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The Fairy Ring: An Oracle of the Fairy Folk
 
 

The Fairy Ring: An Oracle of the Fairy Folk [Cards]

Anna Franklin , Paul Mason
4.6 out of 5 stars  See all reviews (12 customer reviews)
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Product Description

Only a few hundred years ago, people believed that fairies could see into the future and were capable of bestowing the gift of prophecy on mortals they loved. This pack of 60 cards and accompanying book is designed to enable you to call upon the fairies to give you a glimpse into your destiny. The surreal art, combining photography, computer imaging and illustration, works as an opening into the mystical Otherworld. The book and deck are inspired by the landscape of the British Isles.

Excerpted from Fairy Ring : An Oracle of the Fairy Folk by Anna Franklin. Copyright © 2002. Reprinted by permission. All rights reserved.

Introduction

In the cards of The Fairy Ring, you will find beautiful fairies and ugly fairies, good fairies and wicked fairies, helpful creatures and mischievous beings who will try to trick you and lead you astray. We have gathered them all together to form this divination deck where each fairy may work its own particular magic for you.

Today, people are as interested in fairies as they ever were, though most now think of them as amusing myths. However, only a few hundred years ago, belief in fairies was absolute in every strata of society. Gradually this notion dwindled among town dwellers and so-called "sophisticated" people, but country folk well into the twentieth century worried about offending the fairies. Building on a fairy path, digging into a fairy mound, forgetting to leave out cream, or omitting to pour milk on a fairy stone, all of these things and more could incur the wrath of the Little People. The crops might be ruined, the cows might sicken and the milk dry in the udder, the family might be cursed with bad luck, the baby stolen and replaced by a withered changeling, or the breadwinner paralyzed by an elf stroke.

If the fairies are treated with respect and given their due, they will help those who honor them, and may bestow great gifts on their favorites. They can teach a bard how to play music that will move an audience to tears or have them dancing with joy. They can bestow the power of healing on a mortal. The famous witch Biddy Early (d. 1873) maintained that she derived her powers from the fairies. She used a blue bottle, given to her by them, for healing. At her death it was thrown into a lake.

During the persecutions, many witches insisted that their powers were derived from fairies, not devils, as their prosecutors insisted. In the north of England, a man was accused of witchcraft and trafficking with the devil to gain a medicinal white powder. The man contended that he had received the medicine from the fairies. He would go up to the fairy mound, knock three times, and the hill would open. He would then go inside and confer with the fairies, after which they would give him a white powder with which he was able to cure those who requested his aid. He offered to take the judge and jury to the fairy hill to see for themselves. The judge was unimpressed, but the jury refused to convict him.1

In Ireland, the young girls that fairies carried off for brides would be sent back to the human world when they grew old and ugly, but with the knowledge of herbs, philters, and secret spells to give them power over men.2 In 1613, Isobel Halfdane of Perth in Scotland was carried from her bed into the fairy hills where she spent three days learning the secrets of witchcraft.

Fairies and witches were on good terms with each other, and witches were frequent visitors to the fairy hills; being accused of such visits was enough to secure a conviction as a witch. Witches were also known to grow many of the fairy plants (such as foxgloves, elder, primrose, thyme, and bluebells) in their gardens or to gather them from the wild to attract their fairy friends. At one time, even the presence of such plants in a garden was enough to warrant an accusation of witchcraft. Modern witches working in the traditional way still derive the greater part of their knowledge from the wildfolk spirits of the land.

Fairies hate idleness and are very hardworking. They will help favored humans around the house and farm, spinning, weaving, baking, churning, and building, or working as gold or silversmiths. This work is all done at night as the people sleep, as long as the house is left tidy and the hearth is swept, as fairies cannot tolerate dirt and mess. If the customary dish of cream is not left as the small reward the fairies require, then the helpful home sprite will be mortally offended and smash the crockery, wreck the spinning, and hide valuable objects. Fairies like luxury and have contempt for those who penny pinch, especially those who drain the last drop of milk from the churn or strip all the fruit from the trees, leaving none for the fairies. They punish kitchen maids who do not sweep the hearth clean and put out clean water for bathing fairy babies with pinches, cramps, and lameness, while conscientious maids are rewarded with money in their shoes and good luck.

In the past it was considered unlucky to name the fairies, or even to use the word fairy, perhaps because to do so may have summoned them, or because using a name without its owner''s permission was a threat or challenge. It was wise to call them "the Good People," "the Little People," "the Gentry," "the Mother''s Blessing," "Good Neighbors," "Wee Folk," or "the Hidden People."

The English word fairy, or faerie, is derived by way of the French fée, from the Latin fatare, meaning "to enchant." Variations on the spelling include fayerye, fairye, fayre, and faery. In England, Geoffrey Chaucer made the words fairy and elf interchangeable, though the word elf is from the Scandinavian alfar, a term that seems to mean "bright" or "shining."

Though this deck features fairies from Britain and Ireland, there are legends of fairies all over the world, from the tiny South African Abatwa, to the Japanese Chin-Chin Kobakama, the Arabian Djinn, the Russian Deduska Domovoi, the ancient Greek nymphs, and the Albanian Zera. I have been collecting legends of fairies for many years and have recorded over three thousand individuals, and realize that I have only uncovered the tip of the iceberg. Around the world, fairies are mysterious creatures who live apart from the race of humankind, but who are sometimes seen in wild and...(Continues)


Inside This Book (Learn More)
First Sentence
The cards in the Fairy Ring deck are divided into four suits: Spring, Summer, Autumn, and Winter. Read the first page
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Concordance
Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews

12 Reviews
5 star:
 (9)
4 star:
 (2)
3 star:    (0)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.6 out of 5 stars (12 customer reviews)
 
 
 
 
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5.0 out of 5 stars Fairy Friends, Feb 3 2004
This review is from: The Fairy Ring: An Oracle of the Fairy Folk (Cards)
I must admit that I was first drawn to this deck by the artwork, the fairy pictures are lovely. I didn't really think it would work very well, not being a traditional tarot pack. Then I started to read the book, and it is very deep indeed and Anna Franklin has obviously done a lot of research into fairies and the book made a lot of sense to me. When I started using the cards they just blew me away! The readings cut right to the chase. I love the whole thing.After this I bought their fairy encyclopedia to learn even more.
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5.0 out of 5 stars Spookily accurate, Jan 15 2004
This review is from: The Fairy Ring: An Oracle of the Fairy Folk (Cards)
I can't tell you how much I disagree with the last reviewer, I found the deck spookily and alsmost frighteningly accurate when I used it for readings. I see from the other reviews posted here that others have had the same experience. It makes you wonder! I think you have to be willing to be open to fairy energies to use this deck. If you read the excellent book that accompanies it, you find all the information you need on fairy powers, it even tells you which fairies you should not even try to work with.This could be a stand alone book on fairies and fairy powers. I found the pathworkings excellent in furthering my own magical work with fairy energies. I loved most of the artwork. It is very atmospheric and feels as though you have stepped into fairy land. Some, I felt, worked better in this respect than others, but this is being really picky in a deck with sixty cards- an almost impossible task to make them all brilliant, I would have thought. But most of them are very good indeed.
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4.0 out of 5 stars Perfect deck for the Fairy Aficionado, Dec 31 2003
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This review is from: The Fairy Ring: An Oracle of the Fairy Folk (Cards)
This is a set of Tarot like cards and a book on how to use them.  The deck is divided into four 'seasons' and there is a  grouping of eight (8) cards listed as 'Fairy Festival' representing the eight (8) Sabats of the Wheel of the Year'.
The deck is lovely.  The artwork of Paul Mason is almost photographic in nature and the graphics are super.  Each card is loaded with symbolism and the fairies, either truly beautiful or really ugly are a joy to behold either way.   The artwork here is what captures the attention, which is what the cards are supposed to do.
The 'seasons' - spring, summer, fall and winter - are each very close to the four suits of a regular deck of cards, ace through nine, and then there is a 'Lady' card, a 'knave' card (in place of a jack), a 'queen' and a 'king' card.  While just a tad different from the other 'Rider-Waite' style of decks, the familiarity with a standard style of deck will allow you to pick up and use these cards with only a small amount of modification to the way you read.  Being familiar with the 'Wheel of the Year' will also allow you to easily substitute this for the usual Major Arcane. 
The book is also very well done.  Ms. Franklin has put in much research and time to making this an excellent reference book to go along with the cards.  Discussions about the seasonal nature of the fairy folk, the meaning of the names of the fairy folk, which are taken directly out of folklore and myth from the British Islands.  To read this book is to take a trip through fairy tales (not Mother Goose here but the old fairy tales).  Anyone with any interest in fairies would want to own this book just because of all the reference material collected in one place about the various fairy names.  Here we find King Finvarra, The Blue Hag, Jack Frost, and explanations for the various types of fairies such as garconer, phooka, kelpie and will o' the wisp. Some of these you may recognize, some of these will wet your appetite for more information.
The meaning of drawing these cards is very well explained by Ms. Franklin and working a bit with the deck will allow you to very easily identify the cards with the meanings.  Ms. Franklin gives the upright/reverse meanings so they are there if you draw your cards this way.
Ms. Franklin has also included several suggested ways to draw the cards and with a little practice this too can become easy for one who is familiar with card reading.  The meanings will come as the cards are rich in imagery that does associate very clearly to the explanations given in the book.
Each section has a reference list for notations in the chapter, giving sources for the information provided and there is a very thorough bibliography for those who want to go off and do some research on their own.  But the information that Ms. Franklin has provided here is rich in lore and myth and appears to be very accurate for her research.
A lovely deck and a well written and researched book make for an overall excellent presentation here.  I find this to be a perfect gift idea for someone you know would be interested in decks or fairy lore or just a special treat for yourself.
Boudica
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