Here we have 5 mini-CDs (3-inches) and a normal-size CD similar (but not identical) to GREATEST HITS.
Somewhere in the world, there are people who have kept half an eye on Bjork's career but never bought one of her albums. People who may not feel inclined to buy one of her proper albums, yet have heard enough of her to desire more than the GREATEST HITS. If these people exist, FAMILY TREE will appeal to them. However, experienced Bjork fans are likely to regard FAMILY TREE as a terrible wasted opportunity.
It contains:- some familiar, easily-obtained album tracks; a handful of the many non-album single-sides she's released since 1993; two (only two) genuine rarities from the '80s; and an abbreviation of the famous 1999 London concert with the Brodsky Quartet (omitting some of the most interesting one-off moments from that concert).
Perfectionism is a virtue where `proper albums' are concerned. But to assemble a compilation like this, an artist needs some understanding of the "hardcore fan" mentality - of the devoted followers and their interests and desires. Unfortunately Bjork, like most artists, lacks that understanding. When this box was released in 2002, Bjork had a 25-year recording career behind her. Fans knew all too well that a great deal of her most interesting, even revelatory, work was unavailable - either deleted or confined to bootlegs.
Whether Bjork realises it or not, her reputation would have been enhanced by a box of four or five full-length CDs, consisting mostly of rare/previously unreleased material, spanning her entire career from child-stardom through Tappi Tikarass, the Sugarcubes and Kukl, to the present day. Instead she's given us this unsatisfactory product. And now she's made the same mistake twice, with an equally inadequate live box set.