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False Dawn Paperback – Jul 2001


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Product Details

  • Paperback: 228 pages
  • Publisher: Babbage Pr (July 2001)
  • Language: English
  • ISBN-10: 1930235100
  • ISBN-13: 978-1930235106
  • Product Dimensions: 23 x 15.4 x 1.5 cm
  • Shipping Weight: 340 g
  • Amazon Bestsellers Rank: #2,724,084 in Books (See Top 100 in Books)

Product Description

About the Author

Chelsea Quinn Yarbro is the first woman to be named a Living Legend by the International Horror Guild and is one of only two women ever to be named as Grand Master of the World Horror Convention (2003). In 1995, Yarbro was the only novelist guest of the Romanian government for the First World Dracula Congress, sponsored by the Transylvanian Society of Dracula, the Romanian Bureau of Tourism and the Romanian Ministry of Culture. Yarbro is best known as the creator of the heroic vampire, the Count Saint-Germain. With her creation of Saint-Germain, she delved into history and vampiric literature and subverted the standard myth to invent the first vampire who was more honorable, humane, and heroic than most of the humans around him. She fully meshed the vampire with romance and accurately detailed historical fiction and filtered it through a feminist perspective that both the giving of sustenance and its taking were of equal erotic potency. A professional writer since 1968, Yarbro has worked in a wide variety of genres, from science fiction to westerns, from young adult adventure to historical horror.

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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 14 reviews
12 of 15 people found the following review helpful
One of my favorite stories of all time! Nov. 17 1999
By J. Aitken - Published on Amazon.com
Format: Hardcover
The story pulled me right inside and I was there next to Thea and Evan. Sometimes brutal, but that is probably what it would be like under such circumstances. I would hope to be as brave. I first read it 20 years ago. I've still got the original copy from then, and I don't save very many books!
11 of 14 people found the following review helpful
Another good "Doomer" novel Aug. 25 2004
By Fruit Loop - Published on Amazon.com
Format: Hardcover
Two people wander the earth after an unspecified apocalypse, struggling to survive in a world of complete anarchy. Cities are cesspools and troops of "pirates" reign unchecked. While not as good as Pat Frank's "Alas, Babylon" this is still an entertaining read, although definitely not for younger readers with its gritty violence and rape. The ending is somewhat unsatisfying as well with the fate of Thea and Evan left unresolved.
8 of 10 people found the following review helpful
Excellent Book to curl up with Jan. 24 2000
By "unicornwv" - Published on Amazon.com
Format: Hardcover
I read this book over 20 years ago. I still have the orginial hardcover book. Thea and Evan search for a place of haven,a safe harbor in a world gone wrong. The adventures are excellent and you really find yourself being drawn into their search and hoping they find a place to belong. I really wish another had been written to tell how they ended up.
Brutal Post-Apocalyptical Quest Aug. 1 2014
By Mithridates VI of Pontus - Published on Amazon.com
Format: Kindle Edition
“One of the women wasn’t dead yet. Her ravaged body hung naked from a broken billboard. Her legs were splayed wide and anchored with ropes; legs and belly were bloody, there were heavy bruises on her face and breasts, and she had been branded with a large “M” for mutant” (1).

Before there was Mad Max (1979) dir. George Miller there was Chelsea Quinn Yarbro’s False Dawn (1978)… In 1972 she published her brutal and terrifying short story “False Dawn” in Thomas N. Scortia’s anthology Strange Bedfellows (1972). A few years later the work was deemed important enough to be included in Pamela Sargent’s famous anthology Women of Wonder (1975). This story forms the first chapter of her post-apocalyptical novel False Dawn (1978).

In the 60s highly inventive post-apocalyptical stories flourished: for example, J. G. Ballard’s masterpiece The Drowned World (1962) filled with images of uterine spaces and encroaching waters, Brian Aldiss’ Greybeard (1964) where the elderly are the inheritors of the earth, and D. G. Compton’s The Silent Multitude (1966) where conversations drift amongst the decaying cityscapes.

Yarbro pursues a somewhat different tack in False Dawn. She seeks to tell an unflinchingly realistic portrayal of a world gone to hell due to environmental devastation. I suspect this novel, along with John Brunner’s masterpiece The Sheep Look Up (1972), were influential for later SF.

This is not a cozy apocalypse. This is a world where deranged individuals both male and female who have managed to survive prey on travelers, where roving bands of Pirates loot, rape, and destroy under some tenuous ideology of “survival.” A world where most births produce deformed children, the wandering diseased transmit horrific illnesses, and religious fanaticism of the most virulent sort abounds… A few enclaves manage to eek out a semblance of civilized (rural) existence in the face of these threats. And the promise of more pristine environments that must exist over the next range of mountains, motivate some to keep searching for a better life.

Before society completely collapse groups of scientists experimented on humans in an effort to create bodies that would survive the ravishes of the environmentally destroyed landscape: “they had decided to adapt. They adapted their children. Viral modification, they called it, when it worked” (71). Our heroine, Thea is one of these designed “mutants” although her mutation does not play a major role in the novel.

Unfortunately this hyper-realistic recasting is not entirely successful despite its admirable intentions. Recommended only for fans of 70s post-apocalyptical SF.

Brief Plot Summary (*some spoilers*)

False Dawn‘s central protagonist, a “mutant” woman named Thea, is remarkably resilient. The novel stars off with her winding her way through a scene of incredible destruction caused in part by the Pirates: dead bodies, a raped woman splayed on a billboard, packs of wild dogs, dead animals whose decayed bodies show the signs of viral infections. Her objective: Gold Lake, where civilization might still exist. Her trek takes her across Northern California: a vast expanses of mutilated landscapes, dying peoples, and horrific surprises.

However, her solo journey ends when she encounters Evan Montague, the ex-leader of the Pirates. Evan is dying, his men, increasingly radicalized, turned on him and cut off his arm. The Pirates will stop at nothing to kill their ex-leader. Thea, against her gut feeling and desire to remain alone on her journey, joins up with him on her quest.

A third character “joins” Thea and Evan, an unstable man named Lastly who fought for the C. D. militia. Thea and Evan are disarmed by Lastly at rifle point and forced to march with him. Lastly lusts after Thea and rapes her as Evan collects fuel for their fire: no punches are pulled, the scene is devastating. Evan returns and kills Lastly.

As their journey becomes increasingly difficult for a one-armed man, Yarbro strategically has his “mutant” modifications manifest themselves: “Evan’s arm grew back as fall came on. It sprouted slowly as they left the contamination behind them, beginning as a tawny spatulate paddle below the angry cicatrix marking the path of the saw [...]” (38). The majority of the story’s plot concerns the daily survival of the pair—investigating abandoned houses, building crossbows, avoiding the Pirates—as they make their way across snowy mountains towards Gold Lake.

The more thematic arc of the novel novel follows Thea’s slow recovery from the mental trauma she experienced. I found Yarbro’s treatment of the Thea’s extreme difficulty of recovery from such an experience is admirably conveyed and believable. As she recovers, Evan rekindles her memories of the past—they often reminisce about food, remember fragments of music. Also, she slowly begins to overcome the more general trauma generated by the virtual destruction of the world.

The end is bittersweet.

Final Thoughts

False Dawn attempts to be a realistic story with an exciting plot and careful character development. I remained unconvinced by some elements of the second point. As soon as Thea meets Evan Montague, the ex-leader of the Pirates, the novel tends to slip into very common gender dynamics (he is much older than her and falls in loves, he kills her rapist, he awakens her earlier memories of music and culture, etc). Evan is also completely unconvincing. How can a man who once lead the Pirates–i.e. a force of incredible destruction—suddenly transform into a caring, loving, and tender individual? Yes, he attempted to stem the tide of the Pirates’ increasing radicalism and was nearly killed for his actions…

The sweeping scenes of devastation are well-wrought and terrifying. The horror elements are predictable but effective. I prefer 60s/early 70s post-apocalyptical experimentation over hyper-violent realism.

Vaguely recommended for fans of post-apocalyptical SF.
Entertaining read April 10 2014
By artanis65 - Published on Amazon.com
Format: Hardcover
You really have to grade a book like this on a curve. By today's standards, it's a well written post-apocalyptic book. It's not only a post-apocalyptic novel; it's about a gradually developing relationship between the protagonist and a man she finds on her travels. It's not all that original, but it is a successful novel. However, when it was written in the late 1970's, I suspect it was pretty groundbreaking. It's written largely from the perspective of a female protagonist, which is unusual. It's also a pretty rough book - there's a rape scene, and the book has some pretty graphic violence.

There's some good world building here, and it's recommended for fans of this sort of science fiction.

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