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Snow Falling on Cedars (Widescreen)


List Price: CDN$ 12.95
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Product Details

  • Actors: Ethan Hawke, Max von Sydow, Yûki Kudô, Reeve Carney, Anne Suzuki
  • Directors: Scott Hicks
  • Writers: Scott Hicks, David Guterson, Ronald Bass
  • Producers: Carol Baum, David Guterson, Frank Marshall, Harry J. Ufland
  • Format: Anamorphic, Closed-captioned, Color, DVD-Video, Widescreen, NTSC
  • Language: English
  • Subtitles: English
  • Dubbed: French
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • MPAA Rating: PG-13
  • Studio: Mca (Universal)
  • Release Date: Oct. 3 2000
  • Run Time: 127 minutes
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (72 customer reviews)
  • ASIN: 0783240325
  • Amazon Bestsellers Rank: #3,080 in DVD (See Top 100 in DVD)


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Customer Reviews

3.7 out of 5 stars
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By Terry D'Astous on Jan. 5 2014
Format: DVD Verified Purchase
very, very good movie. really enjoyed it. Not disappointed at all with the choice I've made . Love conquer everything
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Format: DVD
One cannot deny the awesome beauty of some of the camerawork in this adaptation of David Guterson's SNOW FALLING ON CEDARS. SNOW FALLING was a slow, lethargic, but overall compelling novel; the movie version is the same. Scott Hicks' direction is frustrating yet magnificent at times. For instance, in Max von Sydow's brilliant summation, the camera never leaves Max's face, and the sequence is overwhelming due to the power of von Sydow's speech. It's a key highlight of the movie. However, earlier on, Hicks tries the overdubbing of too many key scenes; for instance, when Hasue is reading her letter, he overdubs it several times, and it becomes irritating rather than moving; he tries this on other occasions and as a gimmick, it doesn't improve the overall effect. The acting ensemble is marvelous: Ethan Hawke, though not as compelling as he should have been, does well in displaying his anger, hurt, frustration and love; Youki Kodoh as the wife of the accused is wonderful, her spritely demeanor hiding a gigantic love for her husband and for Hawke; Rick Yune (Die Another Day) shows the difficulty in expressing emotion as was taught by his father; James Rebhorn as the prosecutor is great, one of his best roles; James Cromwell does well as the judge in a poorly adapted role; Sam Shepard is very good as Hawke's idealistic father; Celia Weston evokes the nasty prejudice of the time as the victim's coldhearted mother; Richard Jenkins is good as the sheriff caught up in something he's not used to--murder; and Eric Thal is good as the victim, should have had a little more screen time to flesh out his role, and make us feel a little more for him.
SNOW FALLING ON CEDARS is a lush, beautifully done film, with an Oscar worthy von Sydow performance; it's hard to stay with it, but if you do, I think you'll be rewarded.
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Format: VHS Tape
I can attest to the adage that the first person one falls in love with is forever, regardless of whether that person gets married to someone else or not. Well, in Snow Falling On Cedars, that sort of past comes back to haunt young reporter Ishmael Chambers when he discovers the husband of his first love Hatsue is being tried for the murder of fisherman/husband/father Carl Heine. The case for the prosecution is that Kazuo, Hatsue's husband, murdered Carl with a flat wooden object, such as a kendo stick (wooden swords used in stick fighting), and all because of the loss of seven acres of land owned by Kazuo's father when Kazuo's family was interned during WW2. Kazuo had demanded the return of the land, but because of two payments missed, his family forfeited the land, which came into Carl's possession. He is defended by an elderly lawyer, Nels Gudmundsson (veteran Swedish actor Max von Sydow in a strong performance), who as a Scandinavian, detects the race issue here. Pearl Harbor has not been forgotten, in other words. All the while, Ishmael sits high up on the balcony of the trial room, observing the defendant and his wife. He is clearly still bitter about the past, as he might have ended up with Hatsue had not circumstances dictated otherwise. This bitterness is manifested when he sits on some information key to Kazuo's defense.
Set in the fishing village of San Piedro, somewhere in the Pacific Northwest, the film shuttles back and forth between the present, in the 1950's, and the past, in the late 30's to 40's. The film shows Ishmael falling in love with Hatsue Imada, a Japanese girl, and both their mothers disapproving of interracial relationships.
Read more ›
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By A Customer on March 22 2004
Format: VHS Tape
Grim.
The title tells it all. The plot is already summed up quite tidily in other reviews. I would just add a few remarks.
English is not Kudoh Yuki's native language. In this movie she does one better than Meryl Streep by actually demonstrating mastery of an entire foreign language by speaking American English with an American accent. Of course, she was already good at it, but we have to remember that Hatsue, being born and bred on American shores, was a native speaker. I thought Kudoh was very convincing. Yes, acting is not all about utterances, and her facial expressions may have been formulaic to some point, but this movie is worth watching just for seeing Ms. Kudoh do her stuff.
And the movie had a profound message. Because of that and the fact that the story took place in a part of the world I was born in, I found the two hours generally satisfying.
Here and there I found the behavior of the characters mystifying - especially crowd behavior.
Why, for example, the silent march to the ferry dock? Forced evacuation of citizens based solely on race was truly a glaring violation of the Bill of Rights, but it was not mass genocide. The long walk scene was as drawn-out as it was grim. It featured a nagging bass in the soundtrack and dejected victims stunned to silence. Together they portrayed a stark black-and-white simplicity that I would question. I imagine that at least the children would still be children and think they were all taking part in some community outing. While the scene captured a certain psychological truth, it also was a bit too heavy-handed. We of the here-and-now know far too much and they knew way too little.
But the movie is definitely worth the time and money.
What I'd like to know, though, is why did they bother to shoot this in color?
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