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Final Cut (W/1 Bonus Track) Original recording remastered

3.8 out of 5 stars 111 customer reviews

Price: CDN$ 28.55
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58th Annual GRAMMY Awards
Discover this year's nominees on CD and Vinyl, including Album of the Year, Artist of the Year, Best New Artist of the Year, and more. Learn more


Frequently Bought Together

  • Final Cut (W/1 Bonus Track)
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Total price: CDN$ 86.03
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Product Details

  • Audio CD (May 4 2004)
  • Number of Discs: 1
  • Format: Original recording remastered
  • Label: EMI Music Canada
  • ASIN: B0001KZM3O
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 3.8 out of 5 stars 111 customer reviews
  • Amazon Bestsellers Rank: #36,235 in Music (See Top 100 in Music)
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1. The Post War Dream
2. Your Possible Pasts
3. One Of The Few
4. When The Tigers Broke Free
5. The Hero's Return
6. The Gunners Dream
7. Paranoid Eyes
8. Get Your Filthy Hands Off My Desert
9. The Fletcher Memorial Home
10. Southampton Dock
11. The Final Cut
12. Not Now John
13. Two Suns In The Sunset

Product Description

Amazon.ca

The last release from the Roger Waters-led incarnation of the band, The Final Cut is easily the most darkly provocative entry in the entire Pink Floyd catalog. Many fans and critics tend to think of it as a Roger Waters solo album, though it certainly hangs together much better than The Pros and Cons of Hitchhiking or Radio K.A.O.S.. Others view it as a sequel to The Wall--and indeed, The Final Cut tackles many of the same issues (the futility of war, the innate powerlessness of the individual in modern society), albeit with twice the bile and intensity. The anger that fires songs like "The Hero's Return" and "Not Now John" is certainly legitimate, and Michael Kamen's orchestral arrangements are absolutely stunning, but the entire listening experience can be pretty draining. On the other hand, if you found The Wall to be too soft or commercial, The Final Cut is definitely the record for you. --Dan Epstein --This text refers to an out of print or unavailable edition of this title.

From the Artist

The 'Discovery' collection: 14 Remastered Studio Albums Since 1967 Pink Floyd have produced one of the most outstanding and enduring catalogues in the history of recorded music. All 14 original Studio albums have now been painstakingly digitally remastered by James Guthrie (co-producer of The Wall), and are reissued with newly crafted packaging and booklets created by the band's long-time artwork collaborator Storm Thorgerson. 'Discovery' albums are designed as an introduction to the artist, with all booklets including full album lyrics. --This text refers to an out of print or unavailable edition of this title.


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Customer Reviews

Top Customer Reviews

Format: Audio CD
Pink Floyd's 1983 album "The Final Cut" is a sadly underrated gem in the band's vast music catalog. While the album lacks the strong musicality of "The Dark Side Of The Moon" and "Wish You Were Here" and the dramtic theatrics of "The Wall", "The Final Cut" still qualifies as a strong effort and is an outstanding piece of work.
"The Final Cut" is largely a solo work by Floyd bassist Roger Waters with drummer Nick Mason and guitarist David Gilmour acting more as sidemen than bandmates. Floyd keyboardist Richard Wright was completely out of the picture when this album was made having left (or fired by Roger Waters depending on what you read) after the extravagant "Wall" tour. The rest of the album's sound is filled out by session musicians and a full orchestra.
The album's overall concept deals with war and politics and was written as a tribute to Roger Waters late father who died in WWII. Besides its strong musical contributions, "The Final Cut's" lyrics are gripping and seem almost autobiographical. Its content alternates back and forth between contemplative tenderness and ranting raging bitterness (a trademark of Waters).
The newly remastered version of "The Final Cut" displays the album in its best sound quality yet giving more punch to the drums and bass. The sound effect sequences heard throughout the album have an eerie realistic quality to them as if you're standing in the middle of a war zone. If this isn't enough, the reissue includes one bonus track "When The Tigers Broke Free". This song had been released as a single at the time of the "Wall" movie's release but was left off the "Final Cut" album for various reasons.
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Format: Audio CD
"The Final Cut" is not for you if you are searching for "quintessential" Pink Floyd. This album finds Roger Waters in complete creative control of the band (at this point a trio due to Richard Wright's expulsion). David Gilmour's solos are few and frequently far between, and Waters' brooding lyrics are clearly the centerpiece of this melancholy work. Imagine the "sedate" parts of "The Wall" (i.e. "Nobody Home" and the beginning of "One of My Turns") and you have nearly the entire "Final Cut" (with the exception of "Not Now John".) The effect is that the music is a texture, rather than a discernible melody, and sometimes this is great (as in "the final cut") However, it sometimes makes the music sound fabricated and unoriginal ("Behind Paranoid Eyes"). Overall, I believe it to be a great collector's item, but not a "must-have" for fans of the pre- "Wall" Pink Floyd.
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Format: Audio CD
Pink Floyd's The Final Cut was originally released in April of 1983. The album was the first Pink Floyd album of new material since 1979's 23 million plus seller The Wall. The album was mainly the work of Roger Waters(bass player/vocals) with muted contribution from drummer Nick Mason and guitarist/vocalist David Gilmour. Keyboardist Rick Wright was kicked out the band during The Wall sessions by Waters. The Final Cut was supposed to be the soundtrack to The Wall movie but instead became a gloomy vivid portrait of a morally crumbling post-WWII/Falklands War era England. The album is fixated on the second World War and what the personal and societal sacrifices of that conflict meant to Great Britain in 1982/1983. "What have we done to England?/Should we shout, should we scream/'What happened to the post war dream?'" lyricist Roger Waters asks on the opening The Post War Dream. Throughout the album, Roger(whom had lost his father in World War II) explores that inquiry. Your Possible Pasts are taking shots at then UK and US leaders Thatcher and the late Ronald Reagan, which dates this song slightly. The main character in this album is the teacher from The Wall whom was disappointed in the generation they preserved (One of the Few and The Hero's Return), trying to keep a fellow serviceman's dream alive(The Gunner's Dream which is one of the album's best tracks), pursued by ghosts (Paranoid Eyes). Get Your Filthy Hands Off My Desert is great and is followed by my favorite song on the album The Fletcher Memorial Home which depicted Thatcher and Reagan as overgrown infants and tyrants(though I did like Reagan but c'est la vie). Southampton Dock was about Thatcher waving goodbye to the men and not about wives waving their husbands goodbye to go to war. The title cut is a great song too.Read more ›
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Format: Audio CD
I'm an avid fan of Pink Floyd, but I was extremely disappointed with this album. I wish I could give it zero stars. A few previous reviews have already mentioned this but it bears repeating: This is a ROGER WATERS album, not a Pink Floyd album! When this album was recorded, Rick Wright was booted from the band and Waters reached his megalomaniacal peak in 'artisitic control' over their music. While Gilmour and Nick Mason were still around, this was essentially a Roger Waters album with lackluster music and contrived songwriting. Need further proof? Check Waters dismal work since leaving PF after this album...nuff said!!!. Hell, even Gilmour admitted that he wished they didn't release this bomb. Save your money for either their old stuff or Momentary Lapse of Reason and thereafter...you'll be glad you did.
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