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Figures of Speech: 60 Ways To Turn A Phrase [Paperback]

Arthur Quinn , Barney R. Quinn
4.8 out of 5 stars  See all reviews (5 customer reviews)
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Book Description

Nov 1 1995 1880393026 978-1880393024 1
Writing is not like chemical engineering. The figures of speech should not be learned the same way as the periodic table of elements. This is because figures of speech are not about hypothetical structures in things, but about real potentialities within language and within ourselves. The "figurings" of speech reveal the apparently limitless plasticity of language itself. We are inescapably confronted with the intoxicating possibility that we can make language do for us almost anything we want. Or at least a Shakespeare can. The figures of speech help to see how he does it, and how we might.

Therefore, in the chapters presented in this volume, the quotations from Shakespeare, the Bible, and other sources are not presented to exemplify the definitions. Rather, the definitions are presented to lead to the quotations. And the quotations are there to show us how to do with language what we have not done before. They are there for imitation.

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3 of 3 people found the following review helpful
Format:Paperback
"A Handlist of Rhetorical Terms" provides a more complete study, but "Figures of Speech" is more user-friendly, more entertaining, more compact, more useful. "Handlist" proved to be more scholarly, "Figures" more practical. "Handlist" arranges the figures alphabetically, "Figures" by type. "Handlist" gives a few examples, "Figures" many. I found the examples in "Figures" to be lyrical, the commentaries whimsical, the results educational.
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3 of 3 people found the following review helpful
5.0 out of 5 stars A linguistic bag of tricks Jan 13 2000
Format:Paperback
What Strunk & White did for syntax, Arthur Quinn does for rhetoric in this slim delightful book. The 60 figures covered enable sentences to say more than they mean, resonating with the writer's intent. Through examples drawn from sources as diverse as Homer, the Bible, Shakespeare, Romantic poetry and Abraham Lincoln's speeches, Quinn shows that concepts like metonymy and synecdoche, far from being erudite, are pervasive in the best literature.

Anyone with an interest in effective writing will enjoy and benefit from this book.

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2 of 2 people found the following review helpful
5.0 out of 5 stars Truly worth it's weight in gold July 26 2003
Format:Paperback
"Figures of Speech: 60 ways to turn a phrase," by Arthur Quinn (Professor of Rhetoric at the University of California, Berkeley) is truly worth it's weight in gold. This book is not a stuffy academic classroom text...it is a sleek, extremely funny and stimulating resource that will undoubtedly add tremendous value to your knowledge of writing the "Queen's English." Moreover, Professor Quinn's book is super provocative, superbly written and succinct...allowing the reader to go cover to cover in a few short hours.

Quinn challenges the reader..."We are confronted, inescapably, with the intoxicating possibility that we can make language do for us almost anything we want." In other words, the author "thinks outside the box" long before it became fashionable to do so. I'll never forget a groundbreaking banner front-page headline in the New York Daily News back in the 1970's, it read, "We Wuz Robbed!" The headline reported that masked gunmen broke into the payroll office and stole millions in typical New York City lingo. Apparently the editors in the Daily News Building agreed with Quinn's approach to effective writing that "style, is like a frog: you can dissect the thing, but it somehow dies in the process."

Each chapter in this marvelous book is short and compact. My favorite chapters include, Missing Links and Headless Horsemen, Man Bites Dog and Reds in the Red. In a nutshell, Quinn demands that we navigate the jungles of style creatively and includes many figures of speech through out his book to stimulate the learning process. Overall, this book is a joy to read. In the words of the author, "language becomes a prison house only poets can escape...if we do not reject any strict distinctions between ordinary usage and figures of speech."

Bert Ruiz

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