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CDN$ 48.99 + CDN$ 3.49 shipping
In Stock. Sold by thebookcommunity_ca
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Used: Very Good | Details
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Condition: Used: Very Good
Comment: *** Please check Region before ordering *** - This item is in excellent condition and will work flawlessly. The case may show limited signs of wear, as may any inserts.
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Falstaff/Cello Cto/Romance For (Ff)

Price: CDN$ 48.99
Only 1 left in stock.
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Product Details

  • Audio CD (May 4 2004)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Asv Living Era
  • ASIN: B0001EMM3S
  • Amazon Bestsellers Rank: #360,611 in Music (See Top 100 in Music)
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1. The First Movement
2. The Second Movement
3. Falstaff And The Prince In The Boar's Head, Eastcheap, Jesting With The Landlady And Carrying Out A Robbery At Gadshill
4. Falstaff Falls Asleep
5. The First Interlude
6. Part 3
7. West Country
8. The Second Interlude
9. Part 4
10. Falstaff Hurries To London For The Pomp and Circumstance Of The Coronation, But The New King Brutally Rejects His Old Friend
11. Romance For Bassoon And Orchestra, Op. 62 - Halle
12. I. Adagio - Moderato - Heinrich Schiff
13. II. Lento - Allegro Molto - Heinrich Schiff
14. III. Adagio - Heinrich Schiff
15. IV. Allegro Ma Non Troppo - Heinrich Schiff
16. Smoking Cantata - Andrew Shore

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Most Helpful Customer Reviews on (beta) 1 review
7 of 7 people found the following review helpful
A very different and rewarding Elgar concerto Feb. 17 2006
By Santa Fe Listener - Published on
Format: Audio CD
Here the German Heinrich Schiff is one of the few cellists to erase the memory of Jacqueline Du Pre in this work. He does it by not competing with her deeply soulful, big-boned tone; instead Schiff often soudns spiky and edgy, with fantastically fast skittering notes in the second movement. He finds a neurotic intensity in the Edwardian swell of the third movement. The finale is very alert and alive inside.

Schiff's avoidance of lushness helps this work, which so often sounds dated and rhetorical. He reveals what a masterpiece it is for modern ears. Mark Elder's accompaniment follows the cellist's strong expressive gestures, and the sonics are spectacular, which seems to be the norm for Halle recordings nowadays. The "filler" is actually longer than the concerto: the overlong tone poem, Falstaff, much beloved by Elgarians.