You know you've accomplished something when you can take a work like the Strauss here"Till Eulenspiegel",wrench it away from its conception of the mammoth orchestra to make an arrangement that does justice. When you have performers who intimately know the original Strauss you have a special situation, and that's what's here with the Chicago Pro Musica. All members of the Chicago Symphony who like to keep the tradition of chamber music alive. They also commission new works for them to concertize and sometimes record. Walton's "Facade" is also a tailor made work for this ensemble with its seemless lines,and overwhelming warm lyricism.