when I say I cherish—and I don’t casually use that word—the experiences video games have given me.”—Michael Abbott, brainygamer.com
 
 
 

About the Author


Tom Bissell
(Xbox Live gamertag: T C Bissell; PlayStation Network gamertag: TCBissell) is the author of Chasing the Sea, God Lives in St. Petersburg, and The Father of All Things. A recipient of the Rome Prize, a Guggenheim Fellowship, and the Bay de Noc Community College Alumnus of the Year Award, he teaches fiction writing at Portland State University and lives in Portland, Oregon.

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.8 out of 5 stars  86 reviews
35 of 43 people found the following review helpful
5.0 out of 5 stars A book for all seasons April 28 2010
By Aaron C. Brown - Published on Amazon.com
Format:Hardcover|Amazon Vine™ Review
This is a book that tries to be four different things and, surprisingly, manages to succeed at all of them. Bart Motes took it as a series of essays to be read for enjoyment and insight into the experience and meaning of video games. I agree with what he wrote from that perspective.

My interest is broader and shallower. I am interested in games and play in general, and also in the technology used to create deeply interactive computer software. I only dabble at games at low difficulty levels and short attention span, more to satisfy curiosity than for enjoyment. I have never been stirred by in-game events, it's all pixels to me. Nevertheless, I see their great power, and respect that they are an important part of our evolving culture. You don't understand the world today unless you have at least nodding acquaintance with these games, and this book offers considerably more than a nodding acquaintance. The less you know about video games, the more you need this book.

The ostensible topic of the book is critical analysis of video games. It is an exploration, not a conclusion, and as such it is tentative and dialectical at many points, but can suddenly switch to positive certainty, backed by the authority of the native speaker. I disagree with Bart Motes that the author is apologetic, he is a rigorous advocate for both the games and traditional standards of criticism. The two often conflict, and the book makes only suggestions about potential resolutions. You won't find the answer here, but you will find the question poked hard from a lot of non-obvious angles.

Finally this book is a fascinating piece of autobiographical fiction. I don't mean that I disbelieve the personal anecdotes, only that they are clearly chosen for dramatic effect rather than illumination of the author's personality or career. I was strongly reminded of one of my favorite works, A Drifting Life. The parallel is not obvious, as Yoshihiro Tatsumi wrote his explanation of what fascinated him with manga and how it fit into the world as a whole after a 60-year career of extraordinary achievement in what is now universally acknowledged as a serious art form. At one third the age, with zero achievement in creating video games, which are still more often classified as silly or dangerous commercial toys for kids and slackers than culturally important art; Bissell is no grandmaster. But the Bissell-point-of-view that narrates this book gripped me in the same way that the young Tatsumi did. Tatsumi draws a cherry blossom to describe how he felt trashing his university entrance exams, and goes brilliantly outside panel to evoke the facial expression of the older waitress who tries to seduce the drunk and inexperienced teenager. Bissell uses his exceptional writing talents to make running a virtual semi truck over a helpless virtual derelict or diving into a virtual pool in a desperate search for a virtual sword (inadvertently virtually dropped) convey both personal and general meaning. I remain more impressed by the former than the latter, but Bissell is young yet. There are also echoes of the disruptive cultural analysis of Fear and Loathing in Las Vegas.

I won't argue with anyone who gives four stars from any of the individual perspectives, but I think it takes a five-star book to do this many things, this well.
83 of 108 people found the following review helpful
2.0 out of 5 stars So...why DO video games matter? Jun 11 2010
By J. GARRATT - Published on Amazon.com
Format:Hardcover|Amazon Vine™ Review
The subtitle for "Extra Lives" is "Why Video Games Matter." I feel like I never really got a clear answer for that statement.

Tom Bissell is a pretty good writer, but his approach is entirely too academic in order to establish any flow in the reading process. Consider this sentence from page 112:

"Despite science fiction's sui generis presumptions, most sci-fi worlds -- imagined at the balance point of the evolutionary and point-mutational, the cautionary and the aspirational -- imitative."

It's sentences like the above, even if I know the meaning behind a majority of the words here, that make me have to reread them again and again, stifling any momentum. Bissell seems to be afraid that games aren't urbane enough for the academic crowd. But he also feels that he's in danger of being too sophisticated for the gaming community. Thus, his persona goes back and forth between I'm-a-very-learned-fellow-and-know-of-what-I-speak versus I-like-to-digitally-shoot-people-in-the-head-while-I-do-cocaine-with-my-friend.

"Extra Lives" is largely unconnected theories on why people enjoy video games so much. Specifically, video games made within the past ten or fifteen years. There is no sociological umbrella theory at work here, just Tom Bissell's own experiences. I was interested in reading a book about video games and why they matter, but Bissell just seems to come up with a lot of armchair theories on why he likes them, phrased about as fancily as possible.

Here's another nugget of clarity from page 122:

"RPGs that lack Mass Effect's ear for dialogue are often written too broadly for any sense of potential gamer agency to take hold, in which cases interactivity becomes a synonym for 'cudgel.'"

Until Bissell makes his points a little more clearly, I'm waiting to hear some real explanations on why games matter.
15 of 19 people found the following review helpful
2.0 out of 5 stars Not worth reading Aug 13 2011
By mistermrp - Published on Amazon.com
Format:Paperback
I'm surprised that this book is rated (relatively) highly by reviewers. In my opinion, the writing is slapdash, the research non-existent, and valuable insights few.

As other reviewers have noted, the title was a problem for me. "Why video games matter" implied to me a thoughtful discussion of video games as an art form, instead I found the book to be a disconnected, meandering series of personal observations about specific titles. It's like titling a book "why film matters" and then filling it with essays about how you really, really liked "back to the future" and "titanic." Yes, it felt that random.

The writing quality seemed contrived to me as well. The second chapter (about "Resident Evil" (aka "Biohazard")) switches to second person for no particularly good reason. It feels forced- like a precocious junior high school student showing off in an essay contest. I also made the mistake of reading the comments on the dust jacket of the hard cover edition. Bisell is described as an "award winning" author. While I read, I was haunted by the question "what awards? Can you take them back?"

There's much better writing out there about games- see the New Yorker magazine's 2011 profile on Shigeru Miyamoto for an example of good writing. That single article contains more insight and research than this entire book.

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